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Godland (2022)
8/10
Beautifully filmed tribute to the Icelandic landscape and the people that used to live there
27 October 2022
The film has some amazing imagery, it is intriguing, it has drama, mistery and above all, it shows the dominant force of nature, that is depicted as far more powerful than the ephemeral characters that try to make a living on earth.

I found it as an odd to nature, to specifically the Icelandic harsh but majestic natural landscape and to the way people used to respect this. It is a great movie in many ways.

However, it's plot is slow-moving, the scenes are extremely long, do not expect to be entertained as it is the complete opposite of a fast-action, Hollywood-style movie. It is often rather boring and there is the real danger that the 2 hours and 23 minutes to pass rather slow to you as it did to me. I has the impression that the movie could have been just as deep and beautiful lasting only say 1 hours and 45 minutes.
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10/10
A film about normality
10 March 2022
'I did not understand what was the movie about!' complained someone as we discussed The Lost Daughter. 'It was about many things, but not in a typical Hollywood way' I replied. But later I realised: the film can give you this impression because it attempts to normalise feelings and actions that are otherwise frequently judged and criticised.

In a phrase, the movie is about a single women on holiday in a small but dull beach resort in Greece as she tries to cope with her past actions and feelings. Nothing out of the ordinary really happens but this I think is the underlying force of the movie, that actions of dispare, of depression, of abandonment are explained in a truly sophisticated way. Viewers end up understanding the main character and resonating with feelings that might be totally strange to us.

The movie is also a very positive one, in spite of its rather sombre atmosphere. Another one of its messages is that life move on. And implicitly that we should move on. Nearly falling into depression, the main character picks itself up literary at the very end and smiles again. That smile and the laughter is the true cherry on top of this great movie. Olivia Colman is superb, by the way. She plays a very unassuming, even banal middle-age lady and she manages to embody the character so well that you often forget Olivia Colman is actually there. Pure genius. Top Oscar contender for sure.

Finally, the movie is also feminist but in a subtle, extremely inteligent way. The main character is someone who has always taken the life in her own hands and managed to find a way, build a life in a very independent way. This are not things said but shown and communicated in a thorough way.
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8/10
A review not from an Estonian
6 July 2021
I see the excitement for this movie in Estonia were it became the most watched film ever and can understand it. It is a great, beautiful screen adaptation of 'the national' Estonian novel. The plot reminded me of those bigger than life novels, that manage to portray one's life from the beginning to the end, encapsulating a whole world in it. Think of Lev Tolstoy or Charles Dickens. Speaking of Tolstoy, the whole story has a certain Russian air in it, even if some Estonians might not sympathise with my opinion. The dark, almost macabre atmosphere; the lack of any joy; the harshness of the characters; the cold, unsaturated colours used in the movie; the sorrow and despair; and maybe above all the feeling that life is an inescapable damnation, all reminded me of the great Russian literature.

Do not get me wrong, the movie is great, the storyline is great as well. The main message of the movie that are also the opening lines can serve as a great life lesson. The movie is not a depressing one, it is about how to learn from someone's else mistakes and how indeed the children of the main character do learn. In addition, it is beautifully acted, with superb cinematography, beautifully filmed, great music. It is a truly complete and well-made movie that deserves the 3M bucks Estonia invested in it as part of its 100 years anniversary as an independent state. In spite of its national significance, the story is not specific Estonian and people worldwide can easily relate to it.
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8/10
I went on holiday in Crete in 2021 and decided to see Zorba the Greek
2 July 2021
However, the movie has nothing to do with the Crete of today. There are no tourists in Mihalis Kakogiannis's adaptation of the novel with the same name, no beautiful landscape and almost no feeling of the dramatic, even stunning landscape of Crete.

In fact, the movie is about a wild, uncivilised, rural, backward Crete. Anthony Quinn is simply magnific and the film is worth watching only for his performance, which I dare to say it is one of the best I have ever seen in any movie ever. Everything is beautiful shot, the plot develops nicely, the actors and the action is vivid and convincing. The movie diverges from the book in one, perhaps essential, detail. One of the main characters, the one who comes to Crete to revive the lignite mine as a hero full of good intentions and care for the locals is not a young Greek intelectual but a British one. From the perspective of our time this is a twist that turns the movie from what could have been a commentary about modernisation, traditions and rural/urban gaps in Greece to a neo-colonial narative about a civilised Westerner wanting to and ultimately failing to modernise a backward place. The director, even if Greek himself, does not care to look closer and to understand or perhaps only to give the point of view of the locals about their traditional habits, religion, actions. The camera lens are in fact a pair of Western eyes looking at everything with curiosity, sometimes with repugnance, sometimes with patronising understanding. Women are there just for love affairs, household chores and stealing. Men are cruel, heavy drinkers, weak and lazy. Maybe they are, maybe they have always been like this. The problem is not the historical veridicity but the striking lack of interest in the local culture from a Greek director of a film ultimately about Crete.

