Fight Club, Zodiac, The Social Network, Gone Girl. There's hardly anyone who hasn't seen, let alone heard, all of these movies and the name of the man behind them, David Fincher. From Alien 3 to The Killer with Michael Fassbender, from House of Cards to Love, Death & Robots, Fincher's career is now in its fourth decade and his films have collectively grossed over $2.1 billion. But of course, no matter how original his work, even a director as innovative as Fincher is inspired by the achievements of filmmakers who came before him. Here is a list of 26 films that David Fincher has cited as his favorites.
26 Must-See Movies David Fincher Loves
26. Butch Cassidy and the Sundance Kid
25. Chinatown
24. Dr. Strangelove
23. The Godfather Part II
22. Taxi Driver
21. Being There
20. Alien
19. Rear Window
18. Jaws
17. Lawrence of Arabia
16. Zelig
15. Cabaret
14. All That Jazz
13. Paper Moon
12. All the President's Men
11. Citizen Kane
10. 8½
9. The Graduate...
26 Must-See Movies David Fincher Loves
26. Butch Cassidy and the Sundance Kid
25. Chinatown
24. Dr. Strangelove
23. The Godfather Part II
22. Taxi Driver
21. Being There
20. Alien
19. Rear Window
18. Jaws
17. Lawrence of Arabia
16. Zelig
15. Cabaret
14. All That Jazz
13. Paper Moon
12. All the President's Men
11. Citizen Kane
10. 8½
9. The Graduate...
- 5/16/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
Reader, you have been lied to! Film history is littered with unfairly maligned classics, whether critics were too eager to review the making of rather than the finished product, or they suffered from underwhelming ad campaigns or general disinterest. Let’s revise our takes on some of these films from wrongheaded to the correct opinion.
In 1972, Peter Bogdanovich, Francis Coppola, and William Friedkin were three of the hottest directors in Hollywood thanks to finding the sweet spot between art and box office with “The Last Picture Show,” “The Godfather,” and “The French Connection,” respectively. With their newfound clout, the young auteurs formed The Directors Company, a partnership based at Paramount, where they were given complete creative freedom to make anything they wanted as long as they worked within modest budgets. The first movie the deal yielded, “Paper Moon,” was a hit, Bogdanovich’s third in a row after “Picture Show...
In 1972, Peter Bogdanovich, Francis Coppola, and William Friedkin were three of the hottest directors in Hollywood thanks to finding the sweet spot between art and box office with “The Last Picture Show,” “The Godfather,” and “The French Connection,” respectively. With their newfound clout, the young auteurs formed The Directors Company, a partnership based at Paramount, where they were given complete creative freedom to make anything they wanted as long as they worked within modest budgets. The first movie the deal yielded, “Paper Moon,” was a hit, Bogdanovich’s third in a row after “Picture Show...
- 5/15/2024
- by Jim Hemphill
- Indiewire
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThere Is No Evil.Facing eight years in prison, Mohammad Rasoulof has fled Iran for Europe and may even be in Cannes next week for the premiere of The Seed of the Sacred Fig. In a statement, he concludes, “Many people helped to make this film. My thoughts are with all of them, and I fear for their safety and well-being.”The US 10th Circuit Court of Appeals has ruled against Netflix in a case determining whether a video excerpted for Tiger King (2020–21) constituted fair use. The ruling may have far-reaching implications for documentary makers.Cannesa rumored list of ten alleged abusers in the film industry has not yet materialized, but Cannes reportedly has a crisis management team...
- 5/15/2024
- MUBI
Oh, Canada debuting this week on the Croisette is high time to see lesser-seen Schrader on the Criterion Channel, who’ll debut an 11-title series including the likes of Touch, The Canyons, and Patty Hearst, while Old Boyfriends (written with his brother Leonard) and his own “Adventures in Moviegoing” are also programmed. Five films by Jean Grémillon, a rather underappreciated figure of French cinema, will be showing
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
- 5/14/2024
- by Nick Newman
- The Film Stage
When Roger Corman died on May 9 at age 98, the film world lost one of its great independent film legends. Over the course of his seven decade career, Corman directed over 55 films and received more than 500 producing credits, creating work that helped serve as the launchpad for major Hollywood stars and filmmakers like Peter Fonda, Frances Ford Coppola, Martin Scorsese, James Cameron, Peter Bogdanovich, and Jonathan Demme. And yet, from his first film to his last, Corman remained true to his roots of low-budget, independent, lowbrow-yet-brilliant genre filmmaking.
Born in Detroit, Michigan, Corman was smart enough to attend Stanford University studying industrial engineering, but quit his first job in the field after only four days. Looking to go into the film industry, he worked his way up at 20th Century Fox from mail room messenger to story reader. But after he didn’t receive credit for the success of “The Gunslinger,...
Born in Detroit, Michigan, Corman was smart enough to attend Stanford University studying industrial engineering, but quit his first job in the field after only four days. Looking to go into the film industry, he worked his way up at 20th Century Fox from mail room messenger to story reader. But after he didn’t receive credit for the success of “The Gunslinger,...
- 5/14/2024
- by Wilson Chapman
- Indiewire
Roger Corman, the legendary B-movie filmmaker who directed, produced, and starred in upwards of 500 films over the course of a staggering eight decade-spanning career, has died. He passed away aged 98 this past Thursday at his home in Santa Monica, California.
In a statement posted on Roger’s Instagram to announce his passing, Corman’s wife Julie and daughters Mary and Catherine shared the following: “It is with profound sadness, and boundless gratitude for his extraordinary life, that we remember our beloved husband and father, Roger Corman. He passed away on May 9th, at home in Santa Monica, California, surrounded by his family. He is survived by his wife Julie and his daughters Catherine and Mary. He was generous, open-hearted and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters. His films were revolutionary and iconoclastic, and captured the spirit of an age.
In a statement posted on Roger’s Instagram to announce his passing, Corman’s wife Julie and daughters Mary and Catherine shared the following: “It is with profound sadness, and boundless gratitude for his extraordinary life, that we remember our beloved husband and father, Roger Corman. He passed away on May 9th, at home in Santa Monica, California, surrounded by his family. He is survived by his wife Julie and his daughters Catherine and Mary. He was generous, open-hearted and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters. His films were revolutionary and iconoclastic, and captured the spirit of an age.
- 5/13/2024
- by Jordan King
- Empire - Movies
Roger Corman, the pioneering producer and director, known affectionately as “the king of B movies,” passed away on May 9 at his home in Santa Monica, California. Corman had as much influence over modern Hollywood as Steven Spielberg or Martin Scorsese. And for good reason: Without him there likely wouldn’t even have been a Spielberg or Scorsese.
This maker of hundreds of low-budget horror, sci-fi, and exploitation films is to this day remembered by many, and rather unfairly, as a B-movie hack, but Corman’s aesthetic sensibilities have come to dominate the franchises we now call tent poles, and his protégés number among the most influential people in cinema. And he enjoyed every minute of it.
Corman came off as very humble, resembling no one so much as Mr. Rogers. He laughed at himself and his experiences frequently. Many of the movies that he made were ridiculous but they were knowingly so.
This maker of hundreds of low-budget horror, sci-fi, and exploitation films is to this day remembered by many, and rather unfairly, as a B-movie hack, but Corman’s aesthetic sensibilities have come to dominate the franchises we now call tent poles, and his protégés number among the most influential people in cinema. And he enjoyed every minute of it.
Corman came off as very humble, resembling no one so much as Mr. Rogers. He laughed at himself and his experiences frequently. Many of the movies that he made were ridiculous but they were knowingly so.
