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Dreamscape (1984)
4/10
Did not age very well
30 September 2009
Warning: Spoilers
I just watched this movie with my mom. We're both Dennis Quaid fans, and I have enjoyed his other forays into the scifi realm (Enemy Mine and Innerspace being a couple of them). However, this movie was completely uninteresting. All of the actors in the film seemed bored with their lines and characters. Quaid's Alex Gardner is rather bland. They try to play up his "bad boy" persona in the beginning, but he comes off as a self-righteous bum. Later attempts to make him appear good and selfless in the eyes of the audience come off as shallow. There was nothing there for me to believe that he would have any genuine interest in Kate Capshaw's character. Christopher Plummer plays a terrifically not-menacing "Big Bad". The only character that stands out is David Patrick Kelly's psychopathic Tommy, though there was not much subtlety in the presentation of his character.

Though it had a great idea, the script does nothing interesting. It becomes predictable midway through the film. The final showdown is staged awkwardly. The special effects appeared to be incredibly cheap, even for the time (this was after Blade Runner and Alien...the "Snakeman" character here does not have anything on the lava monsters in "The Journey to the Center of the Earth"). Overall, the most striking aspect of this film is the by-the-numbers approach it took to making a scifi film. One gets the sense watching this film that it was trying to do something interesting with as little effort as possible.
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Jake's How-to (2008)
1/10
Terrible
20 May 2009
Warning: Spoilers
There is really not much else to say about it. End of review. Just kidding. To the best of my knowledge, the plot is Aaron broke up with his girlfriend, he's feeling really dejected and his asshole friend Jake tries to "help" him hook up with girls while training for some beach volleyball tournament. The acting in this film is horrific. There was nothing endearing about the main character. I could not understand why any of the women in the film would be even the slightest bit interested in him. Of course, none of their characters were all that developed either. In fact, the only likable person in the whole film was the one guy who shouted a bunch of random obscenities and made obscene gestures. I think it was because the actor was aware of how ridiculous the rest of the film was and just went crazy. It is kind of sad that his character, which was not really much of character, was the only good part in the film. Outside of that, the music was obnoxious. The sound and lighting was pitiful. Basically it was a lot of unattractive people running around in swimsuits and bikinis spouting really forced dialog. Don't see this movie; I am ashamed I sat through this.
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Knowing (2009)
4/10
Started off great but ended so predictably
21 March 2009
Warning: Spoilers
This movie appeared promising. Alex Proyas is a great director. "The Crow" and "Dark City" are nothing short of masterpieces, and even "I,Robot" was decent for a Will Smith action flick. Proyas has been known to mix genres well too (see "Dark City"). "Knowing" looked like a good mix of sci-fi, horror and disaster-movie action, but it ultimately came off as forced, stale and ham-handed. The plot was utterly pointless (the numbers never really served a purpose because there was no way for Cage's character to save anyone with the information he was given). By the time men in black were coming for the children, and Cage and Byrne find the Biblical imagery in the trailer, the ending became very predictable. There were many unintentionally hilarious moments when it was supposed to be serious. The acting was mediocre. Unless the presence of other spaceships suggested that the aliens had chosen children from different parts of the world as well, the fact that two Caucasian children were the only ones chosen restart the human race was mildly disturbing. I give this film a 4 because it did have an intriguing beginning and kept the audience on edge until around the middle of the film. The music and the effects were all right too (though the usage of the main theme from the Allegretto of Beethoven's Symphony No. 7 was overdoing it a bit).
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9/10
Superb
15 January 2009
Warning: Spoilers
I saw Mad Max 2/The Road Warrior over my winter break and got hooked. I am so desensitized by action flicks today with over-the-top and impossible stunts and overuse of computer graphics, this was a refreshing look at what cinema used to be like. The action is dirty, gritty, realistic and keeps you at the edge of your seat without having to resort to ridiculous maneuvers to impress the audience.

