Harrison Ford has opened up about an on-set conflict he had with Brad Pitt.
The two Hollywood powerhouses clashed on the set of 1997’s “The Devil’s Own” while developing the screenplay and exploring their respective character development.
Ford, 80, delved into the complicated situation in a new profile published by Esquire on Wednesday, where he described Pitt, 59, as a “really decent guy.”
Read More: Harrison Ford Reveals Why He Told ‘Indiana Jones 5’ Stunt Guys To ‘Leave Me The F**k Alone’
“Brad developed the script. Then they offered me the part. I saved my comments about the character and the construction of the thing — I admired Brad. First of all, I admire Brad. I think he’s a wonderful actor. He’s a really decent guy,” recounted the “Star Wars” actor.
“But we couldn’t agree on a director until we came to Alan Pakula, who I had worked with...
The two Hollywood powerhouses clashed on the set of 1997’s “The Devil’s Own” while developing the screenplay and exploring their respective character development.
Ford, 80, delved into the complicated situation in a new profile published by Esquire on Wednesday, where he described Pitt, 59, as a “really decent guy.”
Read More: Harrison Ford Reveals Why He Told ‘Indiana Jones 5’ Stunt Guys To ‘Leave Me The F**k Alone’
“Brad developed the script. Then they offered me the part. I saved my comments about the character and the construction of the thing — I admired Brad. First of all, I admire Brad. I think he’s a wonderful actor. He’s a really decent guy,” recounted the “Star Wars” actor.
“But we couldn’t agree on a director until we came to Alan Pakula, who I had worked with...
- 6/1/2023
- by Emerson Pearson
- ET Canada
Harrison Ford has had feuds with several big-name actors throughout the course of his career, from Alec Baldwin over the Jack Ryan role to Josh Hartnett on the set of Hollywood Homicide. And you can add Brad Pitt to that list, who Harrison Ford butted heads with while making the 1997 thriller The Devil’s Own.
While Harrison Ford does praise Brad Pitt overall, he says in a new Esquire profile that their issues stemmed from exploring their characters and developing the screenplay. “Brad developed the script. Then they offered me the part. I saved my comments about the character and the construction of the thing—I admired Brad. First of all, I admire Brad. I think he’s a wonderful actor. He’s a really decent guy. But we couldn’t agree on a director until we came to Alan Pakula, who I had worked with before [on 1990’s Presumed Innocent] but Brad had not.
While Harrison Ford does praise Brad Pitt overall, he says in a new Esquire profile that their issues stemmed from exploring their characters and developing the screenplay. “Brad developed the script. Then they offered me the part. I saved my comments about the character and the construction of the thing—I admired Brad. First of all, I admire Brad. I think he’s a wonderful actor. He’s a really decent guy. But we couldn’t agree on a director until we came to Alan Pakula, who I had worked with before [on 1990’s Presumed Innocent] but Brad had not.
- 6/1/2023
- by Mathew Plale
- JoBlo.com
In 1997, Alan J. Pakula's "The Devil's Own" came and went with minimal fanfare. Although coming from the director of "All the President's Men," and the recent John Grisham hit "The Pelican Brief," no one much paid attention. Even the presence of Harrison Ford and Brad Pitt couldn't pull in audiences or dazzle critics. "The Devil's Own" was a modest hit, earning 140 million worldwide, and earned tepid reviews from critics; it currently holds a 35 approval rating on Rotten Tomatoes. It's one of those major studio releases that seems to exist only to provide the writers of movie-related Trivia Pursuit cards an opportunity to stump players. It awaits on basic cable, filling time between dinner and the late shows. It was Pakula's final film before his death, and cinematographer Gordon Willis' final film before his retirement.
"The Devil's Own" is about an Irish operative named Frankie (Pitt) who comes to...
"The Devil's Own" is about an Irish operative named Frankie (Pitt) who comes to...
- 1/11/2023
- by Witney Seibold
- Slash Film
Exclusive: The Pope of Greenwich Village is headed to the small screen.
Hawk Koch and Gene Kirkwood, producers of the 1984 film, have teamed with Oscar-winning writer Nick Vallelonga (Green Book), writer/director George Gallo (Midnight Run), and Oscar-nominated actor/writer/playwright Chazz Palminteri, (A Bronx Tale) to develop an eight-hour miniseries based on Vincent Patrick’s best-selling 1979 book The Pope of Greenwich Village and its 1984 feature adaptation.
The Pope of Greenwich Village film starred Mickey Rourke, Eric Roberts and Daryl Hanna. It revolved about two cousins, Charlie and Paulie, played by Roberts and Rourke respectively, who unknowingly rob the mob and face dangerous consequences.