- 5/12/2024
- by Tom Elrod
- Slant Magazine
American film director and producer who liked to describe himself as the ‘Orson Welles of the Z movie’
Roger Corman: cinema’s pulp genius whose talent to shock was rocket fuel – Peter Bradshaw
Although Roger Corman, who has died aged 98, directed more than 50 films, he will be remembered mainly as an influential producer and genial godfather to the New American Cinema of the 1970s. The list of his beneficiaries makes up a Who’s Who of contemporary American film. Martin Scorsese, Peter Bogdanovich, Francis Ford Coppola, Monte Hellman, and Jonathan Demme were all directing proteges of Corman.
“You can see right away that the guy’s a superior producer,” said Jack Nicholson, who appeared in five films directed by Corman. “He’s the best producer I’ve met in the business. The man carried me for seven years. I feel tremendously indebted to him.”...
Roger Corman: cinema’s pulp genius whose talent to shock was rocket fuel – Peter Bradshaw
Although Roger Corman, who has died aged 98, directed more than 50 films, he will be remembered mainly as an influential producer and genial godfather to the New American Cinema of the 1970s. The list of his beneficiaries makes up a Who’s Who of contemporary American film. Martin Scorsese, Peter Bogdanovich, Francis Ford Coppola, Monte Hellman, and Jonathan Demme were all directing proteges of Corman.
“You can see right away that the guy’s a superior producer,” said Jack Nicholson, who appeared in five films directed by Corman. “He’s the best producer I’ve met in the business. The man carried me for seven years. I feel tremendously indebted to him.”...
- 5/12/2024
- by Ronald Bergan
- The Guardian - Film News
A quick question: Do you like The Godfather? How about Goodfellas? Or Gremlins? Or Stop Making Sense, Avatar, Apollo 13, Chinatown, Easy Rider, Paper Moon, Lone Star, or roughly 90 percent of any movies featuring monsters terrorizing pretty ladies from the last 50 years?
You have, in so many ways, Roger Corman to thank for all of them. A producer, director and writer who became a patron saint to an entire generation of filmmakers, the “King of the Bs” either gave the artists behind those movies their start or helped give them...
You have, in so many ways, Roger Corman to thank for all of them. A producer, director and writer who became a patron saint to an entire generation of filmmakers, the “King of the Bs” either gave the artists behind those movies their start or helped give them...
- 5/12/2024
- by David Fear
- Rollingstone.com
We’re always sad to report about the death of an important person from the industry, but that is also part of our reality and we have to honor the work that these people put into the history of cinema. This is why we are sad to report that it has been announced that legendary indie director Roger Corman passed away in his come in Santa Monica, CA, on May 9, 2024 at the age of 98. Roger Corman never became a mainstream author, but he was a pioneer of independent cinema and one of the most important filmmakers in history.
No official cause of death was revealed, but the news was confirmed by Corman’s family yesterday, who also issued the following statement: “His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just...
No official cause of death was revealed, but the news was confirmed by Corman’s family yesterday, who also issued the following statement: “His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just...
- 5/12/2024
- by Arthur S. Poe
- Fiction Horizon
Heists, horror and carnivorous plants were all grist to Corman’s staggeringly prolific movie mill, as were his pivotal collaborations with other film-makers
News: Corman dies aged 98Roger Corman obituary
Roger Corman was the powerhouse of B-pictures and pulp classics, who in a staggeringly prolific career lasting from the 1950s to the 2010s produced more than 400 movies, and directed more than 50 – films such as The Wasp Woman, A Bucket of Blood, The Wild Angels, The Fall of the House of Usher, Little Shop of Horrors and The Man With the X-Ray Eyes. And with his collaborations with Vincent Price on a number of inspired Edgar Allan Poe adaptations in the 1960s, Corman helped to make Poe a canonical figure within American literature and a figure of enduring pop-cultural importance, revered by academics who have made campus careers out of the author.
Corman was the entrepreneurial life force of low-budget independent...
News: Corman dies aged 98Roger Corman obituary
Roger Corman was the powerhouse of B-pictures and pulp classics, who in a staggeringly prolific career lasting from the 1950s to the 2010s produced more than 400 movies, and directed more than 50 – films such as The Wasp Woman, A Bucket of Blood, The Wild Angels, The Fall of the House of Usher, Little Shop of Horrors and The Man With the X-Ray Eyes. And with his collaborations with Vincent Price on a number of inspired Edgar Allan Poe adaptations in the 1960s, Corman helped to make Poe a canonical figure within American literature and a figure of enduring pop-cultural importance, revered by academics who have made campus careers out of the author.
Corman was the entrepreneurial life force of low-budget independent...
- 5/12/2024
- by Peter Bradshaw
- The Guardian - Film News
Roger Corman, who directed and produced countless B-movies and championed future industry stalwarts Martin Scorsese, Robert De Niro, and Jack Nicholson, died at his home in Santa Monica, California on May 9, Variety reports. He was 98.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,’” the family said in a statement to the outlet.
For nearly five decades, he dominated the B-movie market, with films that ranged from his early work in the Fifties,...
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,’” the family said in a statement to the outlet.
For nearly five decades, he dominated the B-movie market, with films that ranged from his early work in the Fifties,...
- 5/12/2024
- by Althea Legaspi and Daniel Kreps
- Rollingstone.com
Roger Corman, the pioneering independent film producer who helped launch the careers of numerous filmmaking greats and was hailed as “The King of Cult,” died on May 9 at his home in Santa Monica. He was 98.
His daughter Catherine Corman confirmed his death in a statement to the Associated Press. “He was generous, open-hearted and kind to all those who knew him,” the statement said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”
Corman began his filmmaking career in the 1950s, crafting a slew of low-budget features that ranged from “The Fast and the Furious” to “Swamp Women” to “Attack of the Crab Monsters.”
In 1959, Corman got into distribution with the launch of The Filmgroup, then in the 1960s tackled a number of Edgar Allen Poe adaptations including 1960’s “House of Usher.”
Throughout his career, Corman directed 55 films and produced 385, spanning from 1954 to 2008. In that time,...
His daughter Catherine Corman confirmed his death in a statement to the Associated Press. “He was generous, open-hearted and kind to all those who knew him,” the statement said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”
Corman began his filmmaking career in the 1950s, crafting a slew of low-budget features that ranged from “The Fast and the Furious” to “Swamp Women” to “Attack of the Crab Monsters.”
In 1959, Corman got into distribution with the launch of The Filmgroup, then in the 1960s tackled a number of Edgar Allen Poe adaptations including 1960’s “House of Usher.”
Throughout his career, Corman directed 55 films and produced 385, spanning from 1954 to 2008. In that time,...
- 5/12/2024
- by Adam Chitwood
- The Wrap
Roger Corman, the fabled “King of the B’s” producer and director who churned out low-budget genre films with breakneck speed and provided career boosts to young, untested talents like Jack Nicholson, Ron Howard, Peter Bogdanovich, Martin Scorsese, Francis Ford Coppola, Jonathan Demme, Gale Anne Hurd and James Cameron, has died. He was 98.
The filmmaker, who received an honorary Oscar in 2009 at the Governors Awards, died Thursday at his home in Santa Monica, his family told The Hollywood Reporter.
“He was generous, open-hearted and kind to all those who knew him,” they said in a statement. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”
Corman perhaps is best known for such horror fare as The Little Shop of Horrors (1960) and his series of Edgar Allan Poe adaptations starring Vincent Price, but he became celebrated for drugs-and-biker sagas like The Wild Angels...
The filmmaker, who received an honorary Oscar in 2009 at the Governors Awards, died Thursday at his home in Santa Monica, his family told The Hollywood Reporter.
