Directed by
Jimmy T. Murakami | ||
Roger Corman | ... | (uncredited) |
Writing Credits
John Sayles | ... | (screenplay by) |
John Sayles | ... | (story by) & |
Anne Dyer | ... | (story by) |
Cast (in credits order) complete, awaiting verification
Produced by
Ed Carlin | ... | producer |
Roger Corman | ... | executive producer |
Mary Ann Fisher | ... | associate producer |
Music by
James Horner | ... | (music composed by) |
Cinematography by
Daniel Lacambre | ... | director of photography |
Editing by
Allan Holzman | ... | (edited by) |
R.J. Kizer | ... | (edited by) |
Casting By
Lisa Mionie | ... | (casting) |
Art Direction by
Charles William Breen | ... | (as Charles Breen) |
James Cameron | ... | (as Jim Cameron) |
Set Decoration by
John Zabrucky | ||
Forrest Chadwick | ... | (uncredited) |
Costume Design by
Durinda Wood | ... | (as Durinda Rice Wood) |
Makeup Department
Karoly Balazs | ... | hairdresser (as Charles Balazs) |
Sue Dolph | ... | makeup artist |
Ken Horn | ... | prosthetic assistant |
Karen Kubeck | ... | assistant makeup artist |
Michael Lavalley | ... | prosthetic assistant (as Mike La Valley) |
Steve Neill | ... | prosthetic makeup |
Cliff Raven | ... | makeup artist: Quopeg's tattoo |
Thom Shouse | ... | prosthetic assistant |
Rick Stratton | ... | prosthetic makeup |
Production Management
Michael Bennett | ... | production manager |
Gale Anne Hurd | ... | assistant production manager (as Gale Hurd) |
Aaron Lipstadt | ... | assistant production manager |
Second Unit Director or Assistant Director
Frank Martinez | ... | second assistant director |
Don Keith Opper | ... | second assistant director (as Don Opper) |
James Sbardellati | ... | first assistant director (as Jim Sbardellati) |
Art Department
Francesca Bartoccini | ... | property master |
Robert Bovill | ... | art department |
Chris Brightman | ... | art department |
Forrest Chadwick | ... | carpenter foreman |
Jim Childs | ... | visual consultant |
Sharon Compton | ... | art department coordinator |
Dick Davis | ... | lead man |
Douglas Dick | ... | construction coordinator (as Doug Dick) |
Don Dixon | ... | visual consultant |
Tim Duffy | ... | special props |
Jim Dultz | ... | property master |
Alec Gillis | ... | art department |
Alex Hajdu | ... | assistant art director |
Gene Hamm | ... | props |
Kenneth Wayne Hanis | ... | art department (as Ken Hannis) |
David Hodges | ... | art department |
Robert Johnson | ... | art department |
Roger Kelton | ... | art department |
Charles Kern | ... | art department |
Sam Kirson | ... | visual consultant (as Sam Kearson) |
Antony Pedicini | ... | art department |
Tim Rafelson | ... | art department |
Guy Smith | ... | art department |
Paul Strong | ... | art department |
Phil Thomas Jr. | ... | art department / construction supervisor (as Phil Thomas) |
Judi Trevor | ... | art department (as Judith Treavor) |
Christopher Tyner | ... | art department |
Jan Ferris | ... | designer: jewelry and some props (uncredited) / set designer (uncredited) |
Dory Forma | ... | props (uncredited) |
David Halver | ... | assistant art director (uncredited) |
Sam Kirson | ... | set designer (uncredited) |
Jay Koiwai | ... | painter (uncredited) |
Rick Moore | ... | graphic artist (uncredited) |
Eugene P. Rizzardi | ... | propmaker (uncredited) |
Mark A. Shelton | ... | art department electrician (uncredited) |
Sound Department
Gary C. Bourgeois | ... | re-recording mixer |
Joseph Geisinger | ... | boom operator (as Joe Geisinger) |
Alan Howarth | ... | special sound effects (as Alan S. Howarth) |
Ron Judkins | ... | sound mixer |
Steve Rice | ... | dialogue editor |
David Lewis Yewdall | ... | supervising sound editor |
Special Effects by
Frank DeMarco | ... | pyrotechnics |
Roger George | ... | pyrotechnics |
Brian Bevis | ... | special effects crew (uncredited) |
Hal Miles | ... | special effects technician (uncredited) |
Visual Effects by
Larry Albright | ... | lighting pieces |
Ed Banks | ... | gaffer: special photographic effects |
Stephen Barncard | ... | effects lighting and props |
Chris Brightman | ... | additional photography: special photographic effects |
Isabelle Brightman | ... | rotoscope/animation/graphic effects |
Steve Caldwell | ... | camera operator: special photographic effects |
James Cameron | ... | additional director of photography: special photographic effects (as Jim Cameron) / miniature design and construction (as Jim Cameron) |
Tom Campbell | ... | additional photography: special photographic effects / engineering: miniature design and construction |
Jo Carson | ... | production manager: special photographic effects |
Brian Chin | ... | miniature design and construction |
Chuck Comisky | ... | producer/supervisor: special photographic effects (as C. Comisky) |
John Cruz | ... | effects lighting and props |
Chuck De Cola | ... | effects lighting and props |
George D. Dodge | ... | director of photography: special photographic effects |
Marcia Dripchak | ... | optical effects supervisor |
Steven Elliott | ... | rotoscope/animation/graphic effects (as Steve Elliott) |
Judith Evans | ... | rotoscope/animation/graphic effects |
Michele Ferrone | ... | production manager: special photographic effects |
Randall Frakes | ... | additional photography: special photographic effects |
Deborah Gaydos | ... | rotoscope/animation/graphic effects |
Alec Gillis | ... | miniature design and construction |
Daniel Gross | ... | rotoscope/animation/graphic effects |
Doug Hall | ... | effects lighting and props |
Ken Jones