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10/10
You can forgive this man.
26 October 2021
Warning: Spoilers
I see this wonderful film as primarily a study of the protagonist's character. The idea is simple: he is, like the wolves around him, a solitary stoic brute surviving in a harsh environment, but underneath the wolfskin he literally wears is a fully sentient human; and the story is full of instances illustrating this. The culmination is his tears at the end: they are not just for his own imminent death - they are surely tears of remorse too, for having made his wife want to kill him and flee.
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In Treatment (2008–2021)
9/10
The formula is simple.
7 August 2021
Know what struck me towards the end of season one of this enthralling drama? That the essence of great drama is intelligent conversation and characters relating emotionally. Shakespeare knew this, Coronation Street knows this, evidently mainstream Hollywood does not. You don't need big-budget sets, explosions, car-chases, superheroes, you just need a room, a few excellent method actors and finely wrought dialogue.
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The Silence (2010)
5/10
A Gaping Implausibility
9 June 2021
Warning: Spoilers
Review by Stephoni.

I watched this Brit drama on Amazon Prime. I rated it mediocre - 5 out of 10. In my opinion the decision to make the protagonist a deaf teenage girl and Genevieve Barr's performance redeem it, and distinguish it from the rest in its genre.

The plot, which is generally vague, has one yawning implausibility. It is this: Policewoman Jane Shillady was murdered by being run down while jogging in a park. She was bounced across the top of the car, then reversed over. At no point in the entire 4 tedious hours of the drama do the police ever mention the car. As the murder weapon, the car would have been the most crucial piece of evidence, and a veritable treasure trove of forensics. When Amelia recognised the photo of Lee Gregson as the killer and told her high-ranking detective uncle Jim, who was in charge of the case, why did he not immediately seize all vehicles to which Gregson had had access? If, in order to protect Amelia, Jim did not want to show his hand, why was there not at least a scene of his wrestling with what must have been a terrible dilemma?

It is plainly ridiculous that the car was ignored throughout the story. It is as though the writers were so fixated on the overwrought family dynamics that they forgot all about obvious police basics.
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Under the Greenwood Tree (2005 TV Movie)
7/10
A delightful film, but...
23 December 2007
Overall I liked this film: it was visually beautiful and the story was enthralling. The one criticism I have, and it is a big one, is that Keeley Hawes is miscast as Fancy Day. She is too old and world-wise. I understand she was born in 1977, which would make her 29 when playing the part. Hardy describes Fancy as "a young girl","oscillating between courage and shyness". At times the lines around Hawes' eyes and mouth give away her age, but the main failure is that she comes across as a self-assured, mature woman rather than an uncertain girl beginning her adult life, dominated by her father and dismayed by the attentions of three suitors.
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