“He was generous, open-hearted and kind to all those who knew him,” they said in a statement. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”
Corman perhaps is best known for such horror fare as The Little Shop of Horrors (1960) and his series of Edgar Allan Poe adaptations starring Vincent Price, but he became celebrated for drugs-and-biker sagas like The Wild Angels...
- 5/12/2024
- by Duane Byrge and Mike Barnes
- The Hollywood Reporter - Movie News
Roger Corman, the maverick producer of B-movies and iconoclastic subjects whose innovative low-budget enterprises launched the careers of numerous major filmmakers, died on Thursday at his home in Santa Monica. He was 98.
Corman’s career encompassed seven decades and more than 500 producing credits, including early work that launched the careers of major Hollywood figures such as Jack Nicholson, Bruce Dern, Peter Fonda, Frances Ford Coppola, Martin Scorsese, James Cameron, Peter Bogdanovich, Gale Anne Hurd, John Sayles, Ron Howard and Jonathan Demme. Yet Corman resented the commercial studio system, and as both producer and as a director himself, he pursued his cheap, no-frills filmmaking style at all costs, while using lowbrow genre tropes as a Trojan horse for socially conscious themes.
Over the years, Corman’s name has been most closely associated with the zany escapist enterprises often referred to as exploitation films, a term he abhorred. With producing credits such...
Corman’s career encompassed seven decades and more than 500 producing credits, including early work that launched the careers of major Hollywood figures such as Jack Nicholson, Bruce Dern, Peter Fonda, Frances Ford Coppola, Martin Scorsese, James Cameron, Peter Bogdanovich, Gale Anne Hurd, John Sayles, Ron Howard and Jonathan Demme. Yet Corman resented the commercial studio system, and as both producer and as a director himself, he pursued his cheap, no-frills filmmaking style at all costs, while using lowbrow genre tropes as a Trojan horse for socially conscious themes.
Over the years, Corman’s name has been most closely associated with the zany escapist enterprises often referred to as exploitation films, a term he abhorred. With producing credits such...
- 5/12/2024
- by Eric Kohn
- Indiewire
I recently wrote about the surprise Best Supporting Actress Oscar win by Anna Paquin for 1993’s “The Piano.” At 11 years of age, she became the second youngest competitive Academy Award recipient in history. She remains the last child Oscar champ, though several have since been nominated.
The record for the youngest competitive Oscar victory by a child (someone age 17 or younger) was actually set two decades before the practically hyperventilating Paquin accepted her statuette. And it was in the same category — Best Supporting Actress. Ten-year-old Tatum O’Neal, daughter of the late Ryan O’Neal (a Best Actor nominee for 1970’s “Love Story”), delivered a performance in “Paper Moon” that was loved enough by the academy to bring her the coveted award. The younger O’Neal played Addie Loggins, a child turned con artist who teams up with a man posing as her father during The Great Depression. She was nominated alongside...
The record for the youngest competitive Oscar victory by a child (someone age 17 or younger) was actually set two decades before the practically hyperventilating Paquin accepted her statuette. And it was in the same category — Best Supporting Actress. Ten-year-old Tatum O’Neal, daughter of the late Ryan O’Neal (a Best Actor nominee for 1970’s “Love Story”), delivered a performance in “Paper Moon” that was loved enough by the academy to bring her the coveted award. The younger O’Neal played Addie Loggins, a child turned con artist who teams up with a man posing as her father during The Great Depression. She was nominated alongside...
- 5/8/2024
- by Tariq Khan
- Gold Derby
John Ford, the iconic director known for such films as Stagecoach, The Grapes of Wrath, My Darling Clementine, The Searchers and much more, will be the subject of the next edition of the TCM podcast The Plot Thickens, it was announced Wednesday.
“Decoding John Ford,” hosted by Ben Mankiewicz, premieres June 6. The fifth season of the podcast, consisting of seven episodes, will feature never-before-heard archival interviews with the likes of John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode and Ford himself.
TCM says Mankiewicz will “strip back the mythology to reveal Ford’s brilliance — alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist.”
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” the host said in a statement. “This is a man defined by contradictions: he revered...
“Decoding John Ford,” hosted by Ben Mankiewicz, premieres June 6. The fifth season of the podcast, consisting of seven episodes, will feature never-before-heard archival interviews with the likes of John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode and Ford himself.
TCM says Mankiewicz will “strip back the mythology to reveal Ford’s brilliance — alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist.”
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” the host said in a statement. “This is a man defined by contradictions: he revered...
- 4/18/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
The award-winning Turner Classic Movies podcast “The Plot Thickens” is ready to take on the Manifest Destiny of filmmaker John Ford.
The new fifth season, titled “Decoding John Ford,” centers on the legendary auteur best known for Westerns like “The Searchers.” Host Ben Mankiewicz dives into the mythology behind Ford’s filmography.
The seven-part podcast also examines Ford’s shelved WWII film that was commissioned by the U.S. military in 1944. Host Ben Mankiewicz travels to Europe to trace the mystery of whether the D-Day movie exists. The season debuts on June 6, the 80th anniversary of D-Day.
The season features never-before-heard archival interviews with stars like John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and director Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” TCM Host Ben Mankiewicz said in a release. “This is a man defined...
The new fifth season, titled “Decoding John Ford,” centers on the legendary auteur best known for Westerns like “The Searchers.” Host Ben Mankiewicz dives into the mythology behind Ford’s filmography.
The seven-part podcast also examines Ford’s shelved WWII film that was commissioned by the U.S. military in 1944. Host Ben Mankiewicz travels to Europe to trace the mystery of whether the D-Day movie exists. The season debuts on June 6, the 80th anniversary of D-Day.
The season features never-before-heard archival interviews with stars like John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and director Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” TCM Host Ben Mankiewicz said in a release. “This is a man defined...
- 4/18/2024
- by Samantha Bergeson
- Indiewire
If Criterion24/7 hasn’t completely colonized your attention every time you open the Channel––this is to say: if you’re stronger than me––their May lineup may be of interest. First and foremost I’m happy to see a Michael Roemer triple-feature: his superlative Nothing But a Man, arriving in a Criterion Edition, and the recently rediscovered The Plot Against Harry and Vengeance is Mine, three distinct features that suggest a long-lost voice of American movies. Meanwhile, Nobuhiko Obayashi’s Antiwar Trilogy four by Sara Driver, and a wide collection from Ayoka Chenzira fill out the auteurist sets.
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
- 4/17/2024
- by Nick Newman
- The Film Stage
Tobey Maguire’s Spider-Man ushered in an age of popularity for comic book movies that had never been seen on screen before. Helmed by Sam Raimi, with Kirsten Dunst playing Mary Jane Watson opposite Maguire’s Peter Parker, the film was an unprecedented hit. The film’s success meant that the studio immediately greenlit a sequel.
The leading actors returned to reprise their roles, and it also saw Maguire’s demand rise, since it had boosted his fame. Unsurprisingly, there was a pretty significant difference in the salaries of both protagonists. It is not far-fetched to believe he also pocketed a hefty check to star in Spider-Man: No Way Home.
The film boosted Maguire’s career (Source: Spider-Man)
Tobey Maguire’s salary was much higher compared to Kirsten Dunst
Spider-Man proved to be a breakthrough film for Tobey Maguire. He was 26 years old when he suited up to play the web-slinging superhero,...
The leading actors returned to reprise their roles, and it also saw Maguire’s demand rise, since it had boosted his fame. Unsurprisingly, there was a pretty significant difference in the salaries of both protagonists. It is not far-fetched to believe he also pocketed a hefty check to star in Spider-Man: No Way Home.
The film boosted Maguire’s career (Source: Spider-Man)
Tobey Maguire’s salary was much higher compared to Kirsten Dunst
Spider-Man proved to be a breakthrough film for Tobey Maguire. He was 26 years old when he suited up to play the web-slinging superhero,...
