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Sin Nombre (2009)
Sin Nombre is a great ride.
16 July 2009
Warning: Spoilers
Sin Nombre is director/writer Cary Fukunaga's first feature film that intertwines two very different stories together in a journey across Central America. It's a spectacular ride, and one that has an unforgettable ending.

The film starts with Willy, who is better known as El Casper to his gang. He's played by Edgar Flores who does a spectacular job injecting a lot of heart and emotion into Willy. Flores, who is a virtual newcomer to film, was incredible, he gives one of the best and most genuine performance of the year. Willy meets up with his younger friend, whom is referred to as Smiley, and they go to an area to initiate Smiley into the gang. Some events follow that catapult Willy and Smiley onto the wrong side of the gang. They must prove their worth by doing a special job with another. They go onto a freight train to rob some hopeful citizens, that have dreams of moving to America. That's where Willy meets Sayra, a young woman who is traveling to the United States with her Uncle and Father. She has dreams of starting a new life in the States. Sayra is played by Paulina Gaitan, who gives a tremendous performance. When one of the Gang members has plans to rape Sayra, Willy kills him with a machete. That's when Willy's life changes for the worst. He is now a marked man, and tries to escape to America, but he knows he can't run forever.

The chemistry between Sayra and Willy is spectacular. They are really great together and form a tight bond. In spite of Willy's tough exterior, Sayra shows a kindness towards him that is really special. They make such a good couple and the ending is extremely devastating. The entire film is captured through incredible cinematography. It's far and away the best of the year, and I don't think there will be many films that will have better cinematography.

Fukunaga's direction is really something special, it's extremely surprising that it's his feature film debut. It feels like a film at the of a veteran of the craft. What's even more impressive is the fact that he also wrote the film. The screenplay is very, very impressive, it's a great look into the lives of gang members and is quite terrifying. Kristian Ferrer, who plays the young gang member Smiley is the most terrifying of them all. Not even a teenager yet, Smiley is willing to do anything to join the gang, he even volunteers to hunt Willy, his first friend, down and kill him for the gang. He's wide-eyed, with a big smile and determined to make a name for himself. It also helps that the young Ferrer turns out a great performance. He turns from a naive child, into a frightening caricature of gang violence.

To sum it up, Sin Nombre is a spectacular and devastating look into the world of gang violence and immigration. The performances are all top notch, and the debut of director/writer Cary Fukunaga seems like something a veteran would produce. I'll definitely check out his future projects, because this debut shows that a bright future is ahead for Fukunaga. It's extremely powerful and devastating, and I highly recommend it. Ten out of ten.
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Gooby (2009)
Gooby: Or What the Heck Did I Just Watch?
5 July 2009
What a strange movie. Uh... it's kind of frightening. Robbie Coltrane is Gooby, the childhood teddy bear of Willy, who comes to life and grows to about 6 feet tall to help Willy out. Gooby's face is what frightens me the most. Who in their right mind would give a child a teddy bear who looks like Gooby? And what child would want something so frightening?

One not so terrible point is Eugene Levy. He plays Mr. Nerdlinger, Willy's teacher, who is also an aspiring writer. He also wants to get famous. He sees Gooby and wants to get a picture of him that will propel himself into fame. The performance is very short, and Levy makes the best out of it. He brings to the film a few amusing moments, and saves this from a total disaster. I thought it would be good for a few laughs, and the trailer, which made it seem totally frightening, intrigued me. Don't watch it, unless you are expecting a bizarre, somewhat frightening train wreck.

1/10.

On a side note, if they remade this film as a horror movie, it would be 10,000 times better.
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Up (2009)
I Have Just Met You, and I Love You!
4 June 2009
Rarely does a film studio continue to produce such amazing films, and with the exception of Cars and A Bug's Life, Pixar has done just that. Year after year, Pixar has crafted masterpiece, after masterpiece. Certainly Up is no exception. My love affair with Pixar started with their first film, Toy Story. Pixar has never made a bad film and despite A Bug's Life and Cars not being amazing, they were still entertaining and being called the worst Pixar, is certainly no insult. Up is a masterclass in animation, it's a perfect film and definitely a big candidate for the best of the year. I would be hard pressed to see this leaving my top 5, let alone top 2. I can only see one film topping it, and it's going to take Thirst being another Park masterpiece to overcome Up.

