Reviews

A moonshine movie is a moonshine movie. Everybody did one. Robert Mitchum. James Stewart. Richard Widmark. This one is a non-stop action piece of fluff. Really good light entertainment. Ralph Meeker is so relaxed in his role as the pin-up poster boy for moonshiners everywhere you can almost believe it. And Cliff Osmend, great actor and screen writer, plays his usual light comedy big dumb oaf. All the rest of the cast, except for Fabien, were unknown at the time.

Agent George answers his car phone (mark of a really important man back then) and his hot date is interrupted by an urgent call. He has to move now to break up a big moonshine syndicate. He recruits 8 guys doing hard time. Their reward, lots of time off. They set up a military style training camp, become commandos, infiltrate Meeker's gang and locate the down home whiskey world. Instead of a chase scene they invade with firebombs, hand grenades, sub-machine guns and much macho heroism. Many die. Truth, justice and the American way are made safe for the bonded whiskey warehouses. Fun to watch. A six-pack helps. Fun to watch a second time. Like an old western with many saloon me-lees.

You can call in Film Noir. I refer to it as a "downer" movie that grabs you early and doesn't let go. It is original and timeless. It could be shown twenty years from now and called a "period piece." The cast is as good as casts got back then. Timothy Carey is superb, as usual. (See him in "One Eyed Jacks" and "Paths of Glory.") A career criminal, dower and stern Sterling Hayden, plans an intricate robbery of a California race track. His plan is flawless. The character who plays Marie Windsor's henpecked hubby, Elisha Cook, tries to quiet her harping by bragging about the upcoming caper. She tells her lover who tries to hijack the loot. But what brings Hayden down right at the edge of his getaway are a yapping, runaway dog and a cheap suitcase. Spectacular ending. Don't swallow any downer pills while watching this. It could bring on a serious overdose. A movie you won't forget and will recommend to friends.

This is a story about a man who discovers an evil plot and risks everything to thwart the scheme. He opposes the ultimate "establishment" and is weighed and found wanting when the time comes to take the final step to expose the ruling classes' determination to keep the lower class lower and the super upper class on top. After all his risks and frustrations and dangers the invisible powers that "be" casually regain the upper hand as if nothing has happened and once again it is business as usual. The movie is a powerful subliminal civics lesson for young people. The antithesis is another Marlon Brando movie titled "Burn." I suggest you see that one also.

A lot of actors have played Mickey Spillane's bad boy. Anthony Quinn, Robert Bray, Biff Elliot, Stacey Keetch and Mickey himself. Nobody did it with the convincing style of Darren McGavin. His Mike Hammer was a laid back, class act. A friend of mine said it best. "This guy's the real thing," he said. "When he gets a bad guy down he doesn't hesitate to put feet on him 'til he knows he won't get up. That's real." They filmed 72 episodes of that show. I'd give big bucks to have them on a DVD. I remember watching the show in Texas. A beer company in San Antonio sponsored the show. Each episode opened with the camera moving onto Hammer's office where he sat behind his desk. He would say, "Come on in. I'm always ready for some company." And he would reach behind him to open a filing cabinet drawer and take out two bottles of Lone Star beer. The first time I saw that I said, This is going to work. I was right. McGavin did not like the character Mike Hammer. He thought the whole thing was a spoof and never took in seriously. That relaxed attitude is what made the show great.