- 4/7/2024
- by Sreshtha Roychowdhury
- FandomWire
Crystal Hefner rose to fame for becoming one of the most prominent models in Playboy magazine, but also due to the fact that she married its founder, Hugh Hefner. The business mogul passed away in 2017, leaving a legacy that is both colossal and controversial.
Kim Kardashian in American Horror Story
Many former Playboy models mourned his death, one of whom was socialite and reality TV star Kim Kardashian. According to Crystal Hefner, the widow of the Playboy founder, her husband had a hand in launching Kardashian’s career.
Crystal Hefner Admits Feeling Trapped In Her Marriage With Late Playboy Founder
When Hugh Hefner died in 2017, Kim Kardashian wrote a tribute message on Twitter: “Rip to the legendary Hugh Hefner! I’m so honored to have been a part of the Playboy team! You will be greatly missed! Love you Hef! Xoxo”
Suggested“They’re smart”: Crystal Hefner Exposes...
Kim Kardashian in American Horror Story
Many former Playboy models mourned his death, one of whom was socialite and reality TV star Kim Kardashian. According to Crystal Hefner, the widow of the Playboy founder, her husband had a hand in launching Kardashian’s career.
Crystal Hefner Admits Feeling Trapped In Her Marriage With Late Playboy Founder
When Hugh Hefner died in 2017, Kim Kardashian wrote a tribute message on Twitter: “Rip to the legendary Hugh Hefner! I’m so honored to have been a part of the Playboy team! You will be greatly missed! Love you Hef! Xoxo”
Suggested“They’re smart”: Crystal Hefner Exposes...
- 3/23/2024
- by Ariane Cruz
- FandomWire
Dianne Crittenden, casting director on some of the most notable features of the 1970s and ’80s including “Star Wars: Episode IV — A New Hope,” “Days of Heaven” and “Pretty Woman,” died March 19. She was 82.
She died Wednesday in Pacific Palisades, Calif., according to her friend and mentee Ilene Starger.
Crittenden would go on to have a prolific career in casting lasting over 40 years. Crittenden’s credits include “The Thin Red Line,” “On Golden Pond,” “Witness,” “Badlands,” “Oh! God,” “Howard the Duck,” “Wise Guys” and “Spiderman 2.” She was nominated for a CSA Artios award for “Witness.” She worked with some of the industry’s most prominent directors, such as Ridley Scott, Peter Bogdanovich, Wes Craven, George Romero and Brian De Palma.
In a 2010 featurette included in the Criterion Collection release, Crittenden spoke about her experiences working with Terrence Malick, or “Terry” as she calls him, on his WWII drama “The Thin Red Line.
She died Wednesday in Pacific Palisades, Calif., according to her friend and mentee Ilene Starger.
Crittenden would go on to have a prolific career in casting lasting over 40 years. Crittenden’s credits include “The Thin Red Line,” “On Golden Pond,” “Witness,” “Badlands,” “Oh! God,” “Howard the Duck,” “Wise Guys” and “Spiderman 2.” She was nominated for a CSA Artios award for “Witness.” She worked with some of the industry’s most prominent directors, such as Ridley Scott, Peter Bogdanovich, Wes Craven, George Romero and Brian De Palma.
In a 2010 featurette included in the Criterion Collection release, Crittenden spoke about her experiences working with Terrence Malick, or “Terry” as she calls him, on his WWII drama “The Thin Red Line.
- 3/21/2024
- by Jack Dunn
- Variety Film + TV
Noah Baumbach and Wes Anderson have a podcast on the way!
The esteemed filmmakers will be sitting down for a one-on-one conversation, inspired by the life’s work of Peter Bogdanovich and his contributions to the art and history of cinema.
The podcast “One Handshake Away: Peter Bogdanovich & The Icons of Cinema,” is a tribute and celebration bonus episode about Peter, a director who both considered an inspiration and a mentor.
The special podcast will be released by Audacy on Wednesday, March 20. Don’t miss it!
Previous guests on the podcast include including Orson Welles, Greta Gerwig, Quentin Tarantino, and Alfred Hitchcock from both new and never-before-heard archival interviews.
The esteemed filmmakers will be sitting down for a one-on-one conversation, inspired by the life’s work of Peter Bogdanovich and his contributions to the art and history of cinema.
The podcast “One Handshake Away: Peter Bogdanovich & The Icons of Cinema,” is a tribute and celebration bonus episode about Peter, a director who both considered an inspiration and a mentor.
The special podcast will be released by Audacy on Wednesday, March 20. Don’t miss it!
Previous guests on the podcast include including Orson Welles, Greta Gerwig, Quentin Tarantino, and Alfred Hitchcock from both new and never-before-heard archival interviews.
- 3/17/2024
- by Just Jared
- Just Jared
Reader, you have been lied to! Film history is littered with unfairly maligned classics, whether critics were too eager to review the making of rather than the finished product, or they suffered from underwhelming ad campaigns or general disinterest. Let’s revise our takes on some of these films from the wrongheaded to the correct opinion.
The list of sequels to masterpieces that can be considered masterpieces themselves isn’t a very long one; “The Godfather Part II” is an obvious candidate, and arguments can be made for James Cameron‘s “Aliens” and “Terminator 2: Judgment Day.” “Blade Runner 2049,” “Mad Max: Fury Road,” and “The Color of Money” all have their partisans, and Ingmar Bergman scored a late-career triumph with his “Scenes From a Marriage” sequel “Saraband.” One movie that almost never gets mentioned in this company is “The Two Jakes,” the 1990 sequel to “Chinatown” directed by its star,...
The list of sequels to masterpieces that can be considered masterpieces themselves isn’t a very long one; “The Godfather Part II” is an obvious candidate, and arguments can be made for James Cameron‘s “Aliens” and “Terminator 2: Judgment Day.” “Blade Runner 2049,” “Mad Max: Fury Road,” and “The Color of Money” all have their partisans, and Ingmar Bergman scored a late-career triumph with his “Scenes From a Marriage” sequel “Saraband.” One movie that almost never gets mentioned in this company is “The Two Jakes,” the 1990 sequel to “Chinatown” directed by its star,...
- 3/6/2024
- by Jim Hemphill
- Indiewire
The glut of movie podcasts makes it hard to prioritize any single show. But there’s been unique pleasure in One Handshake Away, which allows directors to reflect on titans of yesteryear who host Peter Bogdanovich once interviewed––supplemented by audio of those decades-old conversations and creating a wild bridge in film history. Drawing direct paths from Alfred Hitchcock to Guillermo del Toro, Orson Welles to Rian Johnson, Don Siegel to Quentin Tarantino, it emphasizes just how quickly cinema history could be collapsed by a figure of Bogdanovich’s experience and just how much was lost with his passing.
The latest episode picks up from Bogdanovich’s passing. Guillermo del Toro’s now on hosting duties and his guest is Greta Gerwig, who discusses the films of Howard Hawks and their influence on her work––particularly the John Barrymore and Barbara Stanwyck performances that informed Ryan Gosling and Margot Robbie in Barbie.
The latest episode picks up from Bogdanovich’s passing. Guillermo del Toro’s now on hosting duties and his guest is Greta Gerwig, who discusses the films of Howard Hawks and their influence on her work––particularly the John Barrymore and Barbara Stanwyck performances that informed Ryan Gosling and Margot Robbie in Barbie.
- 2/29/2024
- by Nick Newman
- The Film Stage
The late Playboy founder Hugh Hefner was one of the most controversial figures in the public eye, and one of the scandals that severely tarnished his name was the alleged assault of Playboy model Dorothy Stratten.
