Pedro Pascal has joined Ridley Scott’s upcoming “Gladiator” sequel, TheWrap has confirmed.
The previously announced cast already includes recent Oscar nominee Paul Mescal, Denzel Washington, Barry Keoghan and Connie Nielsen, who returns from the first movie. “Stranger Things” breakout Joseph Quinn is also in negotiations.
Not much is known about the sequel to Scott’s 2000 Oscar-winning blockbuster, although it’s thought to follow Maximus’ son (played by Mescal). The original film, of course, followed Maximus (Russell Crowe), a man whose family was taken from him and who went from slave to gladiator to revolutionary. What a movie.
Also Read:
Amazon to Add Over 100 Prime Video Originals to Freevee
Pascal is having a particularly great year, having anchored two of the most critically acclaimed (and popular) series on television — HBO’s videogame adaptation “The Last of Us” and Lucasfilm’s live-action “Star Wars” series “The Mandalorian” for Disney+.
In terms of movies,...
The previously announced cast already includes recent Oscar nominee Paul Mescal, Denzel Washington, Barry Keoghan and Connie Nielsen, who returns from the first movie. “Stranger Things” breakout Joseph Quinn is also in negotiations.
Not much is known about the sequel to Scott’s 2000 Oscar-winning blockbuster, although it’s thought to follow Maximus’ son (played by Mescal). The original film, of course, followed Maximus (Russell Crowe), a man whose family was taken from him and who went from slave to gladiator to revolutionary. What a movie.
Also Read:
Amazon to Add Over 100 Prime Video Originals to Freevee
Pascal is having a particularly great year, having anchored two of the most critically acclaimed (and popular) series on television — HBO’s videogame adaptation “The Last of Us” and Lucasfilm’s live-action “Star Wars” series “The Mandalorian” for Disney+.
In terms of movies,...
- 5/1/2023
- by Drew Taylor
- The Wrap
Pedro Pascal is the latest A-lister in talks to join Ridley Scott’s upcoming “Gladiator” sequel.
Pascal, who stars in both “The Mandalorian” and “The Last of Us,” is in final negotiations to board the Paramount movie, which already boasts a cast including Academy Award nominees Paul Mescal and Barry Keoghan, as well as two-time Academy Award winner Denzel Washington.
The Paramount movie follows 2000’s blockbuster hit “Gladiator,” which was nominated for 12 Academy Awards and won five, including best picture. It earned $460 million at the box office.
The original film starred Russell Crowe as Maximus Decimus Meridius, a Roman soldier forced into slavery who vows revenge against Commodus (Joaquin Phoenix). Since Maximus dies at the end of “Gladiator,” the yet-to-be-titled sequel focuses on Lucius (Mescal), the son of Lucilla.
Details of who Pascal will play are being kept under wraps. Keoghan is said to take the role of Emperor Geta,...
Pascal, who stars in both “The Mandalorian” and “The Last of Us,” is in final negotiations to board the Paramount movie, which already boasts a cast including Academy Award nominees Paul Mescal and Barry Keoghan, as well as two-time Academy Award winner Denzel Washington.
The Paramount movie follows 2000’s blockbuster hit “Gladiator,” which was nominated for 12 Academy Awards and won five, including best picture. It earned $460 million at the box office.
The original film starred Russell Crowe as Maximus Decimus Meridius, a Roman soldier forced into slavery who vows revenge against Commodus (Joaquin Phoenix). Since Maximus dies at the end of “Gladiator,” the yet-to-be-titled sequel focuses on Lucius (Mescal), the son of Lucilla.
Details of who Pascal will play are being kept under wraps. Keoghan is said to take the role of Emperor Geta,...
- 5/1/2023
- by Angelique Jackson
- Variety Film + TV
The cast of Ridley Scott’s upcoming “Gladiator” sequel continues to grow more star-studded, with Connie Nielsen and Joseph Quinn in talks to join Paul Mescal, Barry Keoghan and Denzel Washington in the film.
The Paramount movie follows 2000’s blockbuster hit “Gladiator,” which was nominated for 12 Academy Awards and won five, including best picture. It earned $460 million at the box office. The film starred Russell Crowe as Maximus Decimus Meridius, a Roman soldier forced into slavery who vows revenge against Commodus (Joaquin Phoenix). Nielsen played Maximus’ lover Lucilla, a role which she’ll reprise in the yet-to-be-titled sequel.