Vallelonga, Gallo and Palminteri are all native New Yorkers, and Vallelonga has a personal connection to the film.
“My father, Tony Lip, who Green Book was about, played the role of Frankie Shy in the opening scene of the original film, and I was an extra in the stickball scene,...
Hawk Koch and Gene Kirkwood, producers of the 1984 film, have teamed with Oscar-winning writer Nick Vallelonga (Green Book), writer/director George Gallo (Midnight Run), and Oscar-nominated actor/writer/playwright Chazz Palminteri, (A Bronx Tale) to develop an eight-hour miniseries based on Vincent Patrick’s best-selling 1979 book The Pope of Greenwich Village and its 1984 feature adaptation.
The Pope of Greenwich Village film starred Mickey Rourke, Eric Roberts and Daryl Hanna. It revolved about two cousins, Charlie and Paulie, played by Roberts and Rourke respectively, who unknowingly rob the mob and face dangerous consequences.
Vallelonga, Gallo and Palminteri are all native New Yorkers, and Vallelonga has a personal connection to the film.
“My father, Tony Lip, who Green Book was about, played the role of Frankie Shy in the opening scene of the original film, and I was an extra in the stickball scene,...
- 12/2/2020
- by Nellie Andreeva and Denise Petski
- Deadline Film + TV
Reaching for the Moon director Bruno Barreto: "Héctor’s greatest film 'Pixote'. Poetry and violence fill the screen in a ruthless way." Photo: Anne-Katrin Titze
Héctor Babenco died on July 13, 2016. His adaptation of Manuel Puig's Kiss Of The Spider Woman, screenplay Leonard Schrader, starring Raúl Juliá, William Hurt and Sônia Braga, received four Oscar nominations - Best Picture, Best Director, Best Adapted Screenplay with Hurt winning Best Actor.
Tom Waits was in two of Babenco's films, William Kennedy's Ironweed, starring Jack Nicholson and Meryl Streep (both Oscar nominated) and the adaptation of Peter Matthiessen's At Play In The Fields Of The Lord, screenplay by Babenco, Jean-Claude Carrière and Vincent Patrick, starring Tom Berenger, John Lithgow, Daryl Hannah, Aidan Quinn and Kathy Bates.
"One of the greatest scenes in the history of cinema - Fernando Ramos da Silva (Pixote) is nursed by Marília Pêra (the...
Héctor Babenco died on July 13, 2016. His adaptation of Manuel Puig's Kiss Of The Spider Woman, screenplay Leonard Schrader, starring Raúl Juliá, William Hurt and Sônia Braga, received four Oscar nominations - Best Picture, Best Director, Best Adapted Screenplay with Hurt winning Best Actor.
Tom Waits was in two of Babenco's films, William Kennedy's Ironweed, starring Jack Nicholson and Meryl Streep (both Oscar nominated) and the adaptation of Peter Matthiessen's At Play In The Fields Of The Lord, screenplay by Babenco, Jean-Claude Carrière and Vincent Patrick, starring Tom Berenger, John Lithgow, Daryl Hannah, Aidan Quinn and Kathy Bates.
"One of the greatest scenes in the history of cinema - Fernando Ramos da Silva (Pixote) is nursed by Marília Pêra (the...
- 7/22/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
We love crime movies. We may go on and on about Scorsese’s ability to incorporate Italian neo-realism techniques into Mean Streets (1973), the place of John Huston’s The Asphalt Jungle (1950) in the canon of postwar noir, The Godfather (1972) as a socio-cultural commentary on the distortion of the ideals of the American dream blah blah blah, yadda yadda yadda…but that ain’t it.
We love crime movies because we love watching a guy who doesn’t have to behave, who doesn’t have to – nor care to – put a choker on his id and can let his darkest, most visceral impulses run wild. Some smart-mouth gopher tells hood Tommy DeVito (Joe Pesci), “Go fuck yourself,” in Scorsese’s Goodfellas (1990), and does Tommy roll with it? Does he spit back, “Fuck me? Nah, fuck you!” Does he go home and tell his mother?
Nope.
He pulls a .45 cannon out from...
We love crime movies because we love watching a guy who doesn’t have to behave, who doesn’t have to – nor care to – put a choker on his id and can let his darkest, most visceral impulses run wild. Some smart-mouth gopher tells hood Tommy DeVito (Joe Pesci), “Go fuck yourself,” in Scorsese’s Goodfellas (1990), and does Tommy roll with it? Does he spit back, “Fuck me? Nah, fuck you!” Does he go home and tell his mother?
Nope.
He pulls a .45 cannon out from...
- 10/30/2012
- by Bill Mesce
- SoundOnSight
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.