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KaceyLeggio
Reviews
Dom za vesanje (1988)
Great!
I don't know where to begin writing about this movie. There are so many wonderful elements regarding this film, but I will try to get to the main ones so as to not get too extensive. This film was my first experience with director Emir Kusturica, and I must say, I am a huge fan. The acting in this film is fantastic - better than anything I've seen in a while. Set in both Yugoslavia and Italy, "Time of the Gypsies" takes you into a magical reality, that, in turn, brings you to a harsh conclusion about the human form, and the cyclical nature in which humans tend to get stuck. The protagonist of the film, Perhan, played by Davor Dujmović, brings you into the mind of a young man that is altogether enchanting and haunting. We approach him innocently through the beginning of the film, as he does us. Throughout the duration of the story, we become conflicted by the choices Perhan begins to make, taking us on a journey of growth, manipulation, understanding, chaos and betrayal. The magical realism that takes place in this film can be noted in multiple scenes, many of which leave you questioning both the film and yourself. You must use your own interpretation to receive what you want out of this story, which, in my opinion, is what makes a great movie. While fictional, the underlying truth that accompanies the choices Perhan comes to face, as well as those around him, all hone in on realities that many people are able to relate to. The cinematography and directing are nothing short of excellent, and I could not be happier about having the opportunity to have seen this film.
Seppuku (1962)
Revenge, Redefinition and Ritual
While "Harakiri" was not my first experience with Japanese history, culture or cinema, it was still an impacting and enlightening film. While ruthless in nature, "Harakiri" does a wonderful job in conveying the history of ancient Japan, samurais and the Bushido code. While some people's knowledge of samurais only extend as far as the Disney film, "Mulan", "Harakiri" sheds a great deal of light on the underlying meaning behind the truth, strength and honor of the code. With a protagonist that is both relentless and appealing, "Harakiri" delivers special performances all over the board. While it moves a bit slow, there is an undeniable enchantment about this film. The story, while heart-wrenching, is so well done that you come out of it rooting for more. It makes you question history and the way it's perceived, just as I'm sure Mr. Kobayashi intended. With engaging choreography and near-perfect consume and set design, "Harakiri" brings you to a place and time that you otherwise may not have known existed. Kobayashi does a wonderful job at conveying the internal struggle between all characters, men whom have an obligation to their families, and those who have one to their code. This film challenges all the elements of revenge, redefinition and ritual. A job very well done.
La otra conquista (1998)
Utterly Heartbreaking, Unforgettably Fantastic
First off, I have never been a huge fan of historical films. Not to say I don't appreciate history or the facts which bring us to present day, it's just rare that a storyline of one combined with the film itself are as intriguing and captivating as they are enlightening. After watching "La Otra Conquista", I have changed my opinion entirely. As a courageous endeavor to share the true story of the Aztec peoples, this film is one that touches the heart and mind equally. Being raised in a Mexican family, I am ashamed to say I never knew the history of the Aztec people. What they are unwilling to teach you in school is exactly what this film exposes, and what makes it so triumphant. The lead character, Tomas, played by Damien Domingo, is not only captivating, but so truthful in emotion and dialogue. Though tough to watch at times, "The Other Conquest" plows it's way through the harsh realities that the Indians faced while being disband, enhancing what is a horrific story with beautiful cinematography, impressive production and costume design, and intense, unforgettable moments of brutality that have you in tears and in hope simultaneously. Needless to say, I would highly recommend this movie to anyone looking to expand their reach, not only into foreign, but wonderful filmmaking.
Fa yeung nin wah (2000)
Beautiful!
As the first Chinese film I have ever seen, I have nothing bad to say about "In the Mood for Love". This movie is so wonderful in so many ways. The cinematography is beautiful, and the acting, although subtle in delivery and dialogue, is engaging and thoughtful. The use of repetition in both dialogue and music creates a familiarity that binds the audience to what they are watching. Similar to Asian culture, the costume and production design are equally ornate as they are simplistic. The story-line moves gradually with elegance, and you begin to connect to these two individuals, whose hearts begin to feel so kin to one another. While mildly heart-breaking, you still get a sense of satisfaction and fulfillment at the end of the film. A good watch, and a good story.