There's a very beautiful sequence at the beginning, it shows Carl, our hero of the story, growing up. I won't reveal any of the story, but at times it got me choked up. It's the kind of storytelling, and human emotions that a lot of filmmakers can't create. We next meet up with Carl, when he is much older. He goes about his morning routine, and there's a construction crew creating apartments outside his house. Carl returns to his home, after getting the mail. Soon after he settles down in his favourite chair, a little boy named Russell knocks at his door. Russell is a lovable character. He is very adorable, and newcomer Jordan Nagai does a wonderful job voicing him. Anyways, the next day, Carl unleashes his balloons and he leaves the city in hopes of traveling to South America, a childhood dream. Russell unexpectedly turns up on Carl's doorstep. When they arrive in South America, they meet Dug, the dog. Dug can talk because of the collar that his master built for him. Dug is amazing, he's probably one of the best characters Pixar has ever created. I still can't believe how much I laughed and fell in love with Dug, he was certainly a pleasant surprise.

The film is a visual treat, the backgrounds are so full of detail. The film is just so colourful and so vivid. Though this comes expected of Pixar, and they certainly don't let down. The screenplay is brilliant, there are so many instances of bizarre humour, and there are so many different emotions. The film has it's share of depressing moments, but you before you become completely depressed, another moment lifts you up, and evokes a lot of joy in you. The voice work is excellent, Ed Asner is just as perfect as I thought he would be. There's just so much emotion in his voice alone, and the character design of Carl, fits Asner's voice perfectly. New comer Jordan Nagai is, as I said before, tremendous. He adds such a charm to Russell, an big adorable element if you will. Bob Peterson's voice work as both Dug and Alpha, had me side splitting laughing. He was perfect in every stretch of the imagination. With Monster's Inc and now Up under his belt, Pete Docter is one of the best Pixar directors. It's hard to decide between the big three, Andrew Stanton, Brad Bird and Pete Docter. They are all equally amazing, and Pixar is a better studio for just having them on staff.

Up is amazing, it's a movie I would see over and over again. Go see it now if you haven't, and if you have, see it again. It's the first masterpiece of 2009. A perfect, perfect, perfect, perfect movie, have I mentioned it's perfect? It would be easy to say the Oscars should take a break from Pixar, that is if Pixar would just stop producing so many masterpieces.

10/10
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Remarkable.
28 May 2009
Chan-wook Park is slowly becoming one of my favourite filmmakers. I saw my first Park film about a month ago, and it intrigued me to check out more of his work. The first Park film I saw was Oldboy, part of the Vengeance trilogy, and I had heard great things about Lady Vengeance, so I decided to give it a try.

Putting storyline, acting and all that aside, Lady Vengeance is beautifully shot, with a fantastic score that is often haunting at times. Park is probably one of the better directors at creating atmosphere. Every tense moment feels tense, every sad moment, you can't help but tear up. The visuals of this film were absolutely splendid and the direction was incredible. The storyline of Lady Vengeance is a very compelling one. I won't get into details, as I want to limit the amount of spoilers in this review. It's a story of revenge, a story of human nature and more importantly the struggles that Geum-ja Lee faces in her quest for vengeance.

Yeong-ae Lee is absolutely incredible, she takes the character of Geum-ja Lee and makes it something very, very special. We feel every emotion along with her. Park has a habit of bringing out such wonderful lead performances. Yeong-ae Lee in Lady Vengeance and Min-sik Choi in Oldboy. Choi is also in this film, he plays an extremely villainous character, and his performance is very good. His character is very despicable and as an audience you despise him with every fiber of your being.

Lady Vengeance is basically perfect. It's quite graphic and disturbing at times, so it's definitely not for the faint of heart. I recommend this highly. If it's not just for the incredible techs or the very interesting story, then see it just for Yeong-ae Lee's performance.

10/10 (so far Park is batting 1000, and I eagerly await Thirst)
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Coraline (2009)
Coraline thinks the other world is a dream come true... but she's wrong.
24 May 2009
Warning: Spoilers
I finally saw Coraline on the big screen today, and it was an absolute feast for the eyes. That Real Digital 3D is very impressive. Yes it's a gimmick, but it works so very well. I can see why so many animated movies are using this technology this year. The images have so much depth, and the visuals are absolutely gorgeous. Anyways onto the film.

Coraline Jones is an adventurous girl with a huge imagination. When her family moves to a new house in a new town, Coraline is bored out of her mind. Her parents don't pay a lot of attention to her, so when she finds a strange door, her curiosity peaks. It leads to an "other" world which includes her mother and her father. However, they're very different. They have buttons for eyes and they seem a lot more interested in her. She refers to them as her other mother and her other father. She sees this world as a dream come true, but it really is one of the most terrifying worlds around.