Since Maximus dies at the end of “Gladiator,” the sequel is focused Lucilla’s son Lucius, played by Academy Award nominee Mescal. His fellow 2023 Academy Award nominee Keoghan is in negotiations to play Emperor Geta, with Quinn set to join the project as Emperor Caracalla. Details of who Washington, the two-time Academy Award winner,...
The Paramount movie follows 2000’s blockbuster hit “Gladiator,” which was nominated for 12 Academy Awards and won five, including best picture. It earned $460 million at the box office. The film starred Russell Crowe as Maximus Decimus Meridius, a Roman soldier forced into slavery who vows revenge against Commodus (Joaquin Phoenix). Nielsen played Maximus’ lover Lucilla, a role which she’ll reprise in the yet-to-be-titled sequel.
Since Maximus dies at the end of “Gladiator,” the sequel is focused Lucilla’s son Lucius, played by Academy Award nominee Mescal. His fellow 2023 Academy Award nominee Keoghan is in negotiations to play Emperor Geta, with Quinn set to join the project as Emperor Caracalla. Details of who Washington, the two-time Academy Award winner,...
- 4/28/2023
- by Angelique Jackson
- Variety Film + TV
Todd Field may be a man of few films, but he doesn’t lack for accolades. All three of the features he’s directed — In the Bedroom (2001), Little Children (2006) and Tár (2022) — have been bestowed multiple Oscar nominations, including best picture. Tár, which was also written by Field, stars Cate Blanchett as a renowned conductor brought down by allegations of personal transgressions. Like other films of the current era, the making of Tár was complicated by the Covid-19 pandemic. Field — who had worked in commercials in the intervening years since his last feature — also had to assemble a European crew, since much of the movie was shot in Germany, including Berlin and Dresden. Working in these settings, as well as with a real-life orchestra, brought its own challenges. Field has been a hands-on producer on the trio of movies he’s directed and shares a PGA credit for Tár with Scott Lambert and Alexandra Milchan.
- 3/7/2023
- by Pamela McClintock
- The Hollywood Reporter - Movie News
In his fourth time at the podium in the last six years, “This is 40” and “Knocked Up” director Judd Apatow will preside over the 75th Annual DGA Awards, often seen as the belwether for deciding who is favored to win the best director Oscar. The awards, which will take place on February 18, 2023, at The Beverly Hilton in Beverly Hills, will honor the best in film, TV, commercials and documentaries, however, there has already been some blowback about the lack of women represented among this year’s titles.
In a statement, DGA Chair Beth McCarthy-Miller said she’s “thrilled that we landed Judd for this special anniversary DGA Awards show 75 years in the making. Never underestimate the power of a Chipotle gift card,” said McCarthy-Miller. “Judd’s a comedy genius that can be counted upon to keep things moving -and as host, he doesn’t have to worry about getting played off the stage.
In a statement, DGA Chair Beth McCarthy-Miller said she’s “thrilled that we landed Judd for this special anniversary DGA Awards show 75 years in the making. Never underestimate the power of a Chipotle gift card,” said McCarthy-Miller. “Judd’s a comedy genius that can be counted upon to keep things moving -and as host, he doesn’t have to worry about getting played off the stage.
- 1/19/2023
- by Jason Clark
- The Wrap
The Directors Guild of America has released their nominees for their annual DGA Awards ceremony. These ceremonies usually serve as markers of awards season moving forward, while highlighting some of the more overlooked aspects of a production. Not only are directors themselves honored when a movie or show of theirs is nominated, but unit production managers and assistant directors are, as well. It's really cool that the DGA honors these types of roles in their nominations, as they and many others truly are the unsung heroes of our favorite pieces of media.
It's just a shame that they aren't more diverse in their honors. The main film category includes expected favorites like Steven Spielberg ("The Fabelmans") and Martin McDonagh ("The Banshees of Inisherin"), while also sliding in new voices such as Daniel Kwan and Daniel Scheinert. Unfortunately, no female directors were nominated, not even awards favorites like Sarah Polley ("Women Talking"). On the bright side,...
It's just a shame that they aren't more diverse in their honors. The main film category includes expected favorites like Steven Spielberg ("The Fabelmans") and Martin McDonagh ("The Banshees of Inisherin"), while also sliding in new voices such as Daniel Kwan and Daniel Scheinert. Unfortunately, no female directors were nominated, not even awards favorites like Sarah Polley ("Women Talking"). On the bright side,...
