- Works: "Piano Sonata"; "Go, Lovely Rose"; "Holidays" (4-hands piano suite); "The Crowns" (seven John Donne sonnets); "The Horses of Evening"; "Five Tzu-Yeh Songs"; and "Three Israeli Dances".
- (1966 to 1986) He was musical director for the Trinity Repertory Company Theatre in Providence, Rhode Island.
- (1966 to 1967 season) He was composer for William Shakespeare's play, "A Midsummer's Night Dream," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Louis Beachner was director. Lynn Pecktal was set designer. John Lehrmeyer was costume designer. Roger Morgan was lighting designer. William Cain was dance director.
- (1967 to 1968 season) He was music director for Bertolt Brecht and Kurt Weill's play, "The Threepenny Opera," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. John Lehrmeyer was costume designer. Roger Morgan was lighting designer.
- (Summer 1968) He was music director for Norman Holland's play, "Years of the Locust," the Trinity Repertory Company Theatre (first American company) production at the Edinburgh, Scotland in Edinburgh, Scotland. Adrian Hall was director. Eugene Lee was set designer. John Lehrmeyer was costume designer. Roger Morgan was lighting designer.
- (1967 to 1968 season) He was music director for Norman Holland's play, "Years of the Locust," in world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. John Lehrmeyer was costume designer. Roger Morgan was lighting designer.
- (1968 to 1969 season) He was music director for Sean O'Casey's play, "Red Roses for Me," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Robert D. Soule was set designer. John Lehrmeyer was costume designer. Roger Morgan was lighting designer.
- (1968 to 1969 season) He was music director for Robert Penn Warren's play, "Brothers to Dragons," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island with Martin Molson and Robert Colonna in the cast. Adrian Hall was director. Eugene Lee was set designer. John Lehrmeyer was costume designer.
- (1968 to 1969 season) He was music director for William Shakespeare's play, "Macbeth," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. John Lehmeyer was costume designer.
- (1968 to 1969 season) He was music director for Herman Melville's story, "Billy Budd," in a world premiere at the Trinity Repertory Company Theatre in Providence, Rhode Island with Barbara Meek in the cast. Adrian Hall was director. Eugene Lee was set designer. John Lehmeyer was costume designer. Roger Morgan was lighting designer.
- (1969 to 1970 season) He was music director for Robert Powell's play, "The Old Glory," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. John Lehmeyer was costume designer. Roger Morgan was lighting designer.
- (February 8, 1968) He was music director for Norman Holland's play, "Years of the Locust," in a world premiere at the Trinity Square Playhouse in Providence, Rhode Island with Richard Kneeland (Oscar Wilde); Katherine Helmond; William Damkoehler; James Gallery; Anthony Palmer; Ed Hall; Bree Cavazos; James Eichelberger; Robert Colonna; Peter Gerety; Clinton Anderson; William Cain; Marguerite Lenert; Barbara Orson; Ronald Frazier and Robert Patterson in the cast. Eugene Lee was set designer. John Lehmeyer was costume designer. Adrian Hall was director.
- (1969 to 1970 season) He was music director Roland Van Zandt's play, "Wilson in the Promised Land," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island with William Cain (Woodrow Wilson) in the cast. Adrian Hall was director. Eugene Lee was set designer. John Lehmeyer was costume designer.
- (1969 to 1970 season) He was music director for William Goyen's plays, "House of Breath," and "Black/White," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island with William Cain (Woodrow Wilson) in the cast. Adrian Hall was director. Richard Cumming was music director. Eugene Lee was set designer. John Lehmeyer was costume designer.
- (1969 to 1970 season) He was music director for Thornton Wilder's play, "The Skin of Our Teeth," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. John Lehmeyer was costume designer. Roger Morgan was lighting designer.
- (1969 to 1970 season) He was music director for James Schevill's play, "Lovecraft's Follies," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. John Lehmeyer was costume designer. Roger Morgan was lighting designer.
- (1970 to 1971 season) He was music director for Timothy Taylor and Adrian Hall's play, "Son of Man and the Family" in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island with Robert Black, T. Richard Mason, JoBeth Williams and James Eichelberger in the cast. Adrian Hall was also director. Eugene Lee was set designer. John Lehmeyer was costume designer. Roger Morgan was lighting designer.
- (1970 to 1971 season) He was music director for William Shakespeare's play, "The Taming of the Shrew," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set and lighting designer. John Lehmeyer was costume designer.
- (1970 to 1971 season) He was music director for William Congreve's play, "Love for Love," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Philip Minor was director. Robert D. Soule was set designer. John Lehmeyer was costume designer. Eugene Lee was lighting designer.
- (1970 to 1971 season) He was music director for Portia Bohn's play, "The Good Times and Bad Times of Cady Francis McCullum and Friends," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee and Franne Lee were set designers.
- (1970 to 1971 season) He was music director for Bertolt Brecht and Kurt Weill's play, "The Threepenny Opera," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set and lighting designer. John Lehmeyer was costume designer.
- (1971 to 1972 season) He was music director for Julie Bovasso's play, "Down By The River Where Waterlilies Are Disfigured Every Day," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. A. Christina Giannini was costume designer. Roger Morgan was lighting designer.
- (1971 to 1972 season) He was music director for Richard Wilbur's translation of Moliere's play, "The School For Wives," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Richard Kavanaugh and George Martin in the cast. Adrian Hall was director. Robert D. Soule was set designer. A. Christina Giannini was costume designer. Roger Morgan was lighting designer.
- (1972 to 1973 season) He was music director for Peter Shaffer's play, "The Royal Hunt of the Sun," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. A. Christina Giannini was costume designer. Roger Morgan was lighting designer.