Dorothy Stratten via The Tonight Show Starring Johnny Carson
She was only 18 when she was hired to do a photo shoot for the famed magazine and later invited to the Playboy mansion where the assault took place. Hefner’s valet witnessed the event but was told to keep silent.
Suggested“I had hours of video, hundreds of sexy tapes”: Hugh Hefner’s Widow Reveals Playboy Mogul Filmed A-List Actors Having S*x in His Bed With Spycams Without Consent
Hugh Hefner Denied Assaulting Late Playboy Model Dorothy Stratten
Director Peter Bogdanovich, who allegedly had an affair with Dorothy Stratten, released a memoir on the model’s behalf entitled The Killing of the Unicorn:...
Dorothy Stratten via The Tonight Show Starring Johnny Carson
She was only 18 when she was hired to do a photo shoot for the famed magazine and later invited to the Playboy mansion where the assault took place. Hefner’s valet witnessed the event but was told to keep silent.
Suggested“I had hours of video, hundreds of sexy tapes”: Hugh Hefner’s Widow Reveals Playboy Mogul Filmed A-List Actors Having S*x in His Bed With Spycams Without Consent
Hugh Hefner Denied Assaulting Late Playboy Model Dorothy Stratten
Director Peter Bogdanovich, who allegedly had an affair with Dorothy Stratten, released a memoir on the model’s behalf entitled The Killing of the Unicorn:...
- 2/27/2024
- by Ariane Cruz
- FandomWire
With striking beauty, undeniable charisma, and promising talent, Dorothy Stratten quickly rose to fame with her works in Playboy magazine. The actress had a photogenic appeal that endeared her audiences, but her life was cut short by her ex-husband who felt sidelined after her success. The Playboy Murders is a docu-series that showcases to its viewers the tragic and disturbing insight of the murder that will surely send shivers down your spine.
Dorothy Stratten with Paul Snider
The Playboy Murders looks back into the tragic end of the actresses who were once associated with Playboy. The episode which airs on ID tells the gruesome end of Dorothy Stratten, the Playmate of the Year in 1980 who was brutally murdered by her ex-husband It will share chills down your spine.
Trigger Warning
The Playboy Murders Delves Into The Horrifying Murder of Dorothy Stratten by Her Ex-Husband
In the episode of The Playboy Murders,...
Dorothy Stratten with Paul Snider
The Playboy Murders looks back into the tragic end of the actresses who were once associated with Playboy. The episode which airs on ID tells the gruesome end of Dorothy Stratten, the Playmate of the Year in 1980 who was brutally murdered by her ex-husband It will share chills down your spine.
Trigger Warning
The Playboy Murders Delves Into The Horrifying Murder of Dorothy Stratten by Her Ex-Husband
In the episode of The Playboy Murders,...
- 2/27/2024
- by Tushar Auddy
- FandomWire
A lot of sci-fi films helped shape the genre into what it is today, but perhaps none of them are as underrated as the 1982 film "Tron." The original entry into a franchise that would come to span several decades was studded with soon-to-be stars like the incomparable Jeff Bridges, who would go on to earn an Academy Award.
Bridges stars in the action-adventure as Kevin Flynn, a video game developer who gets trapped inside his own software and has to interact with the programs inside his computer's main frame to escape. Digital technology was still emerging in the 1980s, and computers were relegated to those with a proclivity for science. All that is to say, the public wasn't ready for a movie filled with symbolic computer metaphors, and the film was not a success.
However, as computers began to rise in popularity, so too did "Tron." Early web users looked...
Bridges stars in the action-adventure as Kevin Flynn, a video game developer who gets trapped inside his own software and has to interact with the programs inside his computer's main frame to escape. Digital technology was still emerging in the 1980s, and computers were relegated to those with a proclivity for science. All that is to say, the public wasn't ready for a movie filled with symbolic computer metaphors, and the film was not a success.
However, as computers began to rise in popularity, so too did "Tron." Early web users looked...
- 2/19/2024
- by Shae Sennett
- Slash Film
In his last dramatic and interminable years, Michael Cimino spent his days in solitude rewatching old movies in the Bel-Air mansion he bought during his heyday. On the rare occasions that he ventured out, he drove a Rolls-Royce he acquired while making The Deer Hunter in 1978, his chauffeur having left long ago, as well as his success.
Even in those final moments, he did everything he could to show a winning image to Hollywood, a town that had ostracized him ever since the colossal Heaven’s Gate fiasco that had bankrupted United Artists during the early ’80s. He had a perpetually ironic, scornful smile, but he was the first to know how pointless, even miserable, that act was. The only thing he had left from his triumphant years was some money, and he would show up at the hangouts of movers and shakers like the Polo Lounge, where he often ended...
Even in those final moments, he did everything he could to show a winning image to Hollywood, a town that had ostracized him ever since the colossal Heaven’s Gate fiasco that had bankrupted United Artists during the early ’80s. He had a perpetually ironic, scornful smile, but he was the first to know how pointless, even miserable, that act was. The only thing he had left from his triumphant years was some money, and he would show up at the hangouts of movers and shakers like the Polo Lounge, where he often ended...
- 2/17/2024
- by Antonio Monda
- The Hollywood Reporter - Movie News
To paraphrase all those singing nuns, how do you solve a problem like Jack Reacher? If you're Christopher McQuarrie, you hire your movie star pal, Tom Cruise (despite the actor's notable height difference from the character as depicted in author Lee Child's novels — more on that later), and make a fabulous, still-underseen '70s-style political thriller/neo-noir film. If you're showrunner Nick Santora, you develop a TV series for Prime Video, hire the biggest Mack truck-looking dude you can, and make "a sharp, self-aware action caper," as /Film's own Valerie Ettenhoffer described it.
However, if you're Edward Zwick, you team up with your old "The Last Samurai" cohort Cruise and attempt to follow up McQuarrie's film with something a little bit different, seeing if there may be more to Reacher beneath his brooding brutality. Sadly, this approach failed to connect with audiences when Zwick's film, "Jack Reacher: Never Go Back,...
However, if you're Edward Zwick, you team up with your old "The Last Samurai" cohort Cruise and attempt to follow up McQuarrie's film with something a little bit different, seeing if there may be more to Reacher beneath his brooding brutality. Sadly, this approach failed to connect with audiences when Zwick's film, "Jack Reacher: Never Go Back,...
- 2/13/2024
- by Bill Bria
- Slash Film
In 2006, a movie came out starring Daniel Craig, Sandra Bullock, Sigourney Weaver, Jeff Daniels, Hope Davis, Isabella Rossellini, Peter Bogdanovich, Gwyneth Paltrow, and Toby Jones. That’s a murderer’s row of talent bringing to life writer/director Douglas McGrath’s script — and very few people paid it much mind. But “Infamous” was a victim of bad timing, not bad filmmaking.
One can’t blame audiences for greeting it with a collective shrug. McGrath’s movie tackled the exact same topic as the previous year’s “Capote” (the movie that earned Philip Seymour Hoffman his first and only Oscar): Truman Capote’s time spent researching and writing his true-crime classic “In Cold Blood.” After the buzzy release of “Capote” and months spent in awards season campaigning mode, no one was ready to revisit the subject.
What a shame, because “Infamous” restores much of what was missing from Bennett Miller...
One can’t blame audiences for greeting it with a collective shrug. McGrath’s movie tackled the exact same topic as the previous year’s “Capote” (the movie that earned Philip Seymour Hoffman his first and only Oscar): Truman Capote’s time spent researching and writing his true-crime classic “In Cold Blood.” After the buzzy release of “Capote” and months spent in awards season campaigning mode, no one was ready to revisit the subject.
