Reviews

The film titled "Totally Killer" leaves me somewhat perplexed with its elusive title, as it fails to convey a clear sense of its content. Within the movie, elements such as neuroticism, a notable lack of logical coherence, and forced attempts at humor all appear to be apparent, offering insights into the director's distinctive style and approach.

Regarding my impression of the film, I find it challenging to categorize it within conventional genres. It doesn't neatly fit into the realms of comedy, horror, or science fiction, and regrettably, it does not provide an enjoyable viewing experience. In essence, "Totally Killer" defies classification, making it a somewhat enigmatic cinematic venture. The rationale behind its production, apart from potential considerations related to ESG policies, remains a puzzle.

I have always been a huge fan of Keanu Reeves and his portrayal of John Wick. However, this latest installment left me somewhat disappointed. It felt like an unending parade of astonishing killings and miraculous survivals. I could have accepted this if the movie had hinted at a parallel universe with no police presence and where John Wick possessed superhuman healing and accuracy powers. It would have added a layer of intrigue to the story. Unfortunately, that wasn't the case.

It would have been refreshing to see Keanu's character engage in more dialogue and character development rather than constant shootings. In fact, he statistically killed 151 characters but spoke only 380 words throughout the entire movie meaning he had to kill one person for every other two or three words he uttered!

I must admit that the shooting -of course!- scene at 02:08:30 was truly impressive and captivating, making me revisit it several times. However, beyond that particular scene, there wasn't much acting to appreciate. The film seemed more focused on self-glorification than delivering a somewhat realistic storyline that adheres to common sense and the laws of physics.

Despite the film's pretentious dialogues and at times, excessive overacting, I can't deny the stunning aesthetics and visuals that the movie offered. The production values were undeniably top-notch, but sadly, they couldn't make up for the lack of depth in the plot.

The previous three installments of the franchise were more grounded and enjoyable, in my opinion. This latest one, however, veered too far into an exaggerated and fantastical realm, losing the charm that made me a fan in the first place.

While I generally avoid religious preaching movies and woke propaganda films, I must admit that I found myself surprisingly engaged by this particular movie. The primary reason for my enjoyment was the remarkable performance of Sean Patrick Flanery in the role of Edward.

Flanery's dedication and talent shone through, as he single-handedly carried the film and transported me into unsettling realms where the boundaries between deranged human psyche and the metaphysical became hazy.

I enthusiastically recommend this movie, as it offers a mix of entertainment, philosophical depth, and occasional moments of distress. Overall, it is a largely enjoyable and thought-provoking experience.

I would like to extend my appreciation to Sean Patrick Flanery once again for his outstanding portrayal. His performance deserves significant recognition.

Racism entails discriminating against individuals or groups based on their skin color.

This film completely demonizes the entire white population indiscriminately. Imagine switching the colors and attempting to rationalize the movie, defending its storyline and plot.

It's not based on true events, but rather a fantastical hallucination. In all honesty, there's little else to add.

If you wish to enjoy it, do so, but be prepared to suspend logic and common sense. True art should stimulate thoughtful reflection, not evoke negative sentiments.

Furthermore, it is essential for art to promote inclusivity and understanding, fostering a society where diversity is celebrated rather than perpetuating harmful stereotypes.

Nothing new here. Just another comically unrealistic, misandristic hot piece of Netflix wokeness garbage.

One star is zero stars. No wonder Netflix is being dumped by millions every month.

This piece of crap is a manifestation of the mental illnesses devouring the brains of its makers. No logic, no logic and no logic, with almost the same quality of craftsmanship you'd expect from a drunken blacksmith baking cakes. A sadistic cesspool that will leave you wanting to verbally abuse all cast members. Simple-minded linear characters with robotic actions and reactions. A movie meant to shock you artistically but instead ends up shocking you with no purpose.

Hitmen movies usually show you the protagonist hitman as a smart person. This one doesn't! The "hitman" here is slow to understand, slow to even know who his targets are.

I've seen lately several movies done in the past 2 years with prominent actors, these movies were so bad they don't even qualify to be a B movie. I don't understand what makes these actors do that.

I couldn't carry myself to watch it till the end. The gun fighting scenes made me want to crawl under the bed in shame. The director has never seen a war movie in his life. What a wasted potential.

A few serious tips to all audiences:

1- Don't open a parachute standing in the back of a speeding truck.

2- Don't run in an open field during a dry thunderstorm. (Relay race style running included).

3- When you're close to a wildfire, don't run towards the fire.

This movie wasted a lot of talent trying to animate a dead script.

No character development, no revelation, a lot of plot holes and continuities. This movie felt like it wanted to go everywhere at the same time but failed miserably.

Hollywood making movies aiming to please a certain nationality audience has gone too far, The Meg being their latest cheesy cash yielding flick. It's a kids movie, nothing more. Stop this, you're ruining it..!

I must say the ending left me wanting; it should have been longer and with more context. Other than that it's a beautiful movie about love, pain and what makes us human. Recommended.