The acting is very good (though I think it was a mistake for the family of the dead girl to be played so dispassionately), and the night-sky and nature footage is often fantastic. In general, all the technical aspects were well done (except the mediocre ghost effects) but all it amounts to is a lot of well-done stalling to hide the fact they only had about 10 minute's worth of story.
The movie tells you what's going on and what to wait for in the first minute. The next 45-minute obvious red-herring is a very uninteresting ghost story. Well done, but dull. Once you find they've wasted your time with that, the film ostensibly tries to make it up to you with 20 minutes of gratuitous, unnecessary and ultimately irrelevant revelations about the girl's life. It soon becomes obvious that this too is only here to pad out the film's run time.
When the good idea introduced in the beginning finally comes up, the reason for all the padding and stalling becomes clear: The idea is concise enough that it doesn't take much time to explain, and the approach the filmmakers took in telling this story made it impossible to dramatize in any effective or satisfying way. So the audience would have been better off stopping after the first minute because the idea isn't explored any more than that anyway.
Unfortunately, once all is revealed, the movie STILL keeps going and going even though it has nothing important to add. It throws a bunch of supposedly revelatory ghost photos at you in the end credits, but at this point they can only evoke a big "so what?" because their redundancy renders them insignificant.
So all the separate technical elements of the film are like nicely painted puzzle pieces that fit together to make such a boring picture that you end up regretting having wasted your time watching it being put together.
The movie tells you what's going on and what to wait for in the first minute. The next 45-minute obvious red-herring is a very uninteresting ghost story. Well done, but dull. Once you find they've wasted your time with that, the film ostensibly tries to make it up to you with 20 minutes of gratuitous, unnecessary and ultimately irrelevant revelations about the girl's life. It soon becomes obvious that this too is only here to pad out the film's run time.
When the good idea introduced in the beginning finally comes up, the reason for all the padding and stalling becomes clear: The idea is concise enough that it doesn't take much time to explain, and the approach the filmmakers took in telling this story made it impossible to dramatize in any effective or satisfying way. So the audience would have been better off stopping after the first minute because the idea isn't explored any more than that anyway.
Unfortunately, once all is revealed, the movie STILL keeps going and going even though it has nothing important to add. It throws a bunch of supposedly revelatory ghost photos at you in the end credits, but at this point they can only evoke a big "so what?" because their redundancy renders them insignificant.
So all the separate technical elements of the film are like nicely painted puzzle pieces that fit together to make such a boring picture that you end up regretting having wasted your time watching it being put together.
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