The movie is well worth watching but not to understand or to accompany your holiday in Greece.
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Nomadland (2020)
10/10
A stunning display of superb acting, high-class directing, packed in a warm, intriguing story
2 February 2021
Warning: Spoilers
Many reviewers found that the rough life of nomads in the US has been idealised and that the movie does not really show the daily hardships they endure. I agree. But the movie is about something else. The main character, the great Frances McDormand, is not happy but it is resilient. She is not a good person in particular but can be kind and warm to others and kind and warm to herself. She lives her life unfazed by the hardships she has to endure and that have sucked most of the vitality or feelings out of her. She is not capable to settle down, not capable to fall in love, not capable to make friends or laugh or have a good time. As if ever since her husband died and the town that she lived in disbanded her soul has been taken away as well.

The movie ends with her visiting her former town and finding her empty home. It looks less hospitable than her tiny van, where she spends all her life. But the empty house might be also a metaphor for her heart, her soul, her body depleted of all energies. Fern- what a lovely name - does not really live as a nomad. She merely lingers the vast American plains, surviving and resisting. The movie is about resilience, is about injustice and hardship. It shows all these in the most wonderful way.
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Residue (2020)
10/10
A powerful and super original film about the powerlessness of Black people in America
4 November 2020
Residue does not have a plot or a narrative line. It speaks to you via disparate images, innovative dialogues and amazing characters. It is as powerful as it is subtle. I am not a Black person, nor American but I felt the pain, the emotion, the questions and the drama unfolding in the mind and in front of the eyes of the main character. The main narrative, about the gentrification process in a Washington DC neighbourhood, gets tangled in so many parallel narratives that actually mimic how the human mind feels and thinks. Yes, Residue is one of those rare movies that ends up being about you, about me, about our fears, emotions and questions. Is it really about gentrification this movie? Is it also about friendship? About time? About opportunities and chances? Is it me the boy who left his neighbourhood when he was young in search of better opportunities? Is it you, who stayed behind to help his parents and be with his grandparents? Is it us, who cannot speak anymore to each other and cannot find a place anymore in a soulless world?
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9/10
A powerful, realistic drama about the violent police-community relation in one of the poorest neighbourhoods of Paris
19 October 2020
The movie is a powerful statement against police tactics, everyday racism and the evil power relations that govern the interactions between the most hardhit members of our community and the law enforcers. It can be read as a protest movie, against the idea of policing and praising the revenge of those abused, those threatened, those whose life are pre-determined by their social status. It is hard to be untouched by the extreme realism of the scenes. While following the three police officers on duty in the neighbourhood unsolved questions stick to us until the very end: who is to blame, who is right and who is wrong, who is the victim, why and how do we need power relations and authority in our society? Ladj Ly already has the answers and they are perhaps best seen in the final scene of the movie, by looking at the injured boy with the molotov cocktail in his hand. But would I, would you also burn the police and our entire social order?
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Roma (2018)
10/10
I for once would cancel the whole Oscar ceremony, just award the prize to Roma, and not waste anyone's time
18 February 2019
Warning: Spoilers
Such a brilliant, brilliant, rich movie. There are times in life when you feel you just lost a few hours. There are also times when you were productive at something and feel good, or times when you were simply entertained and feel good as well. There are also times when you feel so emotionally charged that you just have to stop thinking for a second, take a deep breath and start to dissect and to make sense of the last hours spent. This is how I felt after I saw Roma. I feel I do not have time and energy to unpack the layers and layers of meanings and messages transmitted by the movie.

Let me start by saying the directing was amazing. The image was amazing (and i do not like black and white movies). The screenplay was amazing. The movie shows the life of a maid and through it goes into questions of class, race, family, gender roles, death. I will not detail where all these things appear but just stop at two things I found particularly impressive. Although it was easy for the movie to fall into the more known narrative of the maid being working class, different race, badly treated and thus unprivileged and discriminated, it does much much more than this. The maid is actually well treated, to the extent that it becomes a second mother (or father?) for the children. When the dad is gone, she becomes even more part of the family. In the ocean scene she does arguably what only parents would do, sacrificing her own life. Therefore, we are left wondering if are parents truly the backbone of a family? Must you have blood relations to be called a parent or to have more rights to raise a child? What does 'your' child mean anyway? If you gave birth to it, what rights are you entitled to? Is the servant/maid worse or better parent than the father who is always away, and cheats on his wife?