The plot is simple enough without being dull. Mel Gibson as the jaded Max gives an incredibly minimalist performance that works well. The scope of the apocalyptic setting is kept within the viewpoint of the characters (kind of like the movie "Signs" attempted to treat an alien invasion through the eyes of one farm family). The concern in Mad Max's world is always oil: the survivors are scavenging what is left of their ruined civilization. Beneath all of the action, we are also given a psychological thriller where humanity is torn between maintaining its dignity or falling back into savagery. Max has not fallen down the path of savagery yet, unlike the aggressive villains (who still remain very human) but he has lost his sense of kinship with the rest of humanity. His situation and personality is wonderfully contrasted by Bruce Spence's bombastic portrayal of the Gyro Captain, another antihero trying to survive, who will ultimately follow the road Max is unwilling to take.

Good performances by all of the cast and a wonderful score by Brian May. Excellent example of a sequel that improves upon the original (though the first Mad Max was great in its own right). Sadly, Thunderdome was a letdown after this film, though it is still a decent flick. 9/10.
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Eragon (2006)
5/10
Mediocre But Enjoyable Fantasy Tale
22 December 2006
Warning: Spoilers
I have not read the book, Eragon. I have heard horrible things about both the book and the movie. I came into this film expecting it to be godawful. It was actually quite a fun little adventure, though hardly anything to write home about.

Basically, the story is about a boy named Eragon (Edward Speelers) who comes across a dragon egg that hatches the dragon Saphira (voiced by Rachel Weisz). After his uncle is killed by mercenaries of the evil king (John Malkovich) he, accompanied by a former "dragon rider" named Brom (Jeremy Irons) try to find the enemies of the evil king and join forces. They make a side trip to rescue a princess (Sienna Guillory) from the an evil sorcerer, Durza (Robert Carlyle) who works for the evil king. All of this builds up to a big climatic battle at the end.

The story is really cliché. The plot line very much parallels Star Wars (the dragon rider and the dragon substituting for the Death Star plans; Brom substituting for Obi-Won; the evil king is Emperor Palpatine, etc.) and the names of the characters and all the places are reminiscent of LOTR. John Malkovich's presence truly screamed "I'm getting paid a million bucks to say a couple lines and to be John Malkovich." I was really hoping Sienna Guillory's character would die because she was played so horribly.

Despite this, I found myself fervently rooting for Eragon and Saphira. This is one of the few times I have actually rooted for the heroes in a story (I prefer villains, as they are more interesting to me). I don't really know why, but Speelers and Weisz just did it for me. I also must compliment Carlyle's performance as Durza the Shade. He was genuinely creepy and Carlyle seemed to be having fun in the role. The scene where he and Eragon face off above the battle below is spectacular.

Overall, it was a good way to spend the evening and munch on some popcorn. This is not high quality cinema but I would say it is high quality entertainment.
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9/10
One cool adventure into the origins of humanity
24 March 2006
This was an enthralling video we watched in my physical anthropology class. It takes us through all the major hominids, such as australopithecus afarensis (Lucy), homo habilis (the first toolmaker), and homo erectus (Turkana Boy, handaxes). We learned about how they could possibly have survived (or didn't survive against Africa in the Pleistocene), tools associated with the various hominids, whether or not they were violent hunters or scavengers. There were interviews/footage of famous archaeologists/scientists in the field such as Raymond Dart, the Leakys, and Lewis Binford. The recreation of the hominids, with fairly convincing makeup, were quite entertaining as well. High school biology classes would especially be interested in this film, or anyone wishing to know more about evolution. I give 9/10.
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7/10
So many good things, but some very important factors left out
20 November 2005
Overall, I believe this was a good movie and a fair addition to the Harry Potter series, but there were things the screenwriter and director totally missed out on that really ought to have been included.