The voice work is all very good, Terri Hatcher does a wonderful job playing Coraline's mothers. I also really liked the team of Dawn French and Jennifer Saunders, who played the very funny Miss Spink and Miss Forcible, two stage performers. Their play was particularly memorable. Henry Selick's direction is very, very good. A lot of the scenes reminded me of The Nightmare Before Christmas. A lot of the shadows, and even some of the animation had a very Nightmare Before Christmas-esquire vibe. I'm glad he got out of Tim Burton's shadow.

All in all, it's a very entertaining film.

8/10
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Paper Moon (1973)
Your Husband Bought A Bible
24 May 2009
Warning: Spoilers
Ah selling bibles to the widows of the recently deceased. That is the "job" of Moses Pray, played by Ryan O'Neal, and it's an "Oh man, oh god, oh man, oh god" free performance. ;) The film also stars Tatum O'Neal (his real life daughter, if you hadn't guessed already) and the great late Madeline Kahn.

The film begins at a little girls' mum's funeral, Addie Loggins (played naturally by T. O'Neal). In comes Moses Pray, distractingly I might add. He claims to be a friend of Addie's mother, although the two women comment on how much he looks like Addie. He denies all accusations, but obliges to the request of the two women and takes Addie with him. Her destination is her Aunt Billie's in St. Joseph Missouri. Along the way, he swindles a shop owner out of 200 dollars (the shop owner is the brother of the man who killed Addie's mother) by claiming that he is her father. Moses is all set to send Addie off on a train, when she confronts him about the 200 dollars (he used the majority of it on fixing up his car). She claims it to be her own (which it is) and orders him to give her the money, even threatening to tell the police on him. This forces Moses to take Addie with him. They as a team scam widows out of money for a bible, supposedly ordered by their then alive husbands. Traveling together, they learn about each other, and form a friendship.

The father-daughter relationship between the O'Neals is truly special and both of them churn in great performances, Tatum more-so. Tatum displays a lot of acting maturity, there were times when I forgot she was just a child. She won a supporting actress Oscar for her truly special performance. But I have to wonder, why she was put in such a category. She's so clearly lead and I don't know how anyone could think otherwise. You take her character out of the movie and you basically have nothing. Anyways, I don't want to debate her placement any further than what I did. She's lead in my mind, if you think otherwise, it's not going to make it any tougher for me to sleep at night. I'm rambling, let's continue along with the review. The person I was most impressed with (and not surprised in the least) was Madeline Kahn. She was a master comedian, and her speech on the hill is one of my favourite monologues in film ever. She's flawless in the role, and her character is almost tragic. My favourite line of hers is "Let ol' Trixie sit up front with her big tits." Absolutely mesmerizing in every way possible.

I would recommend this, just for Miss Kahn's performance.

8.0/10
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The Most Haunting Stories Are the True Ones
21 May 2009
Warning: Spoilers
Peter Jackson's Heavenly Creatures is haunting, disturbing and uncomfortable. It's the best thing Jackson has ever done and it sits with you for quite a while. After completing the film, I feel immensely uncomfortable and just can't stop thinking about it. The film tells the story of Juliet Hulme (Kate Winslet) and Pauline Parker (Melanie Lynskey) who murdered Pauline's mother with a brick placed in a stocking. During the film, tension builds and the atmosphere slowly becomes an incredibly uncomfortable one.

The performances from the two leads are incredible. We see Lynskey slowly become mad. She is already a bit of an outcast, but Pauline slowly turns insane. She's obsessed and vengeful, she can't wait to rid herself of her overprotective mother. Winslet's performance is the best she's ever done. On the exterior she is a very cheerful person, full of life. However when you get past her loud, cheerful and imaginative side, you see a person who is depressed, dark and seeking her parents approval and attention. Together, Juliet and Pauline may seem like polar opposites, but they are two of the same. Both Lynskey and Winslet craft such wonderful performances, it's actually kind of surprising that this was the first film for each of them.

Jackson's direction is tremendous. It's by far his best work and it seems to be his most effortless. He crafts a film that many directors would overdo, he never does. The script is along the same lines, every piece of dialogue is perfectly placed. It helped having actual lines from Parker's diary, it definitely made the film more haunting. Hearing the actual diary entries made the film all that more uncomfortable to watch.

