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1-50 of 271
- A group of fishermen on a precariously balanced platform fight over a trunk.
- Julia and Max are in Lisbon for different reasons. When they meet each other in a hotel bar, an exciting night begins. Until the next morning they discover the scars of each other and tell the backgrounds of their origin. They start a journey into the past, which marks their bodies as well as their characters. Souvenirs is the story of one night, two persons and seven scars, whose backgrounds vary considerably.
- Mark and Antonia are real but still artificial characters, prototypes of their generation. Antonia has the forceful personality, who wants everything and at the same time lends a lot. Mark has a difficult time accepting, he is fascinated by her and totally unable to cope. He returns his identity crisis back into his relationship.
- The last days of summer. A cottage, a lake and an abandoned dance hall. Three boys are carelessly spending time. One of them is leaving.
- All his life Wilfried Schurback sold umbrellas. Day in, day out for thirty years he crouched down in his half basement shop until no customers showed up anymore. In his words he never digitalised. After closure of his business and forcing himself to do, he applied for unemployment benefits. The Jobcentre send him on to a job coaching. He passes through a row of seminaries: motivation training, Excel, Word but also Yoga and recreational group activities. Herr Schurback is passed through the complete system for people over 50 / 60 years. Upon completion of his job application profile and not even receiving any replies, whether positive or negative, Herr Schurback get's to know the secondary labour market. He is given a so-called "One Euro" job. End of the line as warehouseman; portrait of a failed entrepreneur.
- A group of high-school students are followed through an abandoned modernist Arne Jacobsen school building, preparing various material throughout the rooms...
- Impressions of urban social life between men and women. The sexual male drive and the aggressive abuse stands in contrast to the beatitudes, that are spoken by a woman appearing in red fog between several episodes. Finally that woman is included in the story and experiences her own instincts and real holy pleasure.
- Jürgen likes Lisie and basically Lisie like Jürgen, Lisie's small boy Anton, likes both his mother Lisie and his father, but definitely doesn't like Jürgen.
- Young writer Ingrid St. Clair has just finished writing her debut novel, detailing her struggle with depression - but instead of a sense of relief, she is left with suffocating anxiety. The film follows her desperate quest for peace of mind.
- A journey through the chronology, aftermath and a potential conclusion of a military conflict, as reflected in the topographies that the war, either physically or contextually, shaped and altered.
- Kendo is for Taejon, the center of life. But as soon as he has put down the armor, everyday life catches up with him. Since the death of his mother, Taejon must help out in the small Korean restaurant of the parents. He and his father have nearly stopped talking to each other. But the calm is deceptive. Soon, Taejon notices that he has to face up to things. Just like for a fight.
- A film, developed from a direction-workshop: The workshop participant Agnes Friedrich suffers a severe bicycle accident and loses her biographical memory. To help her, find her identity back, she tries to complete her directing-workshop-project.
- A window. An opposite window facade. A room. Flowers. Luise and a phone call. An action scene. A construction site. A musician. The room temperature is 21,3°C.