Movie News
Mubi has kicked off its 2024 Cannes Film Festival early and in style, acquiring worldwide rights to one of the buzziest films set to premiere in competition.
The arthouse distributor, production banner and streamer has landed Coralie Fargeat’s body horror “The Substance,” starring Demi Moore, Margaret Qualley and Denis Quaid, picking up all rights for North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where it will release theatrically this year. Mubi has also acquired the rights for Turkey and India. The Match Factory, owned by Mubi, is handling sales for all other territories.
Written and directed by Fargeat, who made a noise with her debut, 2017’s action-thriller “Revenge,” “The Substance” goes into Cannes with a significant amount of intrigue, having been produced by Working Title, the Brit banner best known for rom-coms and prestige dramas.
“Have you ever dreamed of a better version of yourself?” reads the...
The arthouse distributor, production banner and streamer has landed Coralie Fargeat’s body horror “The Substance,” starring Demi Moore, Margaret Qualley and Denis Quaid, picking up all rights for North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where it will release theatrically this year. Mubi has also acquired the rights for Turkey and India. The Match Factory, owned by Mubi, is handling sales for all other territories.
Written and directed by Fargeat, who made a noise with her debut, 2017’s action-thriller “Revenge,” “The Substance” goes into Cannes with a significant amount of intrigue, having been produced by Working Title, the Brit banner best known for rom-coms and prestige dramas.
“Have you ever dreamed of a better version of yourself?” reads the...
- 5/8/2024
- by Alex Ritman
- Variety Film + TV
Primates will rule (the box office) again!
Disney’s “Kingdom of the Planet of the Apes” is aiming for $50 million to $55 million from 3,700 theaters in its domestic debut, which will easily be enough to tower over the box office chart. Those ticket sales are roughly even with two of the three prior installments in 20th Century’s rebooted “Planet of the Apes” franchise: 2017’s “War for the Planet of the Apes” opened to $56.2 million and 2011’s “Rise of the Planet of the Apes” opened to $54.8 million, while 2014’s “Dawn of the Planet of the Apes” notched a series-best $72 million.
At the international box office, where “Apes” movies tend to make the bulk of their revenues, this installment is tracking to collect $80 million to $90 million. Based on those projections, the film should end up on Sunday with a solid $130 million to $140 million at the global box office.
Directed by Wes Ball,...
Disney’s “Kingdom of the Planet of the Apes” is aiming for $50 million to $55 million from 3,700 theaters in its domestic debut, which will easily be enough to tower over the box office chart. Those ticket sales are roughly even with two of the three prior installments in 20th Century’s rebooted “Planet of the Apes” franchise: 2017’s “War for the Planet of the Apes” opened to $56.2 million and 2011’s “Rise of the Planet of the Apes” opened to $54.8 million, while 2014’s “Dawn of the Planet of the Apes” notched a series-best $72 million.
At the international box office, where “Apes” movies tend to make the bulk of their revenues, this installment is tracking to collect $80 million to $90 million. Based on those projections, the film should end up on Sunday with a solid $130 million to $140 million at the global box office.
Directed by Wes Ball,...
- 5/7/2024
- by Rebecca Rubin
- Variety - Film News
David Corenswet gets dressed as Superman one boot at a time in the first look at the actor in costume. Superman writer-director James Gunn revealed the image on social media Monday.
The unveiling of an actor in costume as Superman is a rare affair, akin to the first look at a new James Bond. Only three men have starred as the character in its nearly 50-year big screen career: Christopher Reeve (1978-87), Brandon Routh (2006) and Henry Cavill (2013-2022), not counting serials that played in movie theaters in the late 1940s and early ’50s.
View this post on Instagram
A post shared by James Gunn (@jamesgunn)
Corenswet is known in the world of TV, where he has been a Ryan Murphy regular on shows such as The Politician and Hollywood, but Superman is poised to bring him to a whole new level of fame. There is a lot riding on the film,...
The unveiling of an actor in costume as Superman is a rare affair, akin to the first look at a new James Bond. Only three men have starred as the character in its nearly 50-year big screen career: Christopher Reeve (1978-87), Brandon Routh (2006) and Henry Cavill (2013-2022), not counting serials that played in movie theaters in the late 1940s and early ’50s.
View this post on Instagram
A post shared by James Gunn (@jamesgunn)
Corenswet is known in the world of TV, where he has been a Ryan Murphy regular on shows such as The Politician and Hollywood, but Superman is poised to bring him to a whole new level of fame. There is a lot riding on the film,...
- 5/6/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Sometimes, there are films that feature actors that are too good to pass up. “Firebrand,” which stars Alicia Vikander and Jude Law, is one of those movies. No matter the subject, just knowing they’re in the film is enough for us to pay attention.
Read More: ‘Firebrand’ Review: Karim Aïnouz Paints A Dull Version Of History In Handsome Period Drama [Cannes]
And as seen in the trailer for “Firebrand,” Jude Law and Alicia Vikander star in a period drama inspired by the lives of King Henry VIII and Katherine Parr.
Continue reading ‘Firebrand’ Trailer: Alicia Vikander & Jude Law Star In Period Drama About Henry VIII at The Playlist.
Read More: ‘Firebrand’ Review: Karim Aïnouz Paints A Dull Version Of History In Handsome Period Drama [Cannes]
And as seen in the trailer for “Firebrand,” Jude Law and Alicia Vikander star in a period drama inspired by the lives of King Henry VIII and Katherine Parr.
Continue reading ‘Firebrand’ Trailer: Alicia Vikander & Jude Law Star In Period Drama About Henry VIII at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
Director Florian Gallenberger, president of the German Film Academy, has voiced concerns about the country’s future as an internationally competitive production hub.
The filmmaker said the proposed new financial instruments of tax incentive and investment obligation set to be introduced as part of the overall reforms to the German film funding infrastructure from 2025 do not go far enough.
Speaking at the traditional reception given by the Cdu and Csu political parties to coincide with the German Film Awards on Sunday May 5, Gallenberger said the current production incentives in Germany, the German Federal Film Fund (Dfff) and the German Motion Picture Fund...
The filmmaker said the proposed new financial instruments of tax incentive and investment obligation set to be introduced as part of the overall reforms to the German film funding infrastructure from 2025 do not go far enough.
Speaking at the traditional reception given by the Cdu and Csu political parties to coincide with the German Film Awards on Sunday May 5, Gallenberger said the current production incentives in Germany, the German Federal Film Fund (Dfff) and the German Motion Picture Fund...
- 5/8/2024
- ScreenDaily
German directors Dani Levy and Wolfgang Becker have revealed more details of their next features as their joint production company X Filme Creative Pool undergoes a management restructure.
This will see director-producer Tom Tykwer take over from producer Stefan Arndt as the company’s joint managing director alongside Uwe Schott. Tywker founded the company with Levy, Becker and Arndt 30 years ago. Arndt plans to focus on producing.
Levy’s next feature Kochschule Schwarz is based on the true story about a restaurant owner and a lawyer who establish a cookery school in Munich in 1938 to offer fast-track courses to Jews...
This will see director-producer Tom Tykwer take over from producer Stefan Arndt as the company’s joint managing director alongside Uwe Schott. Tywker founded the company with Levy, Becker and Arndt 30 years ago. Arndt plans to focus on producing.
Levy’s next feature Kochschule Schwarz is based on the true story about a restaurant owner and a lawyer who establish a cookery school in Munich in 1938 to offer fast-track courses to Jews...
- 5/8/2024
- ScreenDaily
He has collaborated with an array of star directors, and is currently at work on James Mangold’s Dylan biopic A Complete Unknown. He explains why US film-making is like the army, and British cinema is more like a factory job
Phedon Papamichael is sitting in a sparse hotel room in New York, huddled in a puffer jacket and glancing at the window as his fingers play with an unlit cigarette. He’s in town shooting A Complete Unknown, the highly anticipated Bob Dylan biopic starring Timothée Chalamet – and today, at least, he seems to be channelling its subject.
The film, he says, at the moment largely involves “travelling to every corner of New Jersey on a bus”. For Papamichael, king of the road movie, this is a very good thing.
Phedon Papamichael is sitting in a sparse hotel room in New York, huddled in a puffer jacket and glancing at the window as his fingers play with an unlit cigarette. He’s in town shooting A Complete Unknown, the highly anticipated Bob Dylan biopic starring Timothée Chalamet – and today, at least, he seems to be channelling its subject.
The film, he says, at the moment largely involves “travelling to every corner of New Jersey on a bus”. For Papamichael, king of the road movie, this is a very good thing.
- 5/8/2024
- by Athena Browning
- The Guardian - Film News
“Twister” is one of the best (if not the best) disaster movies of all time. And a large part of why the film has endured the test of time is the incredible cast and the characters they brought to life. So, the idea of a reboot, “Twisters,” seems like it’s going to hinge on whether or not this new cast of characters can leave an impression.
Continue reading ‘Twisters’ Trailer: Daisy Edgar-Jones & Glen Powell Chase Tornadoes In Lee Isaac Chung’s New Blockbuster at The Playlist.
Continue reading ‘Twisters’ Trailer: Daisy Edgar-Jones & Glen Powell Chase Tornadoes In Lee Isaac Chung’s New Blockbuster at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
Isabelle Huppert will head up the 2024 Venice Film Festival jury this year. Serving as jury president, Huppert will hand out the Golden Lion and other awards when the festival on the Lido concludes. The dates for this year’s edition are August 28 to September 7.
Huppert has never before served as jury president at Venice, but she did at Cannes in 2009, awarding the Palme d’Or to Michael Haneke’s “The White Ribbon” after deliberations with James Gray, Nuri Bilge Ceylan, Asia Argento, Robin Wright, and Lee Chang-dong. Before that she’d served on the jury headed by Dirk Bogarde at Cannes in 1984, which gave the top prize to “Paris, Texas.”
The 71-year-old actress has been a powerhouse force in global cinema for the past 50 years, making her mark in French cinema before quickly appearing in Hollywood productions such as Michael Cimino’s “Heaven’s Gate.” Over the past decade Huppert’s...
Huppert has never before served as jury president at Venice, but she did at Cannes in 2009, awarding the Palme d’Or to Michael Haneke’s “The White Ribbon” after deliberations with James Gray, Nuri Bilge Ceylan, Asia Argento, Robin Wright, and Lee Chang-dong. Before that she’d served on the jury headed by Dirk Bogarde at Cannes in 1984, which gave the top prize to “Paris, Texas.”
The 71-year-old actress has been a powerhouse force in global cinema for the past 50 years, making her mark in French cinema before quickly appearing in Hollywood productions such as Michael Cimino’s “Heaven’s Gate.” Over the past decade Huppert’s...
- 5/8/2024
- by Christian Blauvelt
- Indiewire
Alicia Vikander is unleashing all the fire and the fury as Queen Katherine opposite Jude Law’s King Henry VIII.
The two star in “Firebrand,” which debuted at Cannes 2023 and marked director Karim Aïnouz’s English-language debut film. During war-torn Tudor England, Katherine Parr (Vikander) reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII (Law). Katherine hopes that her fate is different from her predecessors, the queens who were either vanquished, beheaded, or died of non-murder causes.
After their union, Henry appoints Katherine as Regent, the nation’s ruler during his absence when he departs to fight overseas. Yet that power makes Katherine a target as Henry’s courtiers begin suspecting that she’s sympathetic to radical Protestant beliefs. Once Henry returns to England, his courtiers convince him to convict a series of Katherine’s confidantes with treason and burn them at the stake.
Eddie Marsan,...
The two star in “Firebrand,” which debuted at Cannes 2023 and marked director Karim Aïnouz’s English-language debut film. During war-torn Tudor England, Katherine Parr (Vikander) reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII (Law). Katherine hopes that her fate is different from her predecessors, the queens who were either vanquished, beheaded, or died of non-murder causes.
After their union, Henry appoints Katherine as Regent, the nation’s ruler during his absence when he departs to fight overseas. Yet that power makes Katherine a target as Henry’s courtiers begin suspecting that she’s sympathetic to radical Protestant beliefs. Once Henry returns to England, his courtiers convince him to convict a series of Katherine’s confidantes with treason and burn them at the stake.
Eddie Marsan,...
- 5/8/2024
- by Samantha Bergeson
- Indiewire
“Kingdom of the Planet of the Apes” opens with Caesar lying in state, surrounding by a horde of mourning chimps, as his dead body is covered in flowers and ritually set on fire. The movie then cuts to the jungle, where a title informs us that it’s “many generations later.” In other words, the tale we’ve been watching in the last three “Apes” films — “Rise of the Planet of the Apes” (2011), “Dawn of the Planet of the Apes” (2014), and “War for the Planet of the Apes” (2017) — is now ancient franchise history. I’m in the minority of viewers who would greet that news by saying, “Thank God.”
When classic IP gets remade, there is always a double agenda: tapping a new audience, but also serving the audience that has fond memories of the original. In “Kingdom of the Planet of the Apes,” the center of dramatic action passes...
When classic IP gets remade, there is always a double agenda: tapping a new audience, but also serving the audience that has fond memories of the original. In “Kingdom of the Planet of the Apes,” the center of dramatic action passes...
- 5/8/2024
- by Owen Gleiberman
- Variety - Film News
Goran Stolevski’s third feature is a deft and unsentimental family drama about an unlikely tribe of misfits trying to make a place for themselves
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Each of Goran Stolevski’s films thus far has marked a departure from the last: the bewitching horrors of his debut You Won’t Be Alone; the acidic heartburn of his queer romance Of An Age; and now Housekeeping for Beginners, an amorphous family drama that marks the North Macedonian-born, Australian-raised director’s return to his home country.
Set in contemporary Skopje, Stolevski’s third feature follows a menagerie of queer misfits living, loving, and fighting in a household which threatens to burst at the seams. His band of outcasts are bound together by survival – beneath their raucous capers, there’s the constant spectre of danger, peering through the curtains.
Sign up for the fun stuff with our rundown of must-reads,...
Get our weekend culture and lifestyle email
Each of Goran Stolevski’s films thus far has marked a departure from the last: the bewitching horrors of his debut You Won’t Be Alone; the acidic heartburn of his queer romance Of An Age; and now Housekeeping for Beginners, an amorphous family drama that marks the North Macedonian-born, Australian-raised director’s return to his home country.
Set in contemporary Skopje, Stolevski’s third feature follows a menagerie of queer misfits living, loving, and fighting in a household which threatens to burst at the seams. His band of outcasts are bound together by survival – beneath their raucous capers, there’s the constant spectre of danger, peering through the curtains.
Sign up for the fun stuff with our rundown of must-reads,...
- 5/8/2024
- by Michael Sun
- The Guardian - Film News
This hopefully final prequel to the original movie reveals the story of the crazed ape leader Proximus Caesar – but it’s time the franchise evolved
After four ambitious and successful pictures, the reboot-prequel Planet of the Apes franchise now comes to what could well be the end, approaching the moment at which Charlton Heston and his crew crash landed, in 3978, in the original movie. It’s where, in 1968, we came in. Of course, if this one is a big hit, yet another prequel-episode could theoretically be squeezed in. But I hope not.
It’s not that this movie is running low on energy or panache – it isn’t – but the story is tangled and contrived and weirdly anticlimactic because that original film is starting to loom over everything like the Statue of Liberty’s shadow. All that happens has to match up with what we know is coming. There have...
After four ambitious and successful pictures, the reboot-prequel Planet of the Apes franchise now comes to what could well be the end, approaching the moment at which Charlton Heston and his crew crash landed, in 3978, in the original movie. It’s where, in 1968, we came in. Of course, if this one is a big hit, yet another prequel-episode could theoretically be squeezed in. But I hope not.
It’s not that this movie is running low on energy or panache – it isn’t – but the story is tangled and contrived and weirdly anticlimactic because that original film is starting to loom over everything like the Statue of Liberty’s shadow. All that happens has to match up with what we know is coming. There have...
- 5/8/2024
- by Peter Bradshaw
- The Guardian - Film News
Franklin J. Schaffner's 1968 sci-fi classic "Planet of the Apes" introduces its titular primates in a gloriously nightmarish fashion. The film's central astronaut trio, lost on a distant planet (wink), finds panicked, mute humans running through a field of tall grass, fleeing attackers on horseback. The camera then zooms dizzily into the face of one of said attackers, revealing that he is, in fact, a gorilla. This world, we see, is topsy-turvy. It is a place where humans and apes are transposed, with the former treated like animals by the latter. Schaffner, and screenwriters Michael Wilson and Rod Serling, present this tilted universe as a conduit for satire, a means to dissect and examine the foibles of humanity via the absurd -- even whimsical -- image of talking ape men. The film may end on a bleak note, but there's some levity mixed into the very batter.
In contrast, the...
In contrast, the...
- 5/8/2024
- by Witney Seibold
- Slash Film
Agbo is going AI — at least it sounds like it is, at least in part.
The Russo Brothers’ independent studio announced on Wednesday the formation of a new Innovation department, which will blend Agbo’s “physical and virtual production capabilities.” The studio’s technologists will “build proprietary creative tools for storytellers, fostering production innovation and cost efficiency for content across diverse platforms,” the press release reads. The tools will be used in development, production, and post-production.
When reached by IndieWire, a spokesperson for Agbo declined to clarify how much of these tools will be AI or generative-ai. The use of AI in Hollywood is considered sacrilegious by some and an efficient use of technology by others. The truth is it can be both. AI has been the primary — or at least the most public-facing — issue in contract negotiations between the guilds and the studios.
Agbo’s Chief Innovation Officer Jake Aust...
The Russo Brothers’ independent studio announced on Wednesday the formation of a new Innovation department, which will blend Agbo’s “physical and virtual production capabilities.” The studio’s technologists will “build proprietary creative tools for storytellers, fostering production innovation and cost efficiency for content across diverse platforms,” the press release reads. The tools will be used in development, production, and post-production.
When reached by IndieWire, a spokesperson for Agbo declined to clarify how much of these tools will be AI or generative-ai. The use of AI in Hollywood is considered sacrilegious by some and an efficient use of technology by others. The truth is it can be both. AI has been the primary — or at least the most public-facing — issue in contract negotiations between the guilds and the studios.
Agbo’s Chief Innovation Officer Jake Aust...
- 5/8/2024
- by Tony Maglio
- Indiewire
It's been 28 years since Jan De Bont's "Twister" ripped through theaters and whipped up a $496 million worldwide gross. In the meantime, it's become a weekend cable mainstay, where viewers can tune out its wafer-thin plot and simply enjoy the foul weather spectacle. It's far from a classic, but its visual prowess is undeniable, and its colorful cast of storm chasers led by Bill Paxton and Helen Hunt seem to be having a ball. Any film that includes Philip Seymour Hoffman, Alan Ruck, Jami Gertz, Todd Field, and Lois Smith is bound to be fun on some level.
So why has it taken so long for Universal to make a sequel to the second-highest-grossing film (domestically) of 1996?
"Twisters" didn't exactly have a stormy development process, but it did go through a couple of iterations over the last four years. Joseph Kosinski was attached to direct in early 2020. When that fell through,...
So why has it taken so long for Universal to make a sequel to the second-highest-grossing film (domestically) of 1996?
"Twisters" didn't exactly have a stormy development process, but it did go through a couple of iterations over the last four years. Joseph Kosinski was attached to direct in early 2020. When that fell through,...
- 5/8/2024
- by Jeremy Smith
- Slash Film
The idea of a zombie is pretty terrifying. Sure, no one wants to have a world overrun with dead people trying to bite you. But rarely do people think about who the zombie actually is. Would you be ok with killing a zombie who used to be your mother? Or your child? That’s the question at the center of the upcoming horror drama, “Handling the Undead.”
Read More: ‘Handling The Undead’ Review: Slowburning Existential Zombie Horror Grieves The Dead [Sundance]
As seen in the trailer, “Handling the Undead” offers a zombie film focused more on the existential dread of living in a world where dead people you knew come back to life as… something else.
Continue reading ‘Handling The Undead’ Trailer: Renate Reinsve Stars In Dark, Harrowing Zombie Drama at The Playlist.
Read More: ‘Handling The Undead’ Review: Slowburning Existential Zombie Horror Grieves The Dead [Sundance]
As seen in the trailer, “Handling the Undead” offers a zombie film focused more on the existential dread of living in a world where dead people you knew come back to life as… something else.
Continue reading ‘Handling The Undead’ Trailer: Renate Reinsve Stars In Dark, Harrowing Zombie Drama at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
Paris-based sales outfit Luxbox has boarded international sales for Isabella Torre’s debut feature Basileia, produced by Jonas Carpignano.
The Italian fantasy drama is set in southern Italy and follows an archaeologist team whose latest dig accidentally unleashes mythical creatures. It is an adaptation of Torre’s debut feature Nymps which premiered in Venice Horizons 2018.
Godland star Elliott Crosset Hove leads the cast with Angela Fontana, Koudous Seihon, Marco Raco, Ilaria Caffio and Ylenia Romano.
Carpignano produces Basileia through his outfit Slayback Productions while co-producers are Film I Väst, Snowglobe and Rai Cinema.
Torre’s second short Full Moon...
The Italian fantasy drama is set in southern Italy and follows an archaeologist team whose latest dig accidentally unleashes mythical creatures. It is an adaptation of Torre’s debut feature Nymps which premiered in Venice Horizons 2018.
Godland star Elliott Crosset Hove leads the cast with Angela Fontana, Koudous Seihon, Marco Raco, Ilaria Caffio and Ylenia Romano.
Carpignano produces Basileia through his outfit Slayback Productions while co-producers are Film I Väst, Snowglobe and Rai Cinema.
Torre’s second short Full Moon...
- 5/8/2024
- ScreenDaily
Welsh actor, writer and director Celyn Jones has set “Madfabulous” as his next directorial venture.
The British indie is based on the true story of Henry Cyril Paget, fifth Marquess of Anglesey, who was once one of the richest men in Britain but died penniless and forgotten at the age of 29 in France.
“It’s full of pathos and humanity, it’s very much a character who wants to get the attention of his family who don’t want him and he keeps upping the ante with his spending, his flamboyance and his dancing,” Jones told Variety about the 1890s-set film. “What happens if you are a theatrical, and you are very gender fluid at a time when when people didn’t even know what that was? And you’ve got all the money in the world to do that. Well, of course, you buy a theater company, you buy...
The British indie is based on the true story of Henry Cyril Paget, fifth Marquess of Anglesey, who was once one of the richest men in Britain but died penniless and forgotten at the age of 29 in France.
“It’s full of pathos and humanity, it’s very much a character who wants to get the attention of his family who don’t want him and he keeps upping the ante with his spending, his flamboyance and his dancing,” Jones told Variety about the 1890s-set film. “What happens if you are a theatrical, and you are very gender fluid at a time when when people didn’t even know what that was? And you’ve got all the money in the world to do that. Well, of course, you buy a theater company, you buy...
- 5/8/2024
- by Naman Ramachandran
- Variety - Film News
The British Film Institute (BFI) has unveiled the line-up of speakers and events taking place at the Cannes UK Pavilion, including talent talks with Santosh filmmaker Sandhya Suri and Birds and Kinds Of Kindness director of photography Robbie Ryan, as well as panel discussions on the historic UK independent tax credit and a conversation with representatives from UK film funders from across the nations and regions.
Suri will be joined by UK producer Mike Goodridge from Good Chaos and Eva Yates, director of BBC Film, to share the journey behind Suri’s narrative director debut, which plays in Un Certain Regard.
Suri will be joined by UK producer Mike Goodridge from Good Chaos and Eva Yates, director of BBC Film, to share the journey behind Suri’s narrative director debut, which plays in Un Certain Regard.
- 5/8/2024
- ScreenDaily
There’s a first-look photo from “Presumed Innocent” that’s so evocative you’d assume it was planned. In the image from the Apple TV+ series, which premieres June 12, Jake Gyllenhaal stands in a courtroom looking distraught. His hands are clasped in front of his rumpled shirt, and at first glance, it looks like he’s been handcuffed by the policeman who’s hooking his arm. That’s a solid visual metaphor for a story about a man being prosecuted for murder.
But while it’s the stuff of a publicist’s dreams, the photograph was a happy accident. “I was plunked down on the floor, and it was just the luck of me capturing the stuff that was unfolding around me,” said unit photographer Michael Becker. “Sometimes, you get lucky enough to capture a moment that draws you into what’s going on.”
That’s how it goes in his business.
But while it’s the stuff of a publicist’s dreams, the photograph was a happy accident. “I was plunked down on the floor, and it was just the luck of me capturing the stuff that was unfolding around me,” said unit photographer Michael Becker. “Sometimes, you get lucky enough to capture a moment that draws you into what’s going on.”
That’s how it goes in his business.
- 5/8/2024
- by Mark Blankenship
- Indiewire
Whenever Marvel releases a project that deals with the idea of a multiverse, fans go crazy with rumors about who will show up as a cameo. And for “Deadpool & Wolverine,” the multiverse story was compounded by the fact that many believe the film will end the “X-Men” universe that began over at Fox in 2000. Fans are just assuming we’ll see cameos galore from the various “X-Men” films.
Continue reading ‘Deadpool & Wolverine’: Shawn Levy “Let The Story Dictate” The Cameos That Appear In The Film at The Playlist.
Continue reading ‘Deadpool & Wolverine’: Shawn Levy “Let The Story Dictate” The Cameos That Appear In The Film at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
Multinational studio Dori Media Group (Dmg) is presenting two episodes of its gripping new series “Amia” at the LA Screenings along with a notable lineup of scripted and unscripted series, encompassing various regions, languages and cultures.
Filmed mostly in Uruguay as well as Argentina, “Amia” is inspired by the terror attacks of 1992 on the Israeli embassy in Buenos Aires and in 1994 against its Argentinian Jewish community, specifically the Asociación Mutual Israelita Argentina (Amia), the Argentine Israelite Mutual Association.
“Amia” tracks the journey of a Mossad operative grappling with the loss of his sister in the 1992 Embassy attack. He joins forces with a local Argentine journalist to seek justice. The eight episodes of Season 1 delves into the period between the initial assault and the subsequent attack on Amia in 1994. It primarily features Spanish dialogue, with some English, Hebrew and Persian.
With the 30th anniversary of the Amia tragedy looming and current events in Argentina making headlines,...
Filmed mostly in Uruguay as well as Argentina, “Amia” is inspired by the terror attacks of 1992 on the Israeli embassy in Buenos Aires and in 1994 against its Argentinian Jewish community, specifically the Asociación Mutual Israelita Argentina (Amia), the Argentine Israelite Mutual Association.
“Amia” tracks the journey of a Mossad operative grappling with the loss of his sister in the 1992 Embassy attack. He joins forces with a local Argentine journalist to seek justice. The eight episodes of Season 1 delves into the period between the initial assault and the subsequent attack on Amia in 1994. It primarily features Spanish dialogue, with some English, Hebrew and Persian.
With the 30th anniversary of the Amia tragedy looming and current events in Argentina making headlines,...
- 5/8/2024
- by Anna Marie de la Fuente
- Variety - Film News
Natalie Portman is taking a page out of her “Jackie” days and venturing back to the 1960s — this time, to investigate a murder.
The Oscar winner leads Apple TV+ limited series “Lady in the Lake,” based on Laura Lippman’s novel of the same name. “Honey Boy” filmmaker Alma Har’el penned the pilot and will co-write the rest of the series with Dre Ryan (“The Man in the High Castle”); Har’el will also direct.
Portman plays housewife-turned-reporter Maddie Schwartz as she pursues the case of a missing woman named Cleo Sherwood (Moses Ingram), whose body was found in a city park lake. As Cleo’s ghost follows Maddie on her quest to uncover the mystery of her death, the two women’s lives become intertwined. The first-look photo of the series is above.
Y’lan Noel, Brett Gelman, Byron Bowers, Noah Jupe, Josiah Cross, Mikey Madison, and Pruitt Taylor Vince also star.
The Oscar winner leads Apple TV+ limited series “Lady in the Lake,” based on Laura Lippman’s novel of the same name. “Honey Boy” filmmaker Alma Har’el penned the pilot and will co-write the rest of the series with Dre Ryan (“The Man in the High Castle”); Har’el will also direct.
Portman plays housewife-turned-reporter Maddie Schwartz as she pursues the case of a missing woman named Cleo Sherwood (Moses Ingram), whose body was found in a city park lake. As Cleo’s ghost follows Maddie on her quest to uncover the mystery of her death, the two women’s lives become intertwined. The first-look photo of the series is above.
Y’lan Noel, Brett Gelman, Byron Bowers, Noah Jupe, Josiah Cross, Mikey Madison, and Pruitt Taylor Vince also star.
- 5/8/2024
- by Samantha Bergeson
- Indiewire
“I love the feeling of the room in a packed house watching a good movie,” says writer, director and actor Al Warren on the phone from Los Angeles. “I want to model my career on that. It’s become a priority for how I approach my work. How will it be shown to an audience in-person? When I see a friend who has put their soul into the making and completion of their movie and then they don’t really have any plans on how they want to show it, I am confused.” At this moment, when the future of independent film […]
The post “It’s About the Energy You Bring to the Life of Your Movie, Not Just About the Movie Itself”: Al Warren on Dogleg’s Six-Year Journey first appeared on Filmmaker Magazine.
The post “It’s About the Energy You Bring to the Life of Your Movie, Not Just About the Movie Itself”: Al Warren on Dogleg’s Six-Year Journey first appeared on Filmmaker Magazine.
- 5/8/2024
- by Peter Rinaldi
- Filmmaker Magazine - Blog
(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: the haunting genre-bender "The Beast," the farcical indie "Hundreds of Beavers," and HBO's "The Sympathizer" all stand out as clear highlights.)
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
- 5/8/2024
- by Jeremy Mathai
- Slash Film
Alexander Skarsgard and Harry Melling are set to lead the cast of “Pillion,” described as a “fun and filthy romance with heart” and being produced by multi-Oscar-winning powerhouse Element Pictures.
The film — to be launched in Cannes by Cornerstone, which is handling worldwide sales — marks the feature debut of Harry Lighton, whose short “Wren Boys” was nominated for best British short at the 2018 BAFTAs, was nominated for a BIFA and had its U.S. premiere at the Sundance Film Festival.
“Pillion” follows Colin (Melling), a weedy wallflower letting life pass him by. That is until Ray (Skarsgård), the impossibly handsome leader of a motorbike club, takes him on as his submissive. Ray uproots Colin from his dreary suburban life, introducing him to a community of kinky, queer bikers and taking all sorts of virginities along the way. But as Colin steps deeper into Ray’s world of rules and mysteries,...
The film — to be launched in Cannes by Cornerstone, which is handling worldwide sales — marks the feature debut of Harry Lighton, whose short “Wren Boys” was nominated for best British short at the 2018 BAFTAs, was nominated for a BIFA and had its U.S. premiere at the Sundance Film Festival.
“Pillion” follows Colin (Melling), a weedy wallflower letting life pass him by. That is until Ray (Skarsgård), the impossibly handsome leader of a motorbike club, takes him on as his submissive. Ray uproots Colin from his dreary suburban life, introducing him to a community of kinky, queer bikers and taking all sorts of virginities along the way. But as Colin steps deeper into Ray’s world of rules and mysteries,...
- 5/8/2024
- by Alex Ritman
- Variety - Film News
“The Worst Person in the World,” Horror Version, this one is not. For their first post-“Worst Person” team-up, stars Renate Reinsve and Anders Danielsen Lie have taken on a human story of a different cast: a zombie tale. What’s more about life than a story about life after death?
Directed by first-time feature filmmaker Thea Hvistendahl, Reinsve and Danielsen Lie both star in “Handling the Undead,” the filmmaker’s adaptation of author John Ajvide Lindqvist’s novel of the same name. For fans of the writer’s work, like both “Let the Right One In,” the film and the show, “Handling the Undead” should feel both familiar and welcome. (The author also assisted Hvistendahl with her script.)
The film follows a trio of Norwegian families as they grapple with their beloved (and very recently dead) members suddenly coming back to life.
The film premiered at the Sundance Film Festival in January,...
Directed by first-time feature filmmaker Thea Hvistendahl, Reinsve and Danielsen Lie both star in “Handling the Undead,” the filmmaker’s adaptation of author John Ajvide Lindqvist’s novel of the same name. For fans of the writer’s work, like both “Let the Right One In,” the film and the show, “Handling the Undead” should feel both familiar and welcome. (The author also assisted Hvistendahl with her script.)
The film follows a trio of Norwegian families as they grapple with their beloved (and very recently dead) members suddenly coming back to life.
The film premiered at the Sundance Film Festival in January,...
- 5/8/2024
- by Kate Erbland
- Indiewire
French director Jonathan Millet riffs on manhunt tropes in “Ghost Trail,” the psychological thriller that will be the Cannes Critics’ Week opener.
Variety has been given an exclusive first-look clip from the film, which is inspired by real-life events.
“Ghost Trail” is the story of a Syrian man named Hamid who is part of a secret group pursuing fugitive leaders that perpetrated horrors in the name of the Syrian regime during the country’s civil war.
His mission takes him to France, on the trail of his former torturer. And he manages to tracks him down, as it appears from the clip.
“But with his judgment clouded by pressure, doubt and revenge, can he be certain of the righteousness of his own actions?” the synopsis reads.
Millet, who previously co-directed doc “Ceuta, Douce Prison” – about five migrants who leave their lands to try their luck in Europe and end up...
Variety has been given an exclusive first-look clip from the film, which is inspired by real-life events.
“Ghost Trail” is the story of a Syrian man named Hamid who is part of a secret group pursuing fugitive leaders that perpetrated horrors in the name of the Syrian regime during the country’s civil war.
His mission takes him to France, on the trail of his former torturer. And he manages to tracks him down, as it appears from the clip.
“But with his judgment clouded by pressure, doubt and revenge, can he be certain of the righteousness of his own actions?” the synopsis reads.
Millet, who previously co-directed doc “Ceuta, Douce Prison” – about five migrants who leave their lands to try their luck in Europe and end up...
- 5/8/2024
- by Nick Vivarelli
- Variety - Film News
Harry Potter star Harry Melling and Alexander Skarsgard will star in Pillion, the debut feature of UK filmmaker Harry Lighton, produced by Element Pictures and shooting in the UK this summer.
Based on Adam Mars-Jones’ novel Box Hill, the film is set in 1975 and follows a romance between a shy young man and the handsome leader of a kinky, queer motorbike club.
Element Pictures’ Emma Norton, Ed Guiney and Andrew Lowe will produce the film with Lee Groombridge.
Cornerstone Films is handling worldwide sales on the project, which it will launch at Cannes this month.
The film is backed by BBC Film,...
Based on Adam Mars-Jones’ novel Box Hill, the film is set in 1975 and follows a romance between a shy young man and the handsome leader of a kinky, queer motorbike club.
Element Pictures’ Emma Norton, Ed Guiney and Andrew Lowe will produce the film with Lee Groombridge.
Cornerstone Films is handling worldwide sales on the project, which it will launch at Cannes this month.
The film is backed by BBC Film,...
- 5/8/2024
- ScreenDaily
Apparently, Vince Vaughn and S. Craig Zahler can’t get enough of each other. Vaughn stars in the most recent two Zahler films, and now, the duo are reuniting for a period crime drama, “The Bookie & The Bruiser.”
According to Variety, Vince Vaughn and Adrien Brody are set to star in S. Craig Zahler’s new crime drama, “The Bookie & The Bruiser.” The film is set in 1959 New York City where two World War II friends combine forces to start a gambling organization.
Continue reading ‘The Bookie & The Bruiser’: Vince Vaughn & Adrien Brody Will Star In S. Craig Zahler’s New Crime Drama at The Playlist.
According to Variety, Vince Vaughn and Adrien Brody are set to star in S. Craig Zahler’s new crime drama, “The Bookie & The Bruiser.” The film is set in 1959 New York City where two World War II friends combine forces to start a gambling organization.
Continue reading ‘The Bookie & The Bruiser’: Vince Vaughn & Adrien Brody Will Star In S. Craig Zahler’s New Crime Drama at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
Israel’s leading documentary co-production market CoPro is set to return next month for its 26th edition in a hybrid format amidst the ongoing war in the region.
Over 30 Israeli documentary projects will be showcased during the market, which is set to take place from June 3 to 6.
The event will also include a pitching forum, rough-cut screenings and one-on-one meetings.
Attendees for the online market include over 70 international representatives from broadcasting networks, production companies and distributors while a number will also attend the event in-person in Tel Aviv to participate in panels and events.
“During these heartbreaking and difficult times I believe our role as an international cultural institute is to promote diverse and complex stories, preserve freedom of expression and use film as a tool to bridge and create dialogue with audiences around the globe,” said Pnina Halfon Lang, CoPro’s executive director. “In the face of a complicated...
Over 30 Israeli documentary projects will be showcased during the market, which is set to take place from June 3 to 6.
The event will also include a pitching forum, rough-cut screenings and one-on-one meetings.
Attendees for the online market include over 70 international representatives from broadcasting networks, production companies and distributors while a number will also attend the event in-person in Tel Aviv to participate in panels and events.
“During these heartbreaking and difficult times I believe our role as an international cultural institute is to promote diverse and complex stories, preserve freedom of expression and use film as a tool to bridge and create dialogue with audiences around the globe,” said Pnina Halfon Lang, CoPro’s executive director. “In the face of a complicated...
- 5/8/2024
- by K.J. Yossman
- Variety - Film News
Michael Douglas is joining the on-going discussion about the use of intimacy coordinators on set, terming them another tool employed by Hollywood executives to limit their filmmakers. The “Basic Instinct” and “Fatal Attraction” icon told the Radio Times during a recent interview (via The Telegraph) that the role of intimacy coordinators “feels like executives taking control away from filmmakers” on set.
“It’s interesting with all the intimacy coordinators,” Douglas said during the interview. “It feels like executives taking control away from filmmakers — but there have been some terrible faux pas and harassment.”
The “Franklin” actor joked that he’s “past the age where I’ve got to worry about that” in terms of filming sex scenes, but he did note that the manner in which intimate sequences are staged have vastly differed across Douglas’ decades in Hollywood.
“Sex scenes are like fight scenes, it’s all choreographed,” Douglas said.
“It’s interesting with all the intimacy coordinators,” Douglas said during the interview. “It feels like executives taking control away from filmmakers — but there have been some terrible faux pas and harassment.”
The “Franklin” actor joked that he’s “past the age where I’ve got to worry about that” in terms of filming sex scenes, but he did note that the manner in which intimate sequences are staged have vastly differed across Douglas’ decades in Hollywood.
“Sex scenes are like fight scenes, it’s all choreographed,” Douglas said.
- 5/8/2024
- by Samantha Bergeson
- Indiewire
The story behind “Rocky” is really well known. Not only is it the film that launched the acting career of Sylvester Stallone, but the actor is also responsible for writing and directing the film. Now, it appears Hollywood is ready to tell the story behind the creation of one of the greatest American films of all time.
According to Deadline, Peter Farrelly has signed on to direct “I Play Rocky,” a new film about the creation of the Sylvester Stallone classic.
Continue reading ‘I Play Rocky’: Peter Farrelly To Direct Film About The Creation Of The Sylvester Stallone Classic at The Playlist.
According to Deadline, Peter Farrelly has signed on to direct “I Play Rocky,” a new film about the creation of the Sylvester Stallone classic.
Continue reading ‘I Play Rocky’: Peter Farrelly To Direct Film About The Creation Of The Sylvester Stallone Classic at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
Actor who played cheerleader Patty Simcox became audience favorite and went on to star in TV shows
Susan Buckner, the actor known for her role as Patty Simcox in the 1978 movie musical hit Grease, died on Thursday at the age of 72.
In a statement to the Guardian, Buckner’s publicist confirmed Buckner’s death. A cause of death has not been publicized.
Susan Buckner, the actor known for her role as Patty Simcox in the 1978 movie musical hit Grease, died on Thursday at the age of 72.
In a statement to the Guardian, Buckner’s publicist confirmed Buckner’s death. A cause of death has not been publicized.
- 5/8/2024
- by Gloria Oladipo
- The Guardian - Film News
For children, summer always seems full of endless possibility. The breaks from school, the family trips, the time spent at camp or reading books and watching movies.
These days, the closest thing we have is summer entertainment — the cultural distraction from otherwise having fewer breaks, shifting travel (wedding season!), and maybe not as many of those life-changing adventures that a lot of summertime stories seem to be based on. Summer movies offer a chance to go out and cool down while summer TV is the best way to wind down and stay in after days of work, travel, and relentless heat.
Along with detailed monthly previews (here’s May), IndieWire pulled together a summer TV preview with 15 brand-new shows premiering over the next couple months. Some are pulled from existing material — Star Wars, “Sausage Party,” novels, a true story about the L.A. Clippers — while others defy categorization. Some we...
These days, the closest thing we have is summer entertainment — the cultural distraction from otherwise having fewer breaks, shifting travel (wedding season!), and maybe not as many of those life-changing adventures that a lot of summertime stories seem to be based on. Summer movies offer a chance to go out and cool down while summer TV is the best way to wind down and stay in after days of work, travel, and relentless heat.
Along with detailed monthly previews (here’s May), IndieWire pulled together a summer TV preview with 15 brand-new shows premiering over the next couple months. Some are pulled from existing material — Star Wars, “Sausage Party,” novels, a true story about the L.A. Clippers — while others defy categorization. Some we...
- 5/8/2024
- by Proma Khosla, Alison Foreman, Ben Travers and Erin Strecker
- Indiewire
Writer-director S. Craig Zahler (“Bone Tomahawk”) is set to reunite with his “Dragged Across Concrete” and “Brawl in Cell Block 99” star Vince Vaughn and Oscar winner Adrien Brody (“The Pianist”) for upcoming crime thriller “The Bookie & the Bruiser.”
Anton will introduce the film to international distributors at the upcoming Marche du Film in Cannes. UTA Independent Film Group and Range Media Partners arranged the financing and will be representing the North American distribution rights.
Set in 1959 New York, “The Bookie & the Bruiser” follows a pensive, Jewish fellow named Rivner and an oversized Italian-American tough named Boscolo from the Lower East Side, both of whom served overseas during WWII and returned changed men who no longer fit inside the lives they’d left behind. Uninterested in taking orders from bosses or playing by the rules of polite society, the two friends partner up as a bookmaker and an enforcer and...
Anton will introduce the film to international distributors at the upcoming Marche du Film in Cannes. UTA Independent Film Group and Range Media Partners arranged the financing and will be representing the North American distribution rights.
Set in 1959 New York, “The Bookie & the Bruiser” follows a pensive, Jewish fellow named Rivner and an oversized Italian-American tough named Boscolo from the Lower East Side, both of whom served overseas during WWII and returned changed men who no longer fit inside the lives they’d left behind. Uninterested in taking orders from bosses or playing by the rules of polite society, the two friends partner up as a bookmaker and an enforcer and...
- 5/8/2024
- by Alex Ritman
- Variety - Film News
The Zellner brothers are currently enjoying the fact that their sasquatch comedy (definitely a peculiar subgenre of film), “Sasquatch Sunset,” is in the middle of its theatrical run in the U.S. But that doesn’t mean they’re not planning what’s next. And what’s next, currently titled “Alpha Gang,” involves one of the best actors on the planet.
Read More: ‘Sasquatch Sunset’ Review: The Zellner Brothers Deliver A Bawdy, Bold Bigfoot Romp [Sundance]
According to Variety, Cate Blanchett is set to star in “Alpha Gang,” a new comedy film written and directed by the Zellner brothers.
Continue reading ‘Alpha Gang’: Cate Blanchett Cast In The Zellner Brothers’ Absurdist Alien Invasion Comedy at The Playlist.
Read More: ‘Sasquatch Sunset’ Review: The Zellner Brothers Deliver A Bawdy, Bold Bigfoot Romp [Sundance]
According to Variety, Cate Blanchett is set to star in “Alpha Gang,” a new comedy film written and directed by the Zellner brothers.
Continue reading ‘Alpha Gang’: Cate Blanchett Cast In The Zellner Brothers’ Absurdist Alien Invasion Comedy at The Playlist.
- 5/8/2024
- by Martin Miller
- The Playlist
(This article is unintentionally a counterpoint to my colleague Owen Gleiberman’s considerably more-positive take on the Beatles’ “Let It Be” film, restored by Peter Jackson and released today on Disney+.)
When I was a Beatles-obsessed seven-year-old, my mother, in an act of selfless parental love, took me to a Fab Four film festival: “Hard Day’s Night,” “Let It Be,” “Yellow Submarine” and “Help!,” one after the other. My mom was a cool assistant professor of English at the local university who dressed “hip,” loved music and picked up some listening habits from her students. My obsession began after she brought home the “Sgt. Pepper” album a year or two earlier.
“Hard Day’s Night” was the Beatles the world fell in love with — sweet songs, charming cheeky personalities, matching clothes, screaming girls, moptops. But “Let It Be” was so different: the Beatles as grown-ups, real people who weren...
When I was a Beatles-obsessed seven-year-old, my mother, in an act of selfless parental love, took me to a Fab Four film festival: “Hard Day’s Night,” “Let It Be,” “Yellow Submarine” and “Help!,” one after the other. My mom was a cool assistant professor of English at the local university who dressed “hip,” loved music and picked up some listening habits from her students. My obsession began after she brought home the “Sgt. Pepper” album a year or two earlier.
“Hard Day’s Night” was the Beatles the world fell in love with — sweet songs, charming cheeky personalities, matching clothes, screaming girls, moptops. But “Let It Be” was so different: the Beatles as grown-ups, real people who weren...
- 5/8/2024
- by Jem Aswad
- Variety - Film News
There are a lot of great moments in Steven Spielberg's 1981 action-adventure film "Raiders of the Lost Ark," but nothing quite comes close to the film's intense climax. After following archaeologist Indiana Jones (Harrison Ford) and feisty bar owner Marion Ravenwood (Karen Allen) on their journey to try and stop the Nazis from stealing a biblical artifact, said Nazis actually manage to open the artifact — the Ark of the Covenant, the holy box that once held the Tablets of the Law, which contained the ten commandments passed down to Moses by God in the old testament. They open the box to try and get a peek at what's inside, only to have their Nazi faces melted right off like a bunch of action figures hit with a blowtorch. It's one of the most satisfying moments in cinema history, but according to Spielberg, it was also pretty much done by the seat of his pants.
- 5/8/2024
- by Danielle Ryan
- Slash Film
Gasoline Rainbow, the seventh feature by Bill and Turner Ross, marks a return to a world of young people familiar from the brothers’s early efforts 45365 (2009) and Tchoupitoulas (2012), which centered, respectively, on residents of Sydney, Ohio and New Orleans, Louisiana. Like those formative works, the duo’s latest is uniquely attuned to adolescent emotions and the rhythms of small town America—except with a broadened perspective and formal command afforded by 15 years of working in a variety of modes and milieus. The film follows five high schoolers from the fictional town of Wiley, Oregon who take to the open […]
The post “We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow first appeared on Filmmaker Magazine.
The post “We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow first appeared on Filmmaker Magazine.
- 5/8/2024
- by Jordan Cronk
- Filmmaker Magazine - Blog
If you don’t have kids, you may not have heard of “Gabby’s Dollhouse.” If you have a preschooler, it has likely become a welcome upgrade from the “Cocomelon” of your child’s nursery school days.
No intended shade at “Cocomelon,” the other monster hit for Netflix in the kids space. “Cocomelon” is simplistic animation set to familiar nursery rhymes — it’s a low lift both in terms of production and consumption. “Gabby’s,” a combination of (a little) live-action and (a lot of) animation, is a child’s entry point into storytelling and imaginative play. It was for my kids — and millions of others.
For 2023, the top 5 children’s series on streaming ranked like this, per Nielsen:
“Bluey” (43.9 billion minutes streamed on Disney+) “Cocomelon” (36.3 billion minutes streamed on Netflix) “SpongeBob Squarepants” (19.8 billion minutes streamed on Paramount+) “Mickey Mouse Clubhouse” (13.9 billion minutes streamed on Disney+) “Gabby’s Dollhouse” (12.8 billion minutes...
No intended shade at “Cocomelon,” the other monster hit for Netflix in the kids space. “Cocomelon” is simplistic animation set to familiar nursery rhymes — it’s a low lift both in terms of production and consumption. “Gabby’s,” a combination of (a little) live-action and (a lot of) animation, is a child’s entry point into storytelling and imaginative play. It was for my kids — and millions of others.
For 2023, the top 5 children’s series on streaming ranked like this, per Nielsen:
“Bluey” (43.9 billion minutes streamed on Disney+) “Cocomelon” (36.3 billion minutes streamed on Netflix) “SpongeBob Squarepants” (19.8 billion minutes streamed on Paramount+) “Mickey Mouse Clubhouse” (13.9 billion minutes streamed on Disney+) “Gabby’s Dollhouse” (12.8 billion minutes...
- 5/8/2024
- by Tony Maglio
- Indiewire
Mubi has kicked off its 2024 Cannes Film Festival early and in style, acquiring worldwide rights to one of the buzziest films set to premiere in competition.
The arthouse distributor, production banner and streamer has landed Coralie Fargeat’s body horror “The Substance,” starring Demi Moore, Margaret Qualley and Denis Quaid, picking up all rights for North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where it will release theatrically this year. Mubi has also acquired the rights for Turkey and India. The Match Factory, owned by Mubi, is handling sales for all other territories.
Written and directed by Fargeat, who made a noise with her debut, 2017’s action-thriller “Revenge,” “The Substance” goes into Cannes with a significant amount of intrigue, having been produced by Working Title, the Brit banner best known for rom-coms and prestige dramas.
“Have you ever dreamed of a better version of yourself?” reads the...
The arthouse distributor, production banner and streamer has landed Coralie Fargeat’s body horror “The Substance,” starring Demi Moore, Margaret Qualley and Denis Quaid, picking up all rights for North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where it will release theatrically this year. Mubi has also acquired the rights for Turkey and India. The Match Factory, owned by Mubi, is handling sales for all other territories.
Written and directed by Fargeat, who made a noise with her debut, 2017’s action-thriller “Revenge,” “The Substance” goes into Cannes with a significant amount of intrigue, having been produced by Working Title, the Brit banner best known for rom-coms and prestige dramas.
“Have you ever dreamed of a better version of yourself?” reads the...
- 5/8/2024
- by Alex Ritman
- Variety - Film News
The first major pre-sale out of the Cannes competition has happened, with director Coralie Fargeat’s “The Substance” now acquired by Mubi.
The global film distributor, production company, and streaming service has acquired worldwide rights for “Revenge” director Fargeat’s upcoming feature, a Working Title Films production, that premieres in competition at the 77th Cannes Film Festival. The festival runs May 14-25.
Mubi will retain all rights in North America, UK, Ireland, Germany, Austria, Latin America, and Benelux, where they will release the film theatrically this year. Mubi has also acquired the rights for Turkey and India. The Match Factory is handling sales for all other territories.
Here’s the elusive “synopsis” from the Cannes Film Festival official site: “Have You Ever Dreamt Of A Better Version Of Yourself? You, only better in every way. You should try this new product, it’s called The Substance. It Changed My Life.
The global film distributor, production company, and streaming service has acquired worldwide rights for “Revenge” director Fargeat’s upcoming feature, a Working Title Films production, that premieres in competition at the 77th Cannes Film Festival. The festival runs May 14-25.
Mubi will retain all rights in North America, UK, Ireland, Germany, Austria, Latin America, and Benelux, where they will release the film theatrically this year. Mubi has also acquired the rights for Turkey and India. The Match Factory is handling sales for all other territories.
Here’s the elusive “synopsis” from the Cannes Film Festival official site: “Have You Ever Dreamt Of A Better Version Of Yourself? You, only better in every way. You should try this new product, it’s called The Substance. It Changed My Life.
- 5/8/2024
- by Ryan Lattanzio
- Indiewire
Mubi has acquired Coralie Fargeat’s The Substance for multiple territories ahead of its world premiere in Cannes Competition.
The company has acquired all rights for North America, UK, Ireland, Germany, Austria, Latin America and Benelux, and will conduct theatrical releases in all this year. It has also picked up rights for Turkey and India.
The Match Factory, owned by Mubi, is handling sales for all other territories.
Written and directed by Revenge filmmaker Fargeat, The Substance is a body horror about a substance that gives users a younger, more beautiful, more perfect version of themselves.
Demi Moore, Margaret Qualley...
The company has acquired all rights for North America, UK, Ireland, Germany, Austria, Latin America and Benelux, and will conduct theatrical releases in all this year. It has also picked up rights for Turkey and India.
The Match Factory, owned by Mubi, is handling sales for all other territories.
Written and directed by Revenge filmmaker Fargeat, The Substance is a body horror about a substance that gives users a younger, more beautiful, more perfect version of themselves.
Demi Moore, Margaret Qualley...
- 5/8/2024
- ScreenDaily
The public's consideration of George Lucas' 1999 film "Star Wars: Episode I - The Phantom Menace" has dipped and swerved like a roller coaster. Those of us who were alive in 1999 are likely astonished to have witnessed "Phantom Menace" go from being one of the most successful films of all time, to one of the most disappointing franchise movies of all time, to one of the most outwardly hated blockbusters of all time, to one of the most unjustly maligned films of all time, to finally being considered a vital (if clunky) part of a long-running sci-fi saga with its share of highs and lows.
In truth, "The Phantom Menace" is rather bad. Lucas' dialogue is dry and dull, his characters staid and bland. It's the stiffest, most mannered sci-fi blockbuster one might ever see, lacking in personality, wit, humor, fun, or excitement. The story of "The Phantom Menace" infamously surrounds...
In truth, "The Phantom Menace" is rather bad. Lucas' dialogue is dry and dull, his characters staid and bland. It's the stiffest, most mannered sci-fi blockbuster one might ever see, lacking in personality, wit, humor, fun, or excitement. The story of "The Phantom Menace" infamously surrounds...
- 5/8/2024
- by Witney Seibold
- Slash Film
Premiere Entertainment Group heads to Cannes with international rights on the sci-fi adventure comedy Storm Chasers and Christmas Overtime.
Jack Martin directs Storm Chasers his original screenplay and Page Tudyk Gomez stars as an overlooked engineer who is sent to Alaska to investigate an eccentric scientist’s claim that capturing lightning can be a new source of renewable energy.
The cast includes Kevin Michael Martin, Matt Walsh, and Kate Flannery. Martin produces alongside Michael Orion Downing, and the film premiered at Austin Film Festival.
Romantic comedy Christmas Overtime stars Meghan Carrasquillo, Adam Brudnicki, and Jadon Cal in the story of...
Jack Martin directs Storm Chasers his original screenplay and Page Tudyk Gomez stars as an overlooked engineer who is sent to Alaska to investigate an eccentric scientist’s claim that capturing lightning can be a new source of renewable energy.
The cast includes Kevin Michael Martin, Matt Walsh, and Kate Flannery. Martin produces alongside Michael Orion Downing, and the film premiered at Austin Film Festival.
Romantic comedy Christmas Overtime stars Meghan Carrasquillo, Adam Brudnicki, and Jadon Cal in the story of...
- 5/8/2024
- ScreenDaily
Edgar Wright loves to talk about his favorite movies. And lavish praise on recent films as well, such as his enthusiastic response to “Challengers.” On May 7, he took to Twitter to post a long response about his latest obsession: George Miller’s upcoming “Furiosa.”
The film will make its debut at Cannes before opening in theaters May 24. But how do you follow up “Mad Max: Fury Road,” one of the most acclaimed action movies of this century? From the overwhelmingly positive first reactions, Miller’s answer appears to be: Don’t try to repeat yourself.
Wright believes Miller nailed it. Where “Fury Road” was a chase epic, “Furiosa” is a revenge film, Wright said.
“Even though I understand what it takes to make a film, I still don’t understand how Dr. George Miller does it,” Wright wrote. “I was lucky enough to see ‘Furiosa’ a month ago, and I...
The film will make its debut at Cannes before opening in theaters May 24. But how do you follow up “Mad Max: Fury Road,” one of the most acclaimed action movies of this century? From the overwhelmingly positive first reactions, Miller’s answer appears to be: Don’t try to repeat yourself.
Wright believes Miller nailed it. Where “Fury Road” was a chase epic, “Furiosa” is a revenge film, Wright said.
“Even though I understand what it takes to make a film, I still don’t understand how Dr. George Miller does it,” Wright wrote. “I was lucky enough to see ‘Furiosa’ a month ago, and I...
- 5/8/2024
- by Christian Blauvelt
- Indiewire
Gaumont has added French-language action feature The Orphans starring Dali Benssalah, Alban Lenoir, Anouk Grinberg and Sonia Faidi, to its Cannes slate.
The film is the first feature from Olivier Schneider who has worked as stunt coordinator on films including No Time To Die, Spectre, Taken and Fast and Furious X. It is about a cop and a mob fixer who team up to search for the killer of a former friend from their orphanage. Producers are Inoxy Films and Gaumont.
“Our ambition is to rehabilitate the French action movie and bring it back to cinemas,” said Alexis Cassanet, Gaumont’s head of international sales.
The film is the first feature from Olivier Schneider who has worked as stunt coordinator on films including No Time To Die, Spectre, Taken and Fast and Furious X. It is about a cop and a mob fixer who team up to search for the killer of a former friend from their orphanage. Producers are Inoxy Films and Gaumont.
“Our ambition is to rehabilitate the French action movie and bring it back to cinemas,” said Alexis Cassanet, Gaumont’s head of international sales.
- 5/8/2024
- ScreenDaily
German distributor-producer SquareOne Entertainment, part of rising European film studio Vuelta Group, has acquired German film and TV production, distribution and licensing company Telepool, which was owned by Will Smith and Jada Pinkett Smith’s Westbrook.
The news was announced Wednesday by Vuelta Group chairman Jerome Levy and CEO of SquareOne and Vuelta Group Germany Al Munteanu.
Munteanu will spearhead the newly combined entity under the SquareOne banner with Michael Heyd serving as CFO/COO.
The newly combined SquareOne entity will boast a library consisting of over 1,200 titles such as “Drive,” “Intouchables,” “The Olympus Has Fallen,” “The Hitman’s Bodyguard,” “Imitation Game,” “Lone Survivor,” “Book Club,” “Transporter 3,” “King Richard,” “Maurice the Tomcat” and the recently released “One Life” among others.
“For over 60 years, Telepool has been one of the leading global content houses and we are proud of the work we did with the company,” said Westbrook CEO Kosaku Yada.
The news was announced Wednesday by Vuelta Group chairman Jerome Levy and CEO of SquareOne and Vuelta Group Germany Al Munteanu.
Munteanu will spearhead the newly combined entity under the SquareOne banner with Michael Heyd serving as CFO/COO.
The newly combined SquareOne entity will boast a library consisting of over 1,200 titles such as “Drive,” “Intouchables,” “The Olympus Has Fallen,” “The Hitman’s Bodyguard,” “Imitation Game,” “Lone Survivor,” “Book Club,” “Transporter 3,” “King Richard,” “Maurice the Tomcat” and the recently released “One Life” among others.
“For over 60 years, Telepool has been one of the leading global content houses and we are proud of the work we did with the company,” said Westbrook CEO Kosaku Yada.
- 5/8/2024
- by Elsa Keslassy and Leo Barraclough
- Variety - Film News
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