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Reviews
Dirty Beautiful (2015)
Thoughtful and Hilarious Unexpected Rom Com
Watching Tim Bartell's "Dirty Beautiful" was filled with some many wonderful surprises - the many laugh-out loud moments, including a dream that gets hilariously ruined, some pretty painful rejections, and some great industry jokes of the struggles of making it in LA. It was really interesting watching the arc of the Kat character (Jordan Monaghan) who can be downright deplorable in certain moments, retaining an edgy quality throughout the entire runtime, without truly changing or redeeming herself in the end. I also noticed some carefully crafted callbacks and nods, such as "Eternal Sunshine of the Spotless Mind" reference that is totally perfect. This film really took me by surprise but I was quite happy getting to spend 90 minutes with these extremely quirky characters.
Goodbye, Petrushka (2022)
A Whimsical Franco-Romance
Lizzie Kehoe gives a winning performance as Claire, a French-obsessed film student, in Nicola Rose's "Goodbye, Petrushka."
I really enjoyed the small details: Professor Steve spelling "honisty" wrong, the way the French Au pair coordinator asks for payment, or Claire's sheer joy walking down a French street. I really liked the interweaving of the Petrushka fable into the main storyline and Clarie's goal of staging a puppet show with her crush Thibaut (Thomas Vieljeux). The intercut animations were also very cool. I loved watching Claire's journey and Lizzie Kehoe was excellent in the role. When we finally get to see some of her puppetry skills to her roommate, Kehoe fully commits and it's a joy to watch. I also really enjoyed her connection with her roommate Julia (Casey Landman), especially towards the end where they join together to throw *something* off of their roof. The ending was bittersweet but also rang very true to life. Would definitely recommend.
A Greenland Story (2022)
An Enlightening Film about a Misunderstood Culture
"A Greenland Story" is a beautiful film about an often misunderstood country. Gorgeous aerial footage and soothing narration will transport you to the hauntingly beautiful landscape. Whales swim past the shoreline, popping up and diving below the surface. Some of the shots are simply awe-inspiring. To be honest, I had a bit of a difficult time watching the hunting segments. Hunting is an important part of the indigenous culture but some of the archival footage made me have to close my eyes. The high school student graduation segment was touching to watch and also very educational (also love the sweaters!) 24-hour daylight is something I can't really wrap my mind around but the film captures it beautifully. The later passages about the melting of ice sheets were urgent and passionately crafted. It's brisk 52 minute running time and engaging subject matter makes this a very easy watch. Check it out today!
Maysville (2021)
A Stirring and Well-Made Period Drama
I was blown away by Leslie Goyette's "Maysville." Goyette combines gorgeous cinematography, perfectly crafted compositions, and a stirring score, to tell a coming-of-age tale in 1920's Appalachia. A tragic accident sets up the narrative in the film's first act in this gripping drama, complete with a truly terrifying antagonist played by Brian Sutherland. As the young Teddy is forced out of his home and lives under the iron-clad rule of Buck Stamper (Sutherland), we see him grow up to be a strong-willed young man who goes by the name Theo (now played by Kevin Mayr). It should be noted what an exceptional feat for Goyette and team to have accomplished this vision, especially for a period film, on what supposedly was an indie budget. The blossoming romance between grown-up Theo and Elizabeth (a charming Cheyenne Barton) that then develops is heartwarming to watch. The final showdown between Theo and Buck in the film's climactic ending is well-earned and satisfying. I would highly, highly recommend this film!
AVA: A Twist in the Road (2021)
A Heartfelt Drama About Loss
I really enjoyed Catherane Skillen's "Ava- A Twist in the Road," a somber meditation on grief and self-identity. Early scenes with Ava (played by Skillen) going through her deceased spouse's belongings were deeply impactful. The tension between Ava and the brutish son of her deceased partner really work. The scenes at the party where Catherine is looking to meet new people were well written and effecting. I enjoyed her arc where she ends up working at the newspaper stand at the end. I wish they resolved the conflict with the husband's son but other than that, I found it very enjoyable.
