No matter how you slice it, five hundred episodes is a big deal.
Law & Order: Svu hit it last year, albeit with a controversial episode that angered many survivors.
Now it was Law & Order Season 23 Episode 12's turn. They marked their 500th episode with a story that, ironically enough, seemed more suited for Svu but otherwise seemed like a typical episode. Was it special enough for the 500th?
Law & Order Doesn't Do Tribute Episodes
When Sam Waterson exited the series on Law & Order Season 23 Episode 5, it was a strong story that was still disappointing because it didn't contain any flashbacks or other tributes to his iconic character. The same thing happened here.
That's the way it has to be to an extent. It would be off-brand to have an episode that's more tribute than original story. Still, there should have been something more to the story than...
Law & Order: Svu hit it last year, albeit with a controversial episode that angered many survivors.
Now it was Law & Order Season 23 Episode 12's turn. They marked their 500th episode with a story that, ironically enough, seemed more suited for Svu but otherwise seemed like a typical episode. Was it special enough for the 500th?
Law & Order Doesn't Do Tribute Episodes
When Sam Waterson exited the series on Law & Order Season 23 Episode 5, it was a strong story that was still disappointing because it didn't contain any flashbacks or other tributes to his iconic character. The same thing happened here.
That's the way it has to be to an extent. It would be off-brand to have an episode that's more tribute than original story. Still, there should have been something more to the story than...
- 5/10/2024
- by Jack Ori
- TVfanatic
Back in my high school years, I was turned onto the mainstream industrial canon (Nin, Marilyn Manson, Gravity Kills) by my older step-brother who wisely knew there was more to the world than nu-metal. But it was at the point that he started getting into more esoteric, “traditional” industrial (Velvet Acid Christ, Vnv Nation) that I went in a totally different direction; I became obsessed with digital hardcore, which came by an industrial-sounding aesthetic from the direction of punk, fusing molten, mutilated dance music with the obnoxiousness of punk turned to 11. Not that we didn’t share those obsessions but we had our respective specialties. Vampyre Anvil is somewhat of a marriage of those two obsessions and yet harkens back to those “mainstream” industrial icons whose music we both appreciated deeply.
This comes as no surprise; one half of Vampire Anvil is Jason Novak whose career in industrial music began...
This comes as no surprise; one half of Vampire Anvil is Jason Novak whose career in industrial music began...
- 4/1/2016
- by Chris Melkus
- Destroy the Brain
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