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1-18 of 18
- Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
- Will Thomas still lead a life of crime and cruelty, just like his thuggish father, or will he pursue his dream of becoming a pianist?
- The last days of legendary opera singer Maria Callas.
- In this eagerly-awaited documentary, Phil Grabsky's biographical account of Haydn's life is a visual and aural extravaganza, including breath-taking performances by some of the world's most celebrated musicians.
- When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
- Musical based on Jean-Baptiste Lully's musical piece, Alceste ou Le Triomphe d'Alcide. Directed during the production of the opera staging by music director Jean-Claude Malgoire and stage director Jean-Louis Martinoty.
- Live recording of the famous Jean Rochefort show "Heureux?", presented in 2004 at The Comédie des Champs-Elysées in Paris, with pianist Bruno Fontaine.
- Preceded by a solemn prologue in which Iride admonishes mortals that they should not offend the gods, the story of Cavalli's Didone comes to life thanks to numerous solo passages of highly varied character and structure, designed both for simple basso continuo support and for a more complex instrumental accompaniment, for five real parts which enjoy some independent moments and which create a diversion from the action or blend in with it in a wholly logical way, intensifying it in a studied, evocative manner. The tragic story of the Carthaginian queen is thus unfolded with extreme attention in a framework that had already been adopted by Monteverdi, of whom Cavalli is considered a worthy successor. In this case it is enlivened and, we might say, given a more popular, direct appeal as it aims to communicate with a public that is gradually expanding. The composer is sincere when he states: "My spirit has always been far from the printing press: I have preferred to allow my weaknesses to run where fortune takes them with the pen rather than the press." He identifies with the torment of Didone and with the "force of nature" (Prunières) that is his and the brilliance of some of his solutions, he creates one of the most tragic, tormented operas of the entire seventeenth century.
- 2006– Not Rated8.6 (27)TV Episode