La Inevitable Muerte del Cangrejo (2022)
An Impressive Thriller With a Great Ending
I was blown away by Ahcitz Azcona's superbly acted and directed feature The Inevitable Death of a Crab." It's a tense, pulse-pounding thriller packaged into a brisk 72 minutes. Azcona stars as the main protagonist Santiago, a loyal and loving son whose life starts to unravel when his family begins receiving threatening phone calls to their home. Azcona gets great mileage out of these scenes, letting the tension build slowly call after call, without ever losing our attention. The film looks gorgeous, set mostly in a modern, upscale home in Mexico, with minimal set changes, except for a few great scenes at the tennis courts and driving in their car. As Santiago says in the film, most Hollywood bad guys now are "Mexicans" in "yellow filters" hanging out in "saunas." His bad guys are most certainly not that, and the ending you will never see coming.
Here Comes Your Man (2021)
Excellent Series
I can't emphasize enough what a gem this show is. Now in its second season, the cast have only grown more comfortable in their roles, the emotional rifts between them only starker. Omar Salas Zamora as the creator and showrunner of the series exudes a quiet confidence, never diverting or losing sight of the characters and emotional honesty of the series. Jason Alan Clark is a huge talent, playing the lead Aaron, who is trying to navigate the gay dating scene of contemporary LA. Clay von Carolwitz steals every scene he's in as Malcom, who pines for Cassie (Noelle Miller) but always seems like he's on the verge of completely blowing it up. Watching both seasons is a total breeze. Get yourself a Dekko account and check it out now!
Sold Out (2021)
Romantic and Touching
I was very touched by Tim Dahlseid's "Sold Out," a sharp, funny, insightful commentary on the music industry. Sam Bardwell as John and Kelsey McMahon as Kat give beautiful performances.
The tension between Kat and John when she tries convincing him to join her on the road was really interesting. The interplay between them, as John pulls away from his everyday life, feels realistic and grounded, the stakes extremely high, the longer he spends away from home. It also functions as a great road trip movie, powered by a country-tinged soundtrack. Sam Bardwell and Kelsey McMahon have terrific chemistry together and is evident in every scene. The ending really comes together when John gets the nerve to get back on stage.
The Black Book (2021)
Fun Genre Remix
I thoroughly enjoyed "The Black Book," a fun remix of several different genres, all with a scary or supernatural twist. The "Date Night" segment is a cool black and white retro throwback, followed by an assassin-inspired chiller about "The Sorcerer", which also boasts impressive practical and VFX work. Some stories operate a little stronger than others, but you can really feel the filmmakers trying and tackling new things. A story about urban myths and the authenticity of a "snuff film" site succeeds much more effectively and disturbing. "Ocularis" is an apocalyptic nightmare and effective alien invasion thriller. The eerie atmosphere and news broadcast footage will really create the mood. "The Man in the Mirror" ends the film on an entertaining note, with some creative visual effects transporting in and out of mirrors. Although I can't say I totally was able to follow along, I had a great time regardless.
Cohabitation (2020)
New Twist on the "Roommate Thriller"
Really dug this flick, a great entry into the "roommates from hell" subgenre - Tiffany Streng stars as Emily, a parademic suffering from PTSD, who is searching for a new roommate. Her anxieties are shown in subtle ways, always bubbling up below the surface, mostly showcased in her interaction with others - weird landlords and prospective roommates. The flashback scenes to a triggering car crash with the paramedics were well done and intriguing. Streng anchors the entire film, able to peel back the layers, like in her sessions with her therapist, where she still hasn't let go of her past trauma. I really enjoyed the character turns for the roommate Sarah, played by Stephanie Rose Quinnell. The dynamic between Emily, Sarah, and Emily's police-detective sister-in-law Heather (Carly D. Anderson) had a great tension to it. Satisfying ending that ties everything together, you'll definitely want to let this one in.
Six Years Gone (2022)
Emotional and Absorbing Thriller
I was immensely moved by this slow-burning English drama, about a mother and her desperate search for her missing child.
