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The Throne (2015)
8/10
Fathers and Sons
18 February 2018
Superb acting, beautiful costuming, elaborate sets, and engrossing locations mark this powerful tale of the strained relationships that exist between all fathers and their sons.

Over a period of eight days, an 18th. century Korean king punishes his only son for attempted regicide. Flashbacks reveal the chain of events that led the son to rebel against his father while the women and courtiers who love them both struggle to deal with the growing conflict.

What works for The Throne is that the movie evinces a common family psychological dynamic that exists between almost all fathers and their sons, but the dynamic is amplified by the fact that the family in question is a royal family and the stakes are higher. As all fathers struggle to challenge and build their sons without breaking them and as all sons endeavor to prove themselves and earn their fathers' seemingly unattainable respect, The Throne shows us how severe that dynamic can be when the fate of an entire country is at stake.

There is something for everyone in The Throne as fathers and sons might learn something about the other side's feelings and motivations while other family members and friends can relate to the helpless frustration of watching their loved ones fight each other.

With all of that psychoanalysis stated, The Throne also delivers exceptionally well for viewers who enjoy lavish costume dramas about royal families and their courtiers and/or period pieces about Asian history and culture. In summary, The Throne is excellent story telling.
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The Boat (2011–2013)
8/10
Grab a Coke and enjoy this imperfect, but fun Spanish TV series.
31 October 2017
Warning: Spoilers
In summary, the show has many imperfect and sometimes silly elements (particularly the scripting of romantic relationships among the characters), but the story-telling is rich with many hidden gems which keep the viewer engaged and wanting to know what happens next.

El Barco strikes me as a blend of Beverly Hills 90210 and Lost with a tiny bit of Star Trek thrown in to the mix.

Like 90210, El Barco invests a great deal of screen time exploring the relationships (mostly romantic) among the characters, including the older adults, which at times gets tiresome due to cliché plot devices such as love triangles and the angst of young love stemming from the would-be lovers' unwillingness to reveal their feelings for each other.

Like Lost and Star Trek, there is a sci-fi component to El Barco that is mostly fun (despite sometimes being unscientific) and follows the pattern of placing the characters in eminent peril forcing them to work together to snatch survival from the jaws of disaster by the end of each episode. Like Lost, there is a story arc that is progressively revealed through the series. But unlike Lost, most of the various plot lines are resolved cleanly by the series finale.

The cast are beautiful and a large component of the entertainment is watching them fall in and out of love and get into steamy situations. The setting of being on a ship at sea results in skimpy clothing- shorts, t-shirts (often wet), swimsuits, unzipped scuba gear, fun and sun, you get the idea. Even the extras could pass for underwear models. It's good fun, but the "pleasure cruise" lies at odds with the basic premise that the world has ended and they are in a fight for their survival.

The ship, the Estrella Polar, is a fantastic set piece and is beautiful to see throughout the series. However, too little time is spent depicting the operations of a sailing vessel so most viewers will be wondering why only two people out of forty ever work the rigging and why so rarely. And why is no one on watch during the night? We never see basic sailing operations, such as tacking, that would be very fun to see given a crew of students on a school ship. Additionally, while we see a few depictions of officers poring over navigation charts, we never see a sextant used for navigation nor do we get an explanation of the operation of GPS in the post-disaster world. What's worse is that the ship is a source of discontinuity - often establishing shots of the ship don't match the action of the scene (like one early establishing shot of the ship at full sail and good speed matched to a scene of the students swimming in the ocean with all sails clearly furled).

Fun Stuff:

Product placement is pretty funny in El Barco and it is incredibly comforting to know that in the post-apocalyptic future there is an endless supply of Coca Cola for everyone. It becomes a game (a la Where's Waldo) to discover how the screenwriters can insert a refreshing bottle of Coke into each episode.

There are a lot of hidden gems in El Barco that will be appreciated by those who pay attention and the cast and crew deserve recognition for their cleverness. I wish I had noticed these earlier so that I could have been on the lookout for them.

To give you an idea, watch for a radiation scanner used in the sick bay. The device is clearly labeled as having been manufactured by the Weyland-Yutani Corporation (recognizable by true sci-fi fans). Additionally, look for symbolism in a variety of t-shirts and in the photos on the crew's lockers (i.e. a photo of the Hindenburg).

The special effects work is pretty well done. For the most part, the CGI comes across believably because the animators do not overreach. They keep things simple and you'll rarely roll your eyes or groan.

As other reviewers have stated, the series finale is pretty much a dud. A few plot lines are left glaringly unresolved and the last moment feels like a typical ploy to get another season or a movie special.

Despite issues with the series finale and a few objectionable elements, El Barco is a fun time with beautiful and sexy people, a solid story arc, and some entertaining hidden gems that I, for one, enjoyed.
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3/10
A Review for American Viewers
4 September 2017
I was fascinated by the rave reviews for the two Baahubali movies so I decided to give them both a try. (Any movie scoring 8 or above on IMDb has a solid chance of being a winner.)

What I have learned is that IMDb scoring is subject to the social media phenomenon of being skewed by an ardent fan base. In the case of Baahubali, the movie has been a huge hit in an isolated market, continental India. A billion Indians can't be wrong, but they sure can skew an IMDb rating when they vote as a bloc.

While Baahubali is astounding audiences in its native homeland (there are some great articles about the movie's importance to the industry and to the North and South regions of the country), American audiences with their highly sophisticated expectations will most likely agree with me that the overall result is an immature, incredibly predictable, poorly executed, soap opera that does not merit its hype or its two-part 5 and half hour running time.

MY OBSERVATIONS: Baahubali's story is intriguing as it presents to us a legendary super hero who appears to come from a rich and ancient history/lore. The source material is every bit as promising as heroes from Western culture (Samson, Superman, Hercules, etc.). However, the execution of the story turns great drama (love, family, betrayal, support from the gods, fall from grace) into a soap opera complete with cheesy reaction shots accompanied by shock music more appropriate for 1970s TV sitcoms with their spit takes and laugh tracks.

The highly applauded visual effects are mediocre by American standards. Other reviewers have detailed these issues adequately so I will only add my support to their criticisms.

The acting is hit or miss. Some scenes come across powerfully (love scenes, for example) while others (like those in the royal court) remind us of American TV sitcoms from the 1970s.

BOTTOM LINE: If you are calibrated to fine cinema, are looking for a good epic, and are considering Baahubali, then do some research and enter into the viewing prepared to walk away. I, for one, wish I could get my 5 and half hours back.
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