- 1/11/2023
- by Erin Brady
- Slash Film
The Directors Guild of America has nominated Tár‘s Todd Field, Top Gun: Maverick‘s Joseph Kosinski, Everything Everywhere All at Once‘s Daniel Kwan & Daniel Scheinert, The Banshees of Inisherin‘s Martin McDonagh and The Fabelmans’ Steven Spielberg for the top feature film prize at its 75th annual DGA Awards.
Related: DGA Awards Sets TV, Documentary And Commercials Nominations For 75th Anniversary Edition
While women were shut out of the marquee race, the DGA nominated four for its First-Time Feature Film Prize: Alice Diop (Saint Omer), Audrey Diwan (Happening), Antoneta Alamat Kusijanovic (Murina) and Charlotte Wells (Aftersun). John Patton Ford also is nominated, for Emily the Criminal.
Winners will be announced during the guild’s awards ceremony February 18 at the Beverly Hilton.
Related: 2022-23 Awards Season Calendar – Dates For The Oscars, Grammys, Guilds & More
“The work recognized this year represents the amazing power of film in the hands of...
Related: DGA Awards Sets TV, Documentary And Commercials Nominations For 75th Anniversary Edition
While women were shut out of the marquee race, the DGA nominated four for its First-Time Feature Film Prize: Alice Diop (Saint Omer), Audrey Diwan (Happening), Antoneta Alamat Kusijanovic (Murina) and Charlotte Wells (Aftersun). John Patton Ford also is nominated, for Emily the Criminal.
Winners will be announced during the guild’s awards ceremony February 18 at the Beverly Hilton.
Related: 2022-23 Awards Season Calendar – Dates For The Oscars, Grammys, Guilds & More
“The work recognized this year represents the amazing power of film in the hands of...
- 1/11/2023
- by Erik Pedersen
- Deadline Film + TV
The Directors Guild of America has announced its nominees in the categories of theatrical feature-film and first-time director.
Six male directors make up the nominees for theatrical feature film: Todd Field for Tár, Joseph Kosinski for Top Gun: Maverick, Daniels (Daniel Kwan and Daniel Scheinert) for Everything Everywhere All at Once, Martin McDonagh for The Banshees of Inisherin and Steven Spielberg for The Fabelmans.
Notably absent were Women Talking‘s Sarah Polley and The Woman King‘s Gina Prince-Bythewood, as was James Cameron for Avatar: The Way of Water, who won the award in 1998 for Titanic and was nominated a second time for the first Avatar film.
Female directors fared much better in the first-time director category, with women picking up four of the five nominations: Saint Omer‘s Alice Diop, Happening‘s Audrey Diwan, Murina‘s Antoneta Alamat Kusijanovic and Aftersun‘s Charlotte Wells. Emily the Criminal helmer...
Six male directors make up the nominees for theatrical feature film: Todd Field for Tár, Joseph Kosinski for Top Gun: Maverick, Daniels (Daniel Kwan and Daniel Scheinert) for Everything Everywhere All at Once, Martin McDonagh for The Banshees of Inisherin and Steven Spielberg for The Fabelmans.
Notably absent were Women Talking‘s Sarah Polley and The Woman King‘s Gina Prince-Bythewood, as was James Cameron for Avatar: The Way of Water, who won the award in 1998 for Titanic and was nominated a second time for the first Avatar film.
Female directors fared much better in the first-time director category, with women picking up four of the five nominations: Saint Omer‘s Alice Diop, Happening‘s Audrey Diwan, Murina‘s Antoneta Alamat Kusijanovic and Aftersun‘s Charlotte Wells. Emily the Criminal helmer...
- 1/11/2023
- by Tyler Coates
- The Hollywood Reporter - Movie News
As Natalie Portman famously pointed out at the Golden Globes in 2018, “here are the all-male nominees” for the 2023 Directors Guild of America Awards.
In the main category for feature film, the group nominated Daniel Kwan and Daniel Scheinert(“Everything Everywhere All at Once”), Todd Field (“Tár”), Joseph Kosinski (“Top Gun: Maverick”), Martin McDonagh (“The Banshees of Inisherin”) and Steven Spielberg (“The Fabelmans”).