Veronica Jean Trickett gives a captivating, understated performance as a desperate "mum." The scene with her and a pair debt/collectors, once she reaches the end of her rope, was especially powerful. The further into the plot, Veronica's character becomes more like a detective, taking back her agency. From there, it escalates into a tense, white knuckle thriller. Dudley anchors us with a docu-style reality, grounding the tension and smaller human moments.
Metamorphosis (2022)
Expertly Crafted Horror
I love so many things about this film - a beautifully shot, hauntingly atmospheric two-hander set in Upstate New York. Serene shots of trees, nature, and water are juxtaposed with shocking and terrifying turns of character and mesmerizing imagery. The editing is stellar, propelled by an unnerving, ominous score. Gil McKinney's Hugh is a fascinating protagonist, pulling us in with a magnetic performance that is both bone-chilling and sympathetic. To be honest, I was not prepared for the rabbit scene. You'll know when you're at it! The ending was visceral, gooey, gorey, gut-wrenching and expertly crafted. Great job!
Mexican Moon (2021)
A Uniquely Executed Western
Chris Zuhdi's "Mexican Moon" is an inventive, at times surreal, meditation on the cartel drug-war along the US-Mexican border, with bits of "El Mariachi" and "No Country For Old Men" running through its veins. Chock-full of terse Eastwood-esque dialogue and splatters of blood, "Moon" is an unique entry into the genre for the sheer execution of its storytelling. Zuhdi, acting as his own DP, shoots dialogue scenes in a slightly disorienting center-punch, never cutting away to a wide or two-shot, which gives the film an almost stage-like feeling. The lighting is hard, as if the omniscient God in this fictional universe was shining a spotlight down on every character in the scene. Dark blues and blood reds run throughout, but Zuhdi keeps you engaged, with the twists and turns of the hundred-thousand dollar mcguffin that constantly switches hands. Also, and I mean this sincerely, was blown away by the use of Johnny Cash's "Thanks A Lot", which I'm sure from a licensing point of view, could not have been easy to obtain! If you're tired of the ultra-slick Hollywood recreations of the old western, check out this down and dirty little gem today.
Kin Dread (2021)
A Thriller That Moves At It's Own Rhythm
"Kin Dread" is an effective, cerebral drama with tinges of horror and a slow burning sense of *ahem* dread. Adrian Leon accomplishes a lot on what appears to be a limited budget but his imagination and inventiveness is evident from the jump. I love the audio / sound engineer element of the plot, which evoked such classics as "The Conversation" and "Blow-Out", with a little "Rear Window" thrown in there to boot. Following the protagonist Winters, the shy shut-in, who spends most of the film speaking to an Alexa-type device, could have been a slog if it was put into less capable hands, but Ethan David Smart shines in the lead role. I will admit that were times I found myself a bit lost in the various layers, the film really coalesces in the final twenty minutes. Leon manages to stick the landing, delving into full on horror, with a character reveal I never saw coming. Check out this twisty little gem today.
Astro Loco (2021)
Unique and Fun Space Odyssey
I really enjoyed Aaron McJames' "Astro Loco," a sharp, satirical space adventure with punk-rock energy and sharp comedic timing to spare. Made on what I presume is a limited budget, the special effects were impressive and the humor between the cast was top-notch.
I especially enjoyed the little asides and rants, such as referring to dub-step as the "golden oldies". I also loved the camaraderie between the characters, such as their drinking game / cheers game and an extended debate over who on the ship is most likely to be a cockroach.
I also really appreciated the A. I. who commandeered the ship, had much more humanity to it than I anticipated... from the Southern accent, to the disappointment of losing a "friend", this was a much needed tweak to the classic "HAL" type villain we've come to expect.
If you're looking for a unique space odyssey in the sci-fi realm, outside of the regular Hollywood machine, "Astro Loco" is for you.