The murder scene was one of the most haunting and disturbing scenes that I have ever seen. Honora Parker's scream was bone chilling and I at times wanted to look away. It was a tremendous, but at the same time disturbing sight to see.

It's a perfect film, I highly recommend it.

10/10
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We Rob Banks
21 May 2009
Warning: Spoilers
Bonnie Parker and Clyde Barrow were two of the most notorious criminals in American History, they're also two of the most fascinating. They met in 1931, and soon began their reign of terror. Their path of destruction is somewhat romantic and at the same time very tragic. The film stars Faye Dunaway as Bonnie Parker and Warren Beatty as Clyde Barrow.

The performances are amazing. Faye Dunaway is just fantastic and gives one of the best performances of all time. She plays innocent so well, but when it comes down to business, she's as viscous as they come. I especially loved when she posed with Frank Hamer. Kissing him on the lips and taking a lot of pleasure in making him feel as miserable and as worthless as possible. She's sort of a femme fatale. Warren Beatty is also brilliant, he plays Clyde Barrow extremely lovable, you can't help but fall in love with his smile and his charm. You can see why Bonnie falls for him, his charm is effortless and there every minute of his performance. Estelle Parsons, who a lot of people criticize was very, very good. She may have seemed over-the-top, but in those circumstances anyone would. The shot of blood running down her face after she had been shot in the eye is extremely memorable, and her screams of agony and sadness towards her dying husband were brilliant. Speaking of her husband, Gene Hackman was very good. He played the part of Clyde's older brother Buck with great likability. He is more restrained than his brother, but has the same charm as Clyde. Michael J. Pollard, who played the baby faced C.W. Moss (a combination of two of Bonnie and Clyde's associates) was also quite brilliant. He was never over the top, even in his scenes where he shed tears. He was very restrained, but emotional when need be.

The film mixed humour with violence very nicely. There was a lot of comedic moments, but it never made fun of the facts. The bits of humour were precisely and brilliantly placed, and it's very refreshing to see that in a film about such a violent part of history. The direction was absolutely stunning, it captured the essence and feel of the 1930s perfectly. The atmosphere wasn't just noticeable, it felt like you were actually in the 1930s robbing banks along with Bonnie Parker and Clyde Barrow.

The ending of the film was extremely tragic and extremely memorable. The site of the bullets entering Bonnie and Clyde is probably one of the finest scenes in movie history, definitely one of the best endings ever. It will forever be with me, something I will never forget, and it definitely became more unsettling on a second viewing. You take a journey with this duo and you develop a fascination with them, which makes the ending all that more tragic.

10/10, brilliant stuff.
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Adventureland (2009)
Adventureand
21 May 2009
Warning: Spoilers
This was a movie that I was anxious to see after reviews started pouring in. I knew it was going to be good, but I never expected anything like it. It was extremely refreshing to see a comedy as mature and something with as much heart as Adventureland. It's definitely not your typical teen comedy and it was good to see a teen comedy move in another direction.

The ensemble is really great, I think everyone did their job with a fair amount of competence. Standouts for me were Martin Starr, Ryan Reynolds, and yes Kristen Stewart. Martin Starr played an awkward geek to perfection. He never missed a beat and showed some fairly good comedic timing. Ryan Reynolds was his usual cool self, but here he was more subtle. And subtle in the very best way possible. I'm not surprised at all that Reynolds impressed me, but what I was surprised about was how much I loved Stewart's performance. She did an excellent job with the character. She showed a lot of vulnerability and her tears were completely genuine. I really felt sorry for her character, and Stewart's performance was a great reason for that. She impressed me a great deal and I am very surprised that she did. I also really loved Wiig and Hader. They were perfect together, although I think that's mostly due to their work together on SNL. I also thought Jesse Eisenberg did a really good job as the nice, naive college grad. He fit the role perfectly and it was refreshing to see someone other than Michael Cera play that kind of role.

What I loved most about Adventureland was not the performances, script or direction, but the soundtrack. It kicked so much ass, I couldn't believe how amazing it was. The Replacements + The Cure + The Rolling Stones + Falco + Velvet Underground +INXS = <3.

To sum it up, go see it now! It's incredible, I'm going to see it again soon and I have a feeling I might like it even more upon a re-watch. But as it stands:

9.5/10
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Don't worry about the mess you make when you die, there's always Sunshine Cleaning
3 May 2009
Warning: Spoilers
So as I sit down to write this review, I can't help but think about Amy Adams. I am absolutely jaw-dropped, can't say a word in awe at Amy Adams' latest performance in Sunshine Cleaning. I will try to touch on the other aspects of the film, but I want to focus on Amy Adams' brilliant, brilliant performance. And of course there will be spoilers to follow.