What a shame, because “Infamous” restores much of what was missing from Bennett Miller...
- 2/13/2024
- by Mark Peikert
- Indiewire
This was a well-kept secret. Two years since his passing we’ve learned of Peter Bogdanoivch’s podcasting project One Handshake Away, which saw the late-in-life filmmaker sit down with modern luminaries. The first two episodes, out today, feature Guillermo del Toro and Quentin Tarantino discussing personal favorites, the former Alfred Hitchcock and the latter Don Siegel––a normal concept made novel by integrating unheard audio from Bogdanovich’s prodigious start interviewing the deceased filmmakers decades ago.
Later episodes will feature conversations with Rian Johnson and Ken Burns; after Bogdanovich’s passing, del Toro continued the series by speaking to Greta Gerwig, Julie Delpy, and Allison Anders. Integrated into these are audio of John Ford, Howard Hawks, and (believe it or not!) Orson Welles. It’s immediately evident that the company of a fellow auteur puts del Toro and Tarantino at ease, the subjects elevating them to enthusiasm––well and...
Later episodes will feature conversations with Rian Johnson and Ken Burns; after Bogdanovich’s passing, del Toro continued the series by speaking to Greta Gerwig, Julie Delpy, and Allison Anders. Integrated into these are audio of John Ford, Howard Hawks, and (believe it or not!) Orson Welles. It’s immediately evident that the company of a fellow auteur puts del Toro and Tarantino at ease, the subjects elevating them to enthusiasm––well and...
- 2/7/2024
- by Leonard Pearce
- The Film Stage
Late auteur Peter Bogdanovich is still just a handshake away per his posthumous podcast, “One Handshake Away.”
Prior to Bogdanovich’s January 2022 death, the filmmaker recorded a series of interviews with fellow directors such as Guillermo del Toro, Quentin Tarantino, Ken Burns, and Rian Johnson to discuss their biggest cinematic influences.
Per Deadline, Bogdanovich named the podcast “One Handshake Away” to honor the relationship between contemporary directors and pioneering filmmakers, with each filmmaker being “one handshake away” from one another in film history.
After Bogdanovich’s passing, del Toro took over the podcast and recorded the final three episodes, interviewing Greta Gerwig, Julie Delpy, and Allison Anders, which included discussing the works of Howard Hawks, Fritz Lang, and Raoul Walsh.
Filmmakers Alfred Hitchcock, Don Siegel, Orson Welles, and John Ford were reexamined in episodes Bogdanovich recorded; the podcast additionally features exclusive archival interviews with Hitchcock, Welles, and Ford that have...
Prior to Bogdanovich’s January 2022 death, the filmmaker recorded a series of interviews with fellow directors such as Guillermo del Toro, Quentin Tarantino, Ken Burns, and Rian Johnson to discuss their biggest cinematic influences.
Per Deadline, Bogdanovich named the podcast “One Handshake Away” to honor the relationship between contemporary directors and pioneering filmmakers, with each filmmaker being “one handshake away” from one another in film history.
After Bogdanovich’s passing, del Toro took over the podcast and recorded the final three episodes, interviewing Greta Gerwig, Julie Delpy, and Allison Anders, which included discussing the works of Howard Hawks, Fritz Lang, and Raoul Walsh.
Filmmakers Alfred Hitchcock, Don Siegel, Orson Welles, and John Ford were reexamined in episodes Bogdanovich recorded; the podcast additionally features exclusive archival interviews with Hitchcock, Welles, and Ford that have...
- 2/5/2024
- by Samantha Bergeson
- Indiewire
Exclusive: Peter Bogdanovich, the director of Hollywood classics such as The Last Picture Show and Paper Moon, may have died two years ago but he left behind a “love letter to film.”
The critic-turned-filmmaker was working on One Handshake Away, a podcast series that saw him in conversation with some of the greatest living filmmakers, including Guillermo del Toro, Quentin Tarantino, Rian Johnson and Ken Burns framed through a series of never-before-heard archival interviews with legends including Alfred Hitchcock, Orson Welles and John Ford.
After Bogdanovich’s death, del Toro took over for the final three interviews with Greta Gerwig, Julie Delpy and Allison Anders.
Each episode pays homage to a master and offers insight and perspective on the influence and impact the legends who came before them had on their career and filmmaking.
Bogdanovich discussed Hitchcock with del Toro, Don Siegel with Tarantino, Welles with Johnson and Ford with Burns.
The critic-turned-filmmaker was working on One Handshake Away, a podcast series that saw him in conversation with some of the greatest living filmmakers, including Guillermo del Toro, Quentin Tarantino, Rian Johnson and Ken Burns framed through a series of never-before-heard archival interviews with legends including Alfred Hitchcock, Orson Welles and John Ford.
After Bogdanovich’s death, del Toro took over for the final three interviews with Greta Gerwig, Julie Delpy and Allison Anders.
Each episode pays homage to a master and offers insight and perspective on the influence and impact the legends who came before them had on their career and filmmaking.
Bogdanovich discussed Hitchcock with del Toro, Don Siegel with Tarantino, Welles with Johnson and Ford with Burns.
- 2/5/2024
- by Peter White
- Deadline Film + TV
Sherlock Jr..I don’t know what I expected. For some reason, when booking my plane ticket from Chicago to Muskegon, Michigan, I just assumed it would be a “normal,” albeit probably smaller, plane that would chariot us intrepid travelers to the neighboring state. So when I turned up at O’Hare, I thought nothing of being asked to provide my weight and having my carry-on bags weighed as well, nothing of the smaller-than-usual waiting area, nothing of taking an elevator directly to the tarmac rather than descending via the usual jet bridge. The sight of the nine-seat Cessna shouldn’t have surprised me, but it did. More disconcerting was the passenger who reveled in telling the lot of us why the plane flew around Lake Michigan, not across it: in case it crashed, it could more easily be found. This seemed an appropriate way to get to the International Buster Keaton Society's 2023 Convention,...
- 2/5/2024
- MUBI
Quentin Tarantino is doubling down on his film criticism, as he not only has his 10th and final feature, The Movie Critic, on the horizon but also has a follow-up to his book Cinema Speculation in the works.
As he revealed on the Pure Cinema Podcast – which frequently promotes goings-on at the Qt-owned New Beverly Cinema – the Cinema Speculation sequel will be his next book. While Tarantino didn’t provide any details as far as when Cinema Speculation II: Electric Boogaloo will hit shelves, he did mention one title he would be covering: Peter Bogdanovich’s 1972 screwball comedy What’s Up, Doc? On that movie and its cast dynamics, Tarantino said, “I am a big fan of everybody in this movie, but I’m a particularly big fan of Ryan O’Neal’s job as Howard Bannister. I think it’s one of the great straight-man comedy roles. I think he’s really,...
As he revealed on the Pure Cinema Podcast – which frequently promotes goings-on at the Qt-owned New Beverly Cinema – the Cinema Speculation sequel will be his next book. While Tarantino didn’t provide any details as far as when Cinema Speculation II: Electric Boogaloo will hit shelves, he did mention one title he would be covering: Peter Bogdanovich’s 1972 screwball comedy What’s Up, Doc? On that movie and its cast dynamics, Tarantino said, “I am a big fan of everybody in this movie, but I’m a particularly big fan of Ryan O’Neal’s job as Howard Bannister. I think it’s one of the great straight-man comedy roles. I think he’s really,...
