Serge Bozon having a Hard, Fast And Beautiful First Encounter with Gavin Smith Photo: Anne-Katrin Titze
First Encounters at the Quad Cinema have included Kenneth Lonergan and Edward Yang's Yi Yi, John Turturro and Satyajit Ray's Pather Panchali, and two directors who have films in the Main Slate of this year's New York Film Festival, Greta Gerwig with Lady Bird watched David Lynch's Blue Velvet and The Meyerowitz Stories (New And Selected) director Noah Baumbach's First Encounter was Bruce Robinson's Withnail And I.
Serge Bozon, who is in the Main Slate program with Mrs. Hyde (Madame Hyde), starring Isabelle Huppert with Romain Duris and José Garcia, chose Ida Lupino's Hard, Fast And Beautiful with Claire Trevor, Sally Forrest, Robert Clarke, Kenneth Patterson, and Carleton G Young for his First Encounter.
Isabelle Huppert in Serge Bozon's Mrs. Hyde (Madame Hyde)
Hard, Fast And Beautiful...
First Encounters at the Quad Cinema have included Kenneth Lonergan and Edward Yang's Yi Yi, John Turturro and Satyajit Ray's Pather Panchali, and two directors who have films in the Main Slate of this year's New York Film Festival, Greta Gerwig with Lady Bird watched David Lynch's Blue Velvet and The Meyerowitz Stories (New And Selected) director Noah Baumbach's First Encounter was Bruce Robinson's Withnail And I.
Serge Bozon, who is in the Main Slate program with Mrs. Hyde (Madame Hyde), starring Isabelle Huppert with Romain Duris and José Garcia, chose Ida Lupino's Hard, Fast And Beautiful with Claire Trevor, Sally Forrest, Robert Clarke, Kenneth Patterson, and Carleton G Young for his First Encounter.
Isabelle Huppert in Serge Bozon's Mrs. Hyde (Madame Hyde)
Hard, Fast And Beautiful...
- 10/8/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Randolph Scott Westerns, comedies, war dramas: TCM schedule on August 19, 2013 See previous post: “Cary Grant and Randolph Scott Marriages — And ‘Expect the Biographical Worst.’” 3:00 Am Badman’S Territory (1946). Director: Tim Whelan. Cast: Randolph Scott, George ‘Gabby’ Hayes, Ann Richards. Bw-98 mins. 4:45 Am Trail Street (1947). Director: Ray Enright. Cast: Randolph Scott, Robert Ryan, Anne Jeffreys. Bw-84 mins. 6:15 Am Return Of The Badmen (1948). Director: Ray Enright. Cast: Randolph Scott, Robert Ryan, Anne Jeffreys, George ‘Gabby’ Hayes, Jacqueline White, Steve Brodie, Tom Keene aka Richard Powers, Robert Bray, Lex Barker, Walter Reed, Michael Harvey, Dean White, Robert Armstrong, Tom Tyler, Lew Harvey, Gary Gray, Walter Baldwin, Minna Gombell, Warren Jackson, Robert Clarke, Jason Robards Sr., Ernie Adams, Lane Chandler, Dan Foster, John Hamilton, Kenneth MacDonald, Donald Kerr, Ida Moore, ‘Snub’ Pollard, Harry Shannon, Charles Stevens. Bw-90 mins. 8:00 Am Riding Shotgun (1954). Director: André De Toth. Cast: Randolph Scott, Wayne Morris,...
- 8/20/2013
- by Andre Soares
- Alt Film Guide
A sceptic and a devotee struggle to reveal much of note about the notoriously elusive graffiti artist
When Robert Clarke first caught sight of the then unknown Banksy in a New York flophouse in 1995, it was like one of those revelatory occasions in Hollywood biblical epics when the shadow of the saviour, whose face we are not permitted to glimpse, falls onto the ungodly. "Lo and behold," says the quivering Clarke, "he was framed in the office door and a radiant light was coming off him."
"No, no really!" he adds, but the disclaimer doesn't dispel the religiosity of the encounter. Clarke rises and follows this nondescript fellow from Bristol, who dematerialises so mysteriously and leaves behind him only prophetic daubs on the sides of buildings – anti-capitalist slogans, stencilled caricatures of greedy corporate rats, the Mona Lisa wielding a bazooka and Queen Victoria being orally pleasured by a lesbian attendant.
When Robert Clarke first caught sight of the then unknown Banksy in a New York flophouse in 1995, it was like one of those revelatory occasions in Hollywood biblical epics when the shadow of the saviour, whose face we are not permitted to glimpse, falls onto the ungodly. "Lo and behold," says the quivering Clarke, "he was framed in the office door and a radiant light was coming off him."
"No, no really!" he adds, but the disclaimer doesn't dispel the religiosity of the encounter. Clarke rises and follows this nondescript fellow from Bristol, who dematerialises so mysteriously and leaves behind him only prophetic daubs on the sides of buildings – anti-capitalist slogans, stencilled caricatures of greedy corporate rats, the Mona Lisa wielding a bazooka and Queen Victoria being orally pleasured by a lesbian attendant.
- 5/12/2012
- by Peter Conrad
- The Guardian - Film News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.