Despite critically acclaimed movies from female directors like Sarah Polley (“Women Talking”), Gina Prince-Bythewood (“The Woman King”), Chinonye Chukwu (“Till”) and Maria Schrader (“She Said”), the DGA voters failed to recognize their achievements. This comes after the Golden Globes gave Spielberg its directing prize on Tuesday, where no women were nominated.
Also missing from the lineup are James Cameron for “Avatar: The Way of Water” and Baz Luhrmann for “Elvis,” both considered very competitive in the directing races.
While the DGA fumbled in the top category, they made...
In the main category for feature film, the group nominated Daniel Kwan and Daniel Scheinert(“Everything Everywhere All at Once”), Todd Field (“Tár”), Joseph Kosinski (“Top Gun: Maverick”), Martin McDonagh (“The Banshees of Inisherin”) and Steven Spielberg (“The Fabelmans”).
Despite critically acclaimed movies from female directors like Sarah Polley (“Women Talking”), Gina Prince-Bythewood (“The Woman King”), Chinonye Chukwu (“Till”) and Maria Schrader (“She Said”), the DGA voters failed to recognize their achievements. This comes after the Golden Globes gave Spielberg its directing prize on Tuesday, where no women were nominated.
Also missing from the lineup are James Cameron for “Avatar: The Way of Water” and Baz Luhrmann for “Elvis,” both considered very competitive in the directing races.
While the DGA fumbled in the top category, they made...
- 1/11/2023
- by Clayton Davis
- Variety Film + TV
Steven Spielberg, Martin McDonagh, Todd Field, Joseph Kosinski and the team of Daniel Kwan and Daniel Scheinert have been nominated by the Directors Guild of America, which announced its nominees in the film categories for the 75th annual DGA Awards on Wednesday.
Spielberg was nominated for “The Fabelmans,” McDonagh for “The Banshees of Inisherin,” Field for “Tár,” Kosinski for “Top Gun: Maverick” and Kwan and Scheinert, who direct together under the name “The Daniels,” for “Everything Everywhere All at Once.”
It was the 13th DGA nomination for Spielberg, breaking his own record as the director with the most noms. Martin Scorsese is second with 10, and no other living director has more than five.
Kwan and Scheinert are the eighth directing team to be nominated for the top DGA award. The first was Gene Kelly and Stanley Donen for “Singin’ in the Rain” in 1952, followed by Melvin Frank and Norman Panama...
Spielberg was nominated for “The Fabelmans,” McDonagh for “The Banshees of Inisherin,” Field for “Tár,” Kosinski for “Top Gun: Maverick” and Kwan and Scheinert, who direct together under the name “The Daniels,” for “Everything Everywhere All at Once.”
It was the 13th DGA nomination for Spielberg, breaking his own record as the director with the most noms. Martin Scorsese is second with 10, and no other living director has more than five.
Kwan and Scheinert are the eighth directing team to be nominated for the top DGA award. The first was Gene Kelly and Stanley Donen for “Singin’ in the Rain” in 1952, followed by Melvin Frank and Norman Panama...
- 1/11/2023
- by Steve Pond
- The Wrap
It’s been 34 years since Lucasfilm’s Willow debuted in theaters. But in the fantasy world first created by Ron Howard and Nigel Wooll in 1988, only about half that amount of time has passed since Willow Ufgood (played by Warwick Davis) rescued the infant empress Elora Danan from the forces of evil.
In the whimsical Disney+ sequel series, which launches with two episodes on Wednesday, the Nelwyn sorcerer is returning to lead another group of misfit heroes on a harrowing rescue mission. Series creator Jon Kasdan told Deadline he was ready to welcome fans of the film back into the world of Willow, while also greeting a new audience.
“We knew we wanted to try to achieve what Ron had always said to me he felt was the the intention of the movie, which was to give you something that was like a light-hearted, bouncy, thrilling ride that you could eat in a single serving,...
In the whimsical Disney+ sequel series, which launches with two episodes on Wednesday, the Nelwyn sorcerer is returning to lead another group of misfit heroes on a harrowing rescue mission. Series creator Jon Kasdan told Deadline he was ready to welcome fans of the film back into the world of Willow, while also greeting a new audience.
“We knew we wanted to try to achieve what Ron had always said to me he felt was the the intention of the movie, which was to give you something that was like a light-hearted, bouncy, thrilling ride that you could eat in a single serving,...
- 11/30/2022
- by Katie Campione
- Deadline Film + TV
London investment firm Creativity Capital has made its first production commitment since teaming with venture capital fund Smi, cash-flowing the tax credit on The Hatching.
Giant croc horror-comedy The Hatching, starring Thomas Turgoose, Luara Aikman, Andrew Lee Potts and Deborah Rosan, wrapped in Somerset last week. Director is Michael Anderson.
The deal was negotiated by Creativity Capital principals Patrick Fischer and Richard Kondal together with The Hatching’s producers Chantelle de Carvalho and Nigel Wooll.
Representing Creativity Capital was Sam Tatton-Brown at Lee and Thompson with Lee Stone representing the producers.
Giant croc horror-comedy The Hatching, starring Thomas Turgoose, Luara Aikman, Andrew Lee Potts and Deborah Rosan, wrapped in Somerset last week. Director is Michael Anderson.
The deal was negotiated by Creativity Capital principals Patrick Fischer and Richard Kondal together with The Hatching’s producers Chantelle de Carvalho and Nigel Wooll.
Representing Creativity Capital was Sam Tatton-Brown at Lee and Thompson with Lee Stone representing the producers.
- 12/9/2013
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
- Genre-mixing on well-known tales is the new thing: take the upcoming Abraham Lincoln: Vampire Hunter (in which Tom Hardy may play the vampire lead), Pride and Prejudice and Zombies, The Tempest, Snow White and the Huntsman, Hansel and Gretel: Witch Hunters, Joe Wright's The Little Mermaid, and so on. Thus it comes as no surprise that Production Weekly (and ThePlaylist) are announcing Henry5, a sci-fi thriller version of Shakespeare's Henry IV and Henry V. Among the actors attached are Michael Caine, Ray Winstone, Gerard Depardieu, Derek Jacobi and Vinnie Jones. The project comes from Arclight's production division Darclight Films and will be directed by Michael Anderson, who also co-wrote the script adaptation with Andrew Hislop and Steve Wilkinson (who is producing alongside Nigel Wooll). ...
- 11/4/2010
- Thompson on Hollywood
A Tom Cruise movie without Tom's magic smile, an Arnold Schwarzenegger adventure without the muscular machismo, Sharon Stone crossing her legs: Imagine more of the same, star vehicles with the star's best assets not used.
Thus marches out Hollywood Pictures' "G.I. Jane", Demi Moore as a Navy S.E.A.L. trainee with her head sheared bald and her body completely covered in military gear. Although there is novelty in seeing the one spot of Moore's anatomy we haven't been exposed to, this formulaic movie is not likely to detonate more than mediocre boxoffice for Buena Vista.
Basically "Top Gun" without the high-flying acrobatics and the good-old-boy charm, "G.I. Jane" is an ultra-serious tract about an underdog's battle against the big bad establishment, in this case, the first female Navy S.E.A.L. vs. the institutional harassment of the military machine.
In general, "G.I. Jane" marches out in predictable lockstep as screenwriters David Twohy and Danielle Alexandra chart a narrative mission for her filled with obstacles, both psychological and physical. As one would expect, there's plenty of bad blood between Jane and some of her macho superiors, and, to boot, some opposition from entrenched female establishment-types. But she's a gutty survivor and gives as good as she gets.
"G.I. Jane" is at its most exciting and involving during Jane's hellacious training regimen: The rigors are so exhausting and emotionally draining that one almost feels as if one is in boot camp with her. Credit to director Ridley Scott for generating some dynamic and powerful images: "Jane"'s action cadence, is, perhaps, the film's best asset.
Where it missteps is in its human dynamics; the dialogue is utterly shrill and emanates from a squadron of largely stereotypical characters. Unlike life, and detracting from its realism, is the story's general lack of surprises and predictable character etchings.
In the titular role, Moore's ferocious intensity and moxy are credible character ingredients, but despite the inherent compassion one might feel for "Jane" as an underdog, that feeling is missing owing to the character's grunty demeanor.
Overall, the players are well-selected, particularly Viggo Mortensen as Jane's chief tormentor, her merciless master chief. Anne Bancroft does a nice turn as a senator with a hidden agenda that can hit like a torpedo-load.
Technical contributions fit the bill, with special praise to cinematographer Hugh Johnson for the charged scopings and Trevor Jones for the ear-blasting score.
G.I. JANE
Buena Vista Pictures
Hollywood Pictures presents
in association with Scott Free
and Largo Entertainment
A Roger Birnbaum/Scott Free/
Moving Pictures production
A Ridley Scott Film
Producers Ridley Scott, Roger Birnbaum,
Demi Moore, Suzanne Todd
Director Ridley Scott
Screenwriters David Twohy, Danielle Alexandra
Story Danielle Alexandra
Executive producers Danielle Alexandra,
Julie Bergman Sender, Chris Zarpas
Co-producer Nigel Wooll
Director of photography Hugh Johnson
Production designer Arthur Max
Editor :Pietro Scalia
Costume designer Marilyn Vance
Music Trevor Jones
Casting Louis Di Giaimo, Brett Goldstein
Associate producers Terry Needham,
Diane Minter Lewis, Tim McBride
Special effects coordinator Steve Galich
Color/stereo
Cast:
Jordan Demi Moore
Master Chief Viggo Mortensen
Lillian DeHaven Anne Bancroft
Royce Jason Beghe
Theodore Hayes Daniel Von Bargen
Chief of Staff John Michael Higgins
Instructor Pyro Kevin Gage
Running time -- 112 minutes
MPAA rating: R...
Thus marches out Hollywood Pictures' "G.I. Jane", Demi Moore as a Navy S.E.A.L. trainee with her head sheared bald and her body completely covered in military gear. Although there is novelty in seeing the one spot of Moore's anatomy we haven't been exposed to, this formulaic movie is not likely to detonate more than mediocre boxoffice for Buena Vista.
Basically "Top Gun" without the high-flying acrobatics and the good-old-boy charm, "G.I. Jane" is an ultra-serious tract about an underdog's battle against the big bad establishment, in this case, the first female Navy S.E.A.L. vs. the institutional harassment of the military machine.
In general, "G.I. Jane" marches out in predictable lockstep as screenwriters David Twohy and Danielle Alexandra chart a narrative mission for her filled with obstacles, both psychological and physical. As one would expect, there's plenty of bad blood between Jane and some of her macho superiors, and, to boot, some opposition from entrenched female establishment-types. But she's a gutty survivor and gives as good as she gets.
"G.I. Jane" is at its most exciting and involving during Jane's hellacious training regimen: The rigors are so exhausting and emotionally draining that one almost feels as if one is in boot camp with her. Credit to director Ridley Scott for generating some dynamic and powerful images: "Jane"'s action cadence, is, perhaps, the film's best asset.
Where it missteps is in its human dynamics; the dialogue is utterly shrill and emanates from a squadron of largely stereotypical characters. Unlike life, and detracting from its realism, is the story's general lack of surprises and predictable character etchings.
In the titular role, Moore's ferocious intensity and moxy are credible character ingredients, but despite the inherent compassion one might feel for "Jane" as an underdog, that feeling is missing owing to the character's grunty demeanor.
Overall, the players are well-selected, particularly Viggo Mortensen as Jane's chief tormentor, her merciless master chief. Anne Bancroft does a nice turn as a senator with a hidden agenda that can hit like a torpedo-load.
Technical contributions fit the bill, with special praise to cinematographer Hugh Johnson for the charged scopings and Trevor Jones for the ear-blasting score.
G.I. JANE
Buena Vista Pictures
Hollywood Pictures presents
in association with Scott Free
and Largo Entertainment
A Roger Birnbaum/Scott Free/
Moving Pictures production
A Ridley Scott Film
Producers Ridley Scott, Roger Birnbaum,
Demi Moore, Suzanne Todd
Director Ridley Scott
Screenwriters David Twohy, Danielle Alexandra
Story Danielle Alexandra
Executive producers Danielle Alexandra,
Julie Bergman Sender, Chris Zarpas
Co-producer Nigel Wooll
Director of photography Hugh Johnson
Production designer Arthur Max
Editor :Pietro Scalia
Costume designer Marilyn Vance
Music Trevor Jones
Casting Louis Di Giaimo, Brett Goldstein
Associate producers Terry Needham,
Diane Minter Lewis, Tim McBride
Special effects coordinator Steve Galich
Color/stereo
Cast:
Jordan Demi Moore
Master Chief Viggo Mortensen
Lillian DeHaven Anne Bancroft
Royce Jason Beghe
Theodore Hayes Daniel Von Bargen
Chief of Staff John Michael Higgins
Instructor Pyro Kevin Gage
Running time -- 112 minutes
MPAA rating: R...
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.