Another striking thing is the constant presence of death in the movie. One of the children tells about someone who got shot at the beginning of the movie, then another child plays death, the maid says that she likes to be dead when she plays, her child is born dead, in that protest a lot of people are dying. I was ABSOLUTELY SURE that given all these clues, the children will also drown in the ocean scene! But the director brilliantly does not allow this. He twists in a way the whole narrative, to offer us also hope and happiness, that go hand in hand with death anyway. Because Roma is in the end a movie about life, more than it is about death.
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The Favourite (2018)
8/10
Fascinating movie, Yorgos Lanthimos does it again. BUT...
18 February 2019
First of all, funny to read all the negative reviews from the people used to watch only Transformers and Nightmare before Christmas :D Very rich movie in meanings, excellent exploration of the human nature, brilliant directing, brilliant way of complicating and destabilising gender roles and sexual orientations. It is a powerful feminist movie, with men reduced to funny and ridiculous wigged mannequins while women pulling all the strings. Equally intelligent was the way sexual orientations became complicated to the point you do not really know if the three women were lesbians, straight, bi?... In any case you see them in lesbian relations but only flirting and playing with men. Brilliant acting also. At least Olivia Colman in particular, and Rachel Weisz are stunning BUT I feel powerfully that the movie got so many Oscar nominations and accolades from the US movie industry because it is feminist and queer, and less because of its intrinsic quality. It is a very politically correct movie, fitting like a glove with the political message that Hollywood wants to send in the Trump-era. Otherwise, who can tell us why other brilliant movies from Yorgos Lanthimos, such as The Lobster or Killing of a Sacred Deer, did not get remarked and Oscar nominations? It is only my opinion that those were better than The Favourite? So yes, in terms of directing, screen play, acting, message, the three movies can be compared and yes, The Lobster and Killing of a Sacred Deer were better than The Favourite. They did not get noticed because they were not feminist and sexual queer.

It is OK if Hollywood wants to become more political. It is not OK to award prizes based on the political message and not on the quality, as they claim to do.
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6/10
Decent and original thriller/Sci-Fi movie with teenager and for teenagers
9 December 2018
The plot is definitely original, the movie also keep you in a certain suspense, it is not boring and overall better than many, many ghost/horror/thriller movies out there. There is still one major BUT. It is obvious that the movie is made for teenagers / young adults at the best. There are a lot of cheesy naive scenes and the whole movie is focused on two high-school teenagers, the main protagonists, who discover stuff and are smarter than others - a bit like Harry Potter is. But I guess this is what the director wanted in the first place anyway.
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Nome di donna (2018)
6/10
Decent Italian take on an otherwise overexploited subject.
9 December 2018
Warning: Spoilers
The film has all the elements of a typical 'me too' case: the powerless, single mother, the institutionalised culture of sexual harassment, the culture of silence, the powerful males, etc., etc. She believes in herself, fights for her cause and in the end, surprise!, she wins :) Therefore, the narrative is just plain, plain, plain, The best thing about the movie is the 'italieness' in it. It definitely has a certain Italian charm and it is refreshing to see a 'me too' case happening not in the USA.
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8/10
Better than expected horror/slasher move
6 July 2018
I would endorse the majority of the reviews here, it is a good horror movie, better than expected. It is disturbing, has suspanse, it is scarry. It reminded me of the classics in the genre, such as TCSM. Recommended
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Spinning Man (2018)
5/10
Started as a good mystery movie, ended as an overcomplicated psychological (philosophical?) thriller
17 June 2018
The film's narrative evolved in complexity to the point that different paralel narratives, the blending of past and present, identities and versions of the same stories made everything confusing. Some people got that it was very deep because it questioned the reliability and indeed the concept of memory, etc., etc. However a more clear narrative and another, confusing finale would have been desirable
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10/10
Amazing documentary about life between socialism and the new Soviet capitalism
20 April 2018
Alexandru Solomon does much more than a documentary. His film, shot over a 5-6 year period is an in-depth look into the unique Abkhazian society and the unique centre for studying monkeys there. Everything in the documentary is peculiar, strange, comical and cynical at the same time but also very human. Including the monkeys, which play a very human role, almost as the people. The documentary shows a poor, border society, torn by war, poverty, lack of basic and cruel politics. But it does not stress this. Rather it manages to suggest an alternative life, where monkeys are humans, doctors are patients, scientific studies are done in vain, a research institute is also a zoo, there is no break from work but also no work in our sense of the term. But above all, it is a very humane place. There are no bad characters in the movie. Everyone is full of compassion and of a certain joy. In the end, the great power of this documentary that is more an anthropological research, is that it offers not criticism but another world, another life that could be also ours.
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