The Eve (2015)
Fresh and Original Thriller
I thoroughly enjoyed Ritchie Steven Filippi's "The Eve", a twisted thriller about a group of friends and lovers staying in a remote cabin on New Years Eve. Conflicts simmer within the house between the male leads Harry and Scott, revolving around bad investments, lying, and jealousy. Evan Bass gives a compelling and riveting performance as Harry. Fillippi sustains an ominous tone throughout the 79 minute runtime, starting with the spine-tingling open scene which hints at the future horrors we're in store for. A surprise twist midway through changes the trajectory of all the characters, seamlessly flowing from a relationship drama to full-on thriller. I don't want to reveal too much of the plot, but if you like twists, you will really enjoy "The Eve".
Sunday Mornings (2021)
Never Seen a Film Like It
I can honestly say I've never seen a movie quite like Inda Reid's "Sunday Mornings". Courtney Arlett gives an arresting and captivating performance as Sunday, a Church-going, God-fearing woman, with a big family and a lot of heart. The film moves at a brisk pace (run-time is just about 65 minutes) but packs in a lot of characters and situations. The ones that stuck with me the most were in the opening sequences, seeing a group of women going after an abusing husband in their Sunday best was empowering and powerful. It ends on two radically different tones, for which I applaud the filmmakers for trying something completely different...a musical number, followed by the conclusion of a very dark subplot. I can honestly say I've never seen anything like it! Definitely worth a watch.
Pungo: A Witch's Tale (2020)
Witches and WTF Humor Make for a Winning Combo
If you're looking for something fun and a little spooky, check out Philip J. Cook's "Pungo: A Witch's Tale". An intriguing story, based off of real legend, revolves around Cathryn Benson's Grace Sherwood, a twenty-first century woman, who has been roped into a 300-year old saga. With the help of Mark Hyde's Bud and Matthew Sharpe's Sam, the three make a winning trio, with lots of fast quips and humor, especially from Sharpe, who displays a lot of comic talent. I really appreciated the light-hearted asides ("Do I look grumpy?") and WTF humor, as monsters and time-traveling villagers come after them, axes and all. The VFX work was quite impressive, with images of the sky opening up, as if to open a portal to a new world. Unsettling images of hooded phantoms standing in the woods mixed with more humorous , emotional arcs for the characters makes for a spooky sci-fi blend. Don't sleep on this one and check out "Pungo" today!
Introspectum Motel (2021)
Atmospheric Two-Hander
I really enjoyed the slow-burner that is "Introspectum Motel". Marcel Dorian delivers an introspective, moody, and atmospheric two-hander, set largely in a chic but desolate hotel. The dialogue was intriguing, filled with double entrees about "chasing mice", "the golden rule", and other brain-tickling metaphors. Also some great quotes - "F***k Christmas" was particularly good. The widescreen anamorphic cinematography presented in 2.35:1 on what seemed to be a modest budget, felt expansive and captured the interior spaces beautifully. There's a great twist approximately midway through I won't spoil here but is worth sticking around for.
MIA (2019)
Subtle and Panoramic Views
I loved this film. Galia Barkol "Dont Let the Night End" announces the arrival of an assured talent on both sides of the camera. In a spritely 70 minutes, Barkol presents an incredibly assured panoramic vision of Brooklyn. The humor and tension of watching her character subtly navigate the trappings of twenty first century NY is a pure joy. There's a real confidence in the restraint Barkol has in her visual approach, with beautiful compositions of apartment interiors, that showcase her characters feelings of isolation and loneliness. One image that really stuck with me was of a WC door, that hung for an extended beat, with just a single hand visible in the light. Check out this hidden gem today if you are looking for a new voice with a fresh perspective.
Boston2Philly (2016)
Two Cities, One World
I really enjoyed Ralph Celestin's "Boston to Philly". Throughout its run, some poignant points are made about heartbreak, friendship, and loss. It also makes great use of Philadelphia's beautiful scenic views, even adding a little locator at the bottom to remind us where we are. Also love the romantic scenes between Philly and Boston, where you can really tell both actors had a ton of chemistry. I also enjoyed Celestin's use of repeating transitions, back and forth, from present day to a traumatizing amount from the past.
Things get heavy, intense heart pounding moments with gunshot wounds, lead to more personal moments with Boston and Willy G. Celestin has an assured hand, balancing all of these dramatic moments that are woven throughout, without ever losing sight of the characters or their struggles. There's a truly powerful scene with a church choir later in the film, that reflects the yearning and hope of its
story.