- (1972 to 1973 season) He was music director for Adrian Hall and his play, "Feasting With Panthers," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was also director. Eugene Lee and Robert D. Soule were set designers.
- (1973 to 1974 season) He was music director for Robert Penn Warren's play, "Brothers To Dragons," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. James Berton Harris was costume designer. Richard Devin was lighting designer.
- (1973 to 1974 season) He was music director for Stuart Vaughan's play, "Ghost Dance," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Stuart Vaughan was also director. Eugene Lee was set designer. James Berton Harris was costume designer. Richard Devin was lighting designer. Julie Strandberg was ethnic dance supervisor.
- (1973 to 1974 season) He was music director for William Goyen and Worth Gardner's play, "Aimee," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. James Berton Harris was costume designer. Richard Devin was lighting designer. Sharon Jenkins was dance supervisor.
- (1974 to 1975 season) He adapted Henrik Ibsen's play, "Peer Gynt," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set and lighting designer. James Berton Harris was costume designer. Adrian Hall was also adapter.
- (1974 to 1975 season) He was music director for Tom Stoppard's play, "Jumpers," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Word Baker was director. Robert D. Soule was set designer. James Berton Harris was costume designer. John McLain was lighting designer. Bill Finlay was gymnastics trainer.
- (1975 to 1976 season) He was music director for John Guare and Mel Shapiro's adaptation of William Shakespeare's play, "Two Gentlemen of Verona," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Word Baker was director. Galt McDermot was composer. Eugene Lee was set designer. James Berton Harris was costume designer. Mark Rippe was lighting designer.
- (1975 to 1976 season) Adrian Hall and he adapted James Purdy's play, "Eustace Chisholm and The Work," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was also director. Eugene Lee was set designer. Betsy Potter was costume designer. Mark Rippe was lighting designer. Brian Jones was dance director.
- (1976 to 1977 season) He was music director for Richard Rodgers and Lorenz Hart's musical, "The Boys from Syracuse," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Don Price was director and choreographer. Robert D. Soule was set designer. James Berton Harris was costume designer. John Custer was lighting designer.
- (1977 to 1978 season) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," was performed at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was also director. Eugene Lee was set designer. Ann Morell and Betsey Potter were costume designers. Kevin Sean Keating was lighting designer. Sharon Jenkins was choreographer. He was also composer of original music.
- (1977 to 1978 season) He was music director for William Shakespeare's play, "As You Like It," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Ann Brebner was director. Robert D. Soule was set designer. Ann Morell was costume designer.John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (1978 to 1979 season) He was music director for Adrian Hall and his play, "Uncle Tom's Cabin: A History," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Matthew Jacobs was set designer. Vittorio Capecce was costume designer. Eugene Lee was lighting designer. Sharon Jenkins was choreographer.
- (1978 to 1979 season) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," was performed at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was also director. Robert D. Soule was set designer. Ann Morell was costume designer. John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (1978 to 1979 season) He was music director for Denis DeMarne and Ron Pember's play, "Jack The Ripper," in an American premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Ron Pember was also director. Robert D. Soule was set designer. Ann Morell was costume designer. John F. Custer was lighting designer. Ron Pember and Sharon Jenkins were choreographers.
- (Summer 1979) He was music director for Stephen Sondheim's musical, "Side by Side by Sondheim," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Sharon Jenkins was director. Robert D. Soule was set designer. Ann Morell was costume designer. John F. Custer was lighting designer.
- (1979 to 1980 season) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," was performed at the Trinity Repertory Company Theatre in Providence, Rhode Island. William Radka was director. Robert D. Soule was set designer. WIlliam Lane was costume designer. John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (1980 to 1981 season) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," was performed at the Trinity Repertory Company Theatre in Providence, Rhode Island. Melanie Jones was director. Robert D. Soule was set designer. William Lane was costume designer. John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (Summer 1981) He was composer for Bernard Pomerance's play, "The Elephant Man," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Peter Gerety was director. Robert D. Soule was set designer. William Lane was costume designer. John F. Custer was lighting designer.
- (1981 to 1982 season) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," was performed at the Trinity Repertory Company Theatre in Providence, Rhode Island. Melanie Jones was director. Robert D. Soule was set designer. WIlliam Lane was costume designer. John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (1981 to 1982 season) He was music director for Gogol and Tom Cole's play, "Dead Souls," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Robert D. Soule was set designer. WIlliam Lane was costume designer. John F. Custer was lighting designer.
- (Summer 1982) He was music director for Mary Kyte, Mel Marvin and Gary Pearle's play, "Tintypes," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Sharon Jenkins was director. Robert D. Soule was set designer. William Lane was costume designer. John F. Custer was lighting designer.
- (Summer 1982) He and Bruce Dyer were music directors for Paul Giannini's play, "Crucifer of Blood," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Philip Minor was director. Robert D. Soule was set designer. William Lane was costume designer. John F. Custer was lighting designer.
- (1982 to 1983) He was music director for Martha Boesing's play, "The Web," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set designer. William Lane was costume designer. John F. Custer was lighting designer.
- (1982 to 1983) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Peter Gerety was director. Robert D. Soule was set designer. William Lane was costume designer. John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (1982 to 1983) Adrian Hall and his adaptation of Charles Dickens' novel, "A Christmas Carol," was performed at the Trinity Repertory Company Theatre in Providence, Rhode Island. Peter Gerety was director. Robert D. Soule was set designer. William Lane was costume designer. John F. Custer was lighting designer. Sharon Jenkins was choreographer.
- (1982 to 1983 season) He was music director for William Shakespeare's play, "The Tempest," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. Eugene Lee was set and lighting designer. William Lane was costume designer.
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