Amy Adams plays Rose Lorkowski, a single mom who's life seems to be falling apart. Her love life's a mess and her high school sweetheart Mac (Steve Zahn) is married to one of her best friends from High School. She works as a maid and is cleaning the house of one of her friends from high school, who is now married and expecting her second child. Rose's life could be a lot better, and when a job opportunity to die for comes up, she can't resist. With the help of her klutzy younger sister Norah (Emily Blunt), who has trouble holding onto a job, she starts Sunshine Cleaning, a bio-hazard and crime scene clean up company. Amy Adams is incredible, she gets away from the happy-go-lucky, sweet and innocent character she specializes in playing. The transition for Adams is miraculous and her performance is one to remember. I don't see her leaving my top 5 by years end and if it wasn't for Barrymore and Lange (both in Grey Gardens), she would easily be my win at this point. The pain, sorrow, happiness and loneliness is all shown through Adams's beautiful doe shaped eyes. She delivers so many emotions all through her eyes. I've always loved Adams, and I've loved her enough to call her one of my favourite working actresses, but this performance has propelled her as one of my favourite actresses of all time. I'm incredibly pleased that she has showed as much range as she did, I was afraid she would be incredibly typecast.

One big reason why I loved her performance so much was a particularly heartbreaking scene, by far my favourite in the film. One of the clients who asks for help is an elderly lady who's husband committed suicide. Rose asks if the lady wants someone to sit with her. The interaction even though there are no words is remarkable. I cried like a big baby during the scene, the emotions expressed by both of them is amazing and their hands grasping is truly an amazing sight to see.

Emily Blunt is very good, although her accent slips up quite a bit. It's slightly distracting, but Blunt's overall performance makes up for the slip ups. She shows a lot of natural acting talent in the scenes about Rose and Norah's mother. Blunt shows a lot of maturity in those scenes, something we only saw glimpses of in The Devil Wears Prada. Her chemistry with Adams also helps out quite a bit. Their scenes together are so natural, so perfect. There's a scene at the very beginning where Norah is babysitting Oscar, Rose's son. She tells him a story about a lobster man and it's too cute. One of the cutest scenes I've seen in a while.

The supporting cast is quite good. I wasn't overly impressed by anyone in the cast besides Blunt and Adams. I'd say Arkin stood out the most, but they all performed their roles as they were meant to. It's a solid ensemble with two very good and sometimes spectacular performances. The Direction and screenplay were good, I was pretty impressed by the screenplay, it was solid and better than I expected. I would recommend this to anyone.

9.0/10
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Earth (2007)
A Spectacular Showcase of Nature.
3 May 2009
Warning: Spoilers
Earth is a spectacular showcase of nature and the tragedies that happen within the wild, all narrated by the sexy voice of James Earl Jones :D. This is a movie that you need to see on the big screen, or at least on a large High Definition TV on blue-ray as soon as it is released. The beautiful sweeping shots of Earth is enough for any fan of film making to appreciate it. It's the most beautiful movie of this year without a doubt and one of the most gorgeous to look at in quite a while.

The film starts with a Polar Bear Family, their struggles in finding food and separation from the father of the family. They must also complete their journey before the ice melts, because if they do not, they could be stranded at sea. The next animal family is a mother and baby elephant. They must journey to an area with water, but must get through a dry and barren land, with dead trees and a few very small watering holes, as well as a few sandstorms. They must also escape hungry, prowling lions. The final family is a mother and young humpback whale. They travel from a tropic breeding ground to Antarctica, the longest journey of any water mammal in the world. They show a few other animals, most memorably a cheetah hunting an antelope and a tropical bird trying to attract a female, through a rather entertaining dance.

James Earl Jones' voice is spectacular and his work makes the film all the more entertaining, especially during the bird's dance to attract a female. He should definitely narrate every movie that requires narration, because his voice is perfect for it, sorry Morgan Freeman.

The score is beautiful, and the mood changes in accordance with the tone of the film perfectly. Disney usually has amazing scores to go along with their films and this was no different. The cinematography is breathtaking and it's incredible how they got some of the shots. I love how they show the various methods they used to shoot the film during the credits. I recommend the film to anyone who loves nature, or to anyone who loves cinematography. It's truly a beautiful film.

9.0/10

Oh and I can't wait for Ocean next year, it looks glorious.
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