Once it establishes itself, and breaks free from its nods to 'Brazil' (movie), Bladerunner and early David Lynch, it becomes itself in its own universe.
The move to the Fantasy and Confrontation signals, I thought, a weakness in the therapeutic narrative mainly because the fantasy context and the separation of the two protagonists dropped the intensity. There was also no advance to resolution or acceptance which that stage demanded.
The move to the Fantasy and Confrontation signals, I thought, a weakness in the therapeutic narrative mainly because the fantasy context and the separation of the two protagonists dropped the intensity. There was also no advance to resolution or acceptance which that stage demanded.
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