I can understand leaving out the Dursleys, Ludo Bagman and SPEW, and maybe even Molly Weasley, but poor Alan Rickman was left with so little to do with his character in this one that by the time he becomes a truly essential character in the fifth movie, they're going to have to explain so much that he's almost going to seem really random. The realization that Snape is a Death Eater was an eye opener in the book, yet here it is almost like, "Oh yeah, by the way..." It's almost as though they do not know what to do with his character, and he's probably the most important one outside of the trio. Another thing that really was done horribly was the ending. The viewer was left with the feeling that Barty Crouch Jr. is going to come back, when in reality he's supposed to be dead. Are they going to just to add his death into the very beginning of movie five, or what? They also skipped out on Fudge's scene at the end, which is a terrible shame because Robert Hardy could have done that scene brilliantly. The film seemed very jumpy and incoherent in other spots as well. The best example I can give of this is Hermione and Ron's confrontation at the Yule Ball, and then in the next scene they're best friends again without any real explanation as to how they made up.

However, despite these problems, there were many things done well. The trial scene (with the exception knowing Snape is a Death Eater), was really well done and the Unforgivable Curse scene was a lot darker (very appropriately) than in the film. The tasks were all done well, especially the underwater scene. The best scene though (the most anticipated, in my opinion) was the graveyard scene. Ralph Fiennes was chillingly awesome as Voldemort. The priori incantatem was done perfectly and the Death Eaters were maliciously frightening (though I think the budget could have handled a larger hood for Lucius Malfoy).

The acting is better in this one. Katie Leung was fine as Cho (though her character, thank goodness, was not all that big), and yes, she was pretty enough for the part. Stanislav, Fleur and Robert were good as the the other champions, though Krum and Fleur did not get to say much. Hagrid and Madame Maxime's scenes were cute, Brendan Gleeson played a very believable Mad-Eye, Rita Skeeter was played to the hilt by Miranda Richardson, and Dumbledore was not as hyper as he seemed in the trailers. McGonagall had a larger role in this film, but sadly Snape had nothing to do, Narcissa Malfoy did not make an appearance (which will make her seem very random in movie six), same with the Lestranges. As far as the trio, Harry's acting has improved substantially since "He was their friend", Ron plays it about the same, and Hermione is gradually weakening with her overblown emotions. Her line at the end nearly killed the movie, but I suppose that wasn't her fault she had to say it. The new music was good as well.

Overall, a 7 out of 10, and I'm being generous. Taken as a movie, it is okay, and the art direction, cinematography and etc. are all great, but the character development is weak. Had the movie been just even twenty minutes longer, it could have been better. Definitely not a contender for best adapted screenplay at the Oscars, that's for sure.
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10/10
Awesome
13 November 2005
I was blown away by this film the first time I saw it. After giving myself a couple hours to shake off my dumbfounding amazement, I became addicted. This film has everything. It's witty in its dialogue, suspenseful in its action and violence, beautiful in its cinematography, and (being so like the Coen brothers) it can make you laugh and cringe in the same scene.

The script is superb. The characters are absorbing and the dialogue (as some reviewers have already observed) flows like words in a book. You have to watch some scenes more than once to totally get what's going on, and even then you still might miss something.

The acting is top-notch, even down to the lowest thug. Gabriel Byrne plays the antihero Tom to lonely perfection and Marcia Gay Harden's hooker without a golden heart is excellent. The rest of the cast is great as well, including good mobster Albert Finney and a funny cameo by Steven Buscemi. However, the show is stolen threefold by Jon Polito as the erratic Italian underboss Johnny Caspar, John Tuturro as the slimy "schmatta" Bernie Bernbaum and J.E. Freeman as Caspar's dark, vicious adviser/thug Eddie Dane. Jon Polito's monologue in the very beginning on ethics and Tuturro's desperate pleas at Miller's Crossing are both powerful scenes, and Freeman commands the screen whenever he is on.

My rating is a 10/10. The best part about this movie is that it gets better and better every time you watch it. Oh yeah...the Danny Boy scene is reason enough to watch this movie anyway.
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