Check out "Boston To Philly" today and spend some time in this carefully crafted world.
Back to Berlin (2018)
Cathartic and Deeply Moving
I was incredibly moved by Catherine Lurie's "Back to Berlin". It offers a fascinating view of history, through the lens of personal accounts of the Holocaust, passed down from generation to generation; carrying on a sacred tradition through motorcycle riding. Unspeakable acts of evil perpetrated by not just the Nazis but also the fascists allied with them, that plays out during scenes along their travels, such as Bucharest, Romania. There's a conversation where Marco, one of the riders, says he's not sure if he wants to feel what they (his family) felt because the sadness is too powerful.
On their way through Hungary and Serbia, we see modern-day strife play out between refugees and police along the border, as the team passes by breathtaking scenic views. The 1935 bikers rode the same year as the Nuremberg Laws were put into effect, displaying a stunning amount of courage and bravery in a threat-filled landscape. Today's riders want to continue that legacy and they do so triumphantly. The first hand accounts from survivors were especially powerful.
One line in particular that really stuck with me was "When you hear one person tell their story, they tell it for all the other people who can't tell their story".
The end of the film, when the team finally reaches Berlin, the site of the 1936 Olympics, to light a torch in honor of their ancestors was deeply cathartic.
Stirring music and the velvety narration of Jason Issacs also helps carry this deeply powerful film. Essential viewing for all us to remember.
Mandao Returns (2020)
"Mandao Returns" is a Literal Blast
Confession: I did not go into "Mandao Returns", the spirited sequel to "Mandao of the Dead", having seen the original. But as the astral projection starts flying and Jay Mandao (or "Uncle Jay") and his partners in crime Cousin Andy (Sean Liang) and Jackson (Sean McBride) start zipping back and forth between the spirit world; I was instantly hooked.
The comedic rhythms and speed to which jokes fly off the walls at you, reminded me of The Coen Brothers when they're working in their "Raising Arizona" register. Scott Dunn as Jay makes an excellent lead, and his double-triple-duty as writer, director, actor, editor, and I believe sound mixer as well, is equally impressive.
The movie has an infectious energy, of what I would call sophisticated wackiness. As far out there as the plot goes (and it goes far) Dunn never loses control of the ship and all the performers are in top-form, with a winning performance by Gina Gomez-Dunn as Fer.
The chemistry of these characters is all you will need heading into this astral plain, but there's a lot more surprises waiting for you too.
Turnover (2019)
Serving Up Some Fun
I thoroughly enjoyed Linda Palmer's touching and hilarious "Turnover". Paul Guilfoyle leads an excellent ensemble as Peter, the curmudgeon owner of a struggling French Cafe.
Shenanigans ensue, when Peter's manager Henry (Riker Lynch, "Glee") recruits a new staff to work in their cafe, opening the door to a hilarious cast of characters. There are moments that are genuinely touching, such as Peter's speech to his staff, where he shows that he has a bigger heart then he lets on. Or when the gang gets their paychecks and the excitement they share - ("Shh we're in an alley" - great line).
It's also great to see in these divisive times, a film about coming together and working as a team, which really hits home, as "the gang" bands together to revitalize the cafe. As the film progresses, so does our investment in the characters. The cast works terrifically well together, including standout performances from Julia Silverman as Gladys and Jamie Brewer ("American Horror Story") as Gina.
It's a touching, warm film that you can cozy up to, which has the added effect of making you hungry for some turnover!
The Stand Up Doll (2019)
Inspiring Portrait of a Life
I was profoundly moved by Evelyne Tollman's "The Stand Up Doll", a harrowing recount of the life of Holocaust survivor Risa Inglefeld. The complicated past of Risa's life, is juxtaposed with interviews of her daughter and Evelyne's own commentary, which is effectively woven throughout. Tollman conjures striking imagery, such as the lines in Risa's neck or wilting flowers, which adds a poetic touch to the documentary. Risa's resolve at the age of 100, whether recovering from a collision or doing her routines walk, is a source of inspiration.