- 2/3/2024
- by Mathew Plale
- JoBlo.com
As he's said frequently over the last few years, Quentin Tarantino is retiring from filmmaking. He has one more movie in the works — "The Film Critic" — and then he's apparently hanging it up. But that doesn't mean the acclaimed filmmaker is going to stop working entirely. For one thing, Tarantino has recently gotten into the book-writing game. He wrote a novelization of his most recent flick, "Once Upon a Time in Hollywood," and then followed that up with "Cinema Speculation," a collection of essays about several notable American films from the 1970s. The book was full of nerdy insights, and while I didn't agree with everything said — at one point, Tarantino calls Peter Yates' masterful "The Friends of Eddie Coyle" "overrated" — I loved pouring over Tarantino's thoughts on classic (and not-so-classic) films.
If you, like me, enjoyed the book, here's some good news: Tarantino is working on a sequel! The...
If you, like me, enjoyed the book, here's some good news: Tarantino is working on a sequel! The...
- 1/31/2024
- by Chris Evangelista
- Slash Film
While we expect to soon hear some casting news on Quentin Tarantino’s final feature The Movie Critic ahead of a shoot later this year, the small details being doled-out will have to suffice. In the meantime, he joined the latest episode of the Pure Cinema Podcast to promote a forthcoming all-film Ib Technicolor Fest taking place at his newly acquired Vista Theatre in LA. As part of this discussion, he shared the notable update that he plans to write Cinema Speculation Vol. Two, a sequel to his 2022 book of film analysis. He confirmed the book will feature his insights on Peter Bogdanovich’s 1972 comedy classic What’s Up, Doc?, and shared a tease. The director also shared quite an interesting take on Robert Altman’s McCabe & Mrs. Miller.
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
- 1/30/2024
- by Jordan Raup
- The Film Stage
Clockwise from top left: Minami Hamabe in Gozdilla Minus One/Minus Color, Harrison Ford in Raiders Of The Lost Ark, and Charlize Theron in Mad Max: Fury Road - Black & Chrome.Screenshot: Toho, Paramount, Warner Bros.
Godzilla Minus One returns to theaters this weekend minus one important element: Color. Godzilla Minus One/Minus Color,...
Godzilla Minus One returns to theaters this weekend minus one important element: Color. Godzilla Minus One/Minus Color,...
- 1/26/2024
- by Matt Schimkowitz
- avclub.com
NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
- 1/18/2024
- by Nick Newman
- The Film Stage
"Mr. Nelson - your music always made me move forward when I wanted to give up." Quiver Distr. has debuted the official US trailer for a funky German indie film titled Willie and Me, the feature directorial debut of German actress Eva Hassmann. It's written by, produced by, directed by, and stars Hassmann - clearly a personal passion project based on her own love for Willie Nelson and her culture shock of coming to America. Trapped in a stagnant marriage, German housewife Greta finds solace in Willie Nelson's music. When Nelson announces his farewell concert, she embarks on a journey to Las Vegas, leaving her husband behind, rediscovering her past. Hassmann plays Greta, with a fun supporting cast including Willie Nelson (of course!), Peter Bogdanovich, Darby Stanchfield, Blaine Gray, and Thure Riefenstein. Looks a bit rough around the edges, but that scrappy indie charm is what makes this so amusing.
- 1/15/2024
- by Alex Billington
- firstshowing.net
A favorite parlor game for film buffs is to pick Hollywood’s greatest year and then argue. The obvious answer — 1939, the certified Golden Year — always gets the most votes, but a few eccentrics make the case for a dark horse. 1928 was Peter Bogdanovich’s choice, the year that saw the apotheosis of silent film aesthetics before synchronized sound ruined everything. 1974 — Chinatown, Godfather II, The Conversation, et al — draws a lot of ballots. Media critic Brian Raftery emphatically declared 1999 “the Best. Movie. Year. Ever.” in a book with the same title and punctuation. Nothing much past 1999 gets a mandate outside of the more outré precincts of the internet.
But what about Hollywood’s worst year — its annus horribilis maximus? And what are the criteria to measure the depths of badness? The dismal quality of the films? The profit margins of the studios? The level of contempt hurled at Hollywood for being,...
But what about Hollywood’s worst year — its annus horribilis maximus? And what are the criteria to measure the depths of badness? The dismal quality of the films? The profit margins of the studios? The level of contempt hurled at Hollywood for being,...
- 12/23/2023
- by Thomas Doherty
- The Hollywood Reporter - Movie News
In real life, cigarettes and cigars are a nasty vice that assail the olfactory nerve with a thick, pungent odor capable of leaving clothes, car interiors, and whole rooms smelling like ashtrays. They're also incredibly addictive and, when one's habit stretches out over decades, ruinous to an individual's health.
In movies, however, they're instant atmosphere machines that can, when wielded by an actor who knows how to smoke with style, heighten a character's sense of sophistication or sex appeal. Marlene Dietrich defined pre-code cinematic carnality with her wickedly sensuous French inhale in "Shanghai Express," while Humphrey Bogart conveyed marrow-deep weariness with every heavy exhale in "Casablanca." As for cigars, conjure up an image of Edward G. Robinson, and you'll invariably see the sawed-off star with a stogie clenched between his sausage-thick fingers.
Though the entire world has long been tragically aware of how deadly a nicotine addiction can be, films...
In movies, however, they're instant atmosphere machines that can, when wielded by an actor who knows how to smoke with style, heighten a character's sense of sophistication or sex appeal. Marlene Dietrich defined pre-code cinematic carnality with her wickedly sensuous French inhale in "Shanghai Express," while Humphrey Bogart conveyed marrow-deep weariness with every heavy exhale in "Casablanca." As for cigars, conjure up an image of Edward G. Robinson, and you'll invariably see the sawed-off star with a stogie clenched between his sausage-thick fingers.
Though the entire world has long been tragically aware of how deadly a nicotine addiction can be, films...
- 12/20/2023
- by Jeremy Smith
- Slash Film
Michael Blakemore, the only director in Tony Award history to win twice in one year, died Sunday, Dec. 10, following a short illness. He was 95.
His death was announced by the London-based United Agents literary and talent agency.
An acclaimed director of both West End and Broadway productions – his formidable credits include A Day in the Death of Joe Egg (1968), Noises Off (1983), City of Angels (1989), Lettice & Lovage (1990) and The Life (1997), among many others – secured his place in the Tony Award record books by becoming the first, and to date only, director to win twice in one year: In 2000, he won the award for Best Director of a Play for Copenhagen and Best Director of a Musical for the revival of Kiss Me Kate.
Born June 18, 1928, in Sydney, Australia, Blakemore made his directing debut in 1966 at the Glasgow Citizens’ Theatre, where he served as Artistic Director. His international breakthrough came in 1967 when...
His death was announced by the London-based United Agents literary and talent agency.
An acclaimed director of both West End and Broadway productions – his formidable credits include A Day in the Death of Joe Egg (1968), Noises Off (1983), City of Angels (1989), Lettice & Lovage (1990) and The Life (1997), among many others – secured his place in the Tony Award record books by becoming the first, and to date only, director to win twice in one year: In 2000, he won the award for Best Director of a Play for Copenhagen and Best Director of a Musical for the revival of Kiss Me Kate.
Born June 18, 1928, in Sydney, Australia, Blakemore made his directing debut in 1966 at the Glasgow Citizens’ Theatre, where he served as Artistic Director. His international breakthrough came in 1967 when...
- 12/13/2023
- by Greg Evans
- Deadline Film + TV
“Why is this like a dark secret? It’s just a movie.”
Ryan O’Neal, who died this week at 82, was a smart, good-natured man who was bemused by the contradictions of Hollywood. As he nervously awaited the release of Love Story five decades ago, he respected its shroud of silence but also was perplexed by it.
“Love Story is on its own blacklist, but I don’t get why,” he observed.
The movie, of course, was the surprise hit of its year, but even the bestseller on which it was based had suddenly appeared on the “don’t talk” list.
Why the mystery?
Related: Remembering Ryan O’Neal: A Film & TV Career In Photos
Hollywood circa 1970 was a small town compared with the Amazon-and-Apple world of this moment, and Love Story had been preordained as an embarrassment. Every studio had rejected the screenplay, and seemingly every “money” actor had turned down the lead.
Ryan O’Neal, who died this week at 82, was a smart, good-natured man who was bemused by the contradictions of Hollywood. As he nervously awaited the release of Love Story five decades ago, he respected its shroud of silence but also was perplexed by it.
“Love Story is on its own blacklist, but I don’t get why,” he observed.
The movie, of course, was the surprise hit of its year, but even the bestseller on which it was based had suddenly appeared on the “don’t talk” list.
Why the mystery?
Related: Remembering Ryan O’Neal: A Film & TV Career In Photos
Hollywood circa 1970 was a small town compared with the Amazon-and-Apple world of this moment, and Love Story had been preordained as an embarrassment. Every studio had rejected the screenplay, and seemingly every “money” actor had turned down the lead.
- 12/11/2023
- by Peter Bart
- Deadline Film + TV
The late actor’s beauty was used for a string of roles, including Love Story and Paper Moon, but he also displayed a rare comic prowess
Ryan O’Neal, Hollywood actor and star of Love Story, dies aged 82
There were plenty of handsome leading men in the Hollywood of the early 70s: Warren Beatty, Robert Redford, Burt Reynolds … but none of them were as purely and fascinatingly pretty as Ryan O’Neal, none with that cherubic pertness, complicated with a kind of wounded vulnerability: a pout, a frown, a beguiling flash of femininity to go with the dreamboat male-lead looks, which went hand-in-hand also with something worldly and hard-edged.
It is a great moment in 1973’s The Thief Who Came To Dinner when Ryan O’Neal’s jewel thief coolly inveigles himself into a fancy society soiree and Jacqueline Bisset is taken aback and perhaps even jealous of that brazen, faintly...
Ryan O’Neal, Hollywood actor and star of Love Story, dies aged 82
There were plenty of handsome leading men in the Hollywood of the early 70s: Warren Beatty, Robert Redford, Burt Reynolds … but none of them were as purely and fascinatingly pretty as Ryan O’Neal, none with that cherubic pertness, complicated with a kind of wounded vulnerability: a pout, a frown, a beguiling flash of femininity to go with the dreamboat male-lead looks, which went hand-in-hand also with something worldly and hard-edged.
It is a great moment in 1973’s The Thief Who Came To Dinner when Ryan O’Neal’s jewel thief coolly inveigles himself into a fancy society soiree and Jacqueline Bisset is taken aback and perhaps even jealous of that brazen, faintly...
- 12/9/2023
- by Peter Bradshaw
- The Guardian - Film News
Actor Ryan O'Neal, best known for a string of starring roles in the 1970s films "Love Story," "Paper Moon," "What's Up, Doc?" and "Barry Lyndon," has died at 82. His cause of death is not known, but he had been battling ill health for some time, including a diagnosis of chronic leukemia in 2001 and prostate cancer in 2012. His longtime partner, Farrah Fawcett, died of cancer in 2009. The news of O'Neal's passing was shared by his son, Patrick, who wrote on Instagram:
"My dad passed away peacefully today, with his loving team by his side supporting him and loving him as he would us ... My father Ryan O'Neal has always been my hero. I looked up to him and he was always bigger than life ... He is a Hollywood legend. Full stop."
O'Neal was born in 1941, the son of screenwriter Charles "Blackie" O'Neal and actress Patricia Ruth Olga. His career began on television,...
"My dad passed away peacefully today, with his loving team by his side supporting him and loving him as he would us ... My father Ryan O'Neal has always been my hero. I looked up to him and he was always bigger than life ... He is a Hollywood legend. Full stop."
O'Neal was born in 1941, the son of screenwriter Charles "Blackie" O'Neal and actress Patricia Ruth Olga. His career began on television,...
- 12/8/2023
- by Hannah Shaw-Williams
- Slash Film
Ryan O’Neal is dead at the age of 82 after years of health struggles. His son Patrick announced the news on Instagram.
O’Neal was one of the true heartthrobs of the New Hollywood era, making many who saw him in “Love Story,” “What’s Up Doc?,” “Barry Lyndon,” and “The Driver” swoon. He also was much more than a pretty face, showing a capacity to let the great directors of the era mold him into something so much more powerful than his looks. And his life was defined in some ways, also, by heartbreak and misfortune: the loss of his great love Farrah Fawcett in 2009, the years-long legal troubles of his son Redmond, the rupture of his relationship with son Griffin, and fraught connection to his daughter Tatum. He was a prickly icon, someone whose public statements and demeanor defied people to like him. But the films he leaves behind...
O’Neal was one of the true heartthrobs of the New Hollywood era, making many who saw him in “Love Story,” “What’s Up Doc?,” “Barry Lyndon,” and “The Driver” swoon. He also was much more than a pretty face, showing a capacity to let the great directors of the era mold him into something so much more powerful than his looks. And his life was defined in some ways, also, by heartbreak and misfortune: the loss of his great love Farrah Fawcett in 2009, the years-long legal troubles of his son Redmond, the rupture of his relationship with son Griffin, and fraught connection to his daughter Tatum. He was a prickly icon, someone whose public statements and demeanor defied people to like him. But the films he leaves behind...
- 12/8/2023
- by Christian Blauvelt
- Indiewire
Ryan O’Neal, the actor known for leading roles in films like Love Story and What’s Up, Doc?, died on Friday, December 8th. He was 82.
His son Patrick shared the news in a lengthy Instagram post, writing: “So this is the toughest thing I’ve ever had to say but here we go. My dad passed away peacefully today, with his loving team by his side supporting him and loving him as he would us.”
Charles Patrick Ryan O’Neal was born in Los Angeles on April 20th, 1941, to parents both in the entertainment business. He trained to be an amateur boxer throughout his adolescence, until his mother got him a job as a stuntman and extra on the short-lived TV series Tales of the Vikings.
After a handful of smaller TV roles — including a recurring role on NBC’s Empire — O’Neal earned his big break in 1964, when he...
His son Patrick shared the news in a lengthy Instagram post, writing: “So this is the toughest thing I’ve ever had to say but here we go. My dad passed away peacefully today, with his loving team by his side supporting him and loving him as he would us.”
Charles Patrick Ryan O’Neal was born in Los Angeles on April 20th, 1941, to parents both in the entertainment business. He trained to be an amateur boxer throughout his adolescence, until his mother got him a job as a stuntman and extra on the short-lived TV series Tales of the Vikings.
After a handful of smaller TV roles — including a recurring role on NBC’s Empire — O’Neal earned his big break in 1964, when he...
- 12/8/2023
- by Abby Jones
- Consequence - Film News
Another former silver screen icon has passed, with THR reporting that Ryan O’Neal, star of Love Story and Barry Lyndon, has died at 82. While his star had dimmed since his heyday, at the height of his fame, Ryan O’Neal was considered one of the biggest stars in the world. His 1970 classic Love Story, co-starring Ali McGraw, made him one of the decade’s biggest heartthrobs, and he followed it up with a couple of stone-cold classics, including a few movies by Peter Bogdanovich. His first movie with the director, What’s Up Doc, paired him for the first time with Barbra Streisand, with the two reuniting years later for The Main Event – both of which were massive hits. Probably his best movie with Bogdanovich, Paper Moon, paired him with his daughter, Tatum O’Neal, who took home an Oscar for her role in this black-and-white depression-set classic.
Other classic seventies...
Other classic seventies...
- 12/8/2023
- by Chris Bumbray
- JoBlo.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.