Exclusive: Even before the pandemic, the foreign sales market became mired down with some risky bets, i.e. the over exorbitant Roland Emmerich sci-fi disaster title Moonfall which carried a 140M production cost (resulting in a 44.3M WW gross), and Simon Kinberg’s femme spy ensemble The 355 at a 75M cost (which grossed just under 28M WW).
But there’s arguably a safer way to make moolah in the foreign sales sphere and that’s off of YA feature adaptations.
True, it’s been a while since the grand slam days of Lionsgate’s Hunger Games series and Summit International’s Twilight franchise, however, these movies can be made off a low cost yielding singles, doubles, or even home runs at the box office. Or worst case scenario, be in the black simply off their sales to streamers. And if a movie strikes out, it doesn’t sting so...
But there’s arguably a safer way to make moolah in the foreign sales sphere and that’s off of YA feature adaptations.
True, it’s been a while since the grand slam days of Lionsgate’s Hunger Games series and Summit International’s Twilight franchise, however, these movies can be made off a low cost yielding singles, doubles, or even home runs at the box office. Or worst case scenario, be in the black simply off their sales to streamers. And if a movie strikes out, it doesn’t sting so...
- 5/16/2022
- by Anthony D'Alessandro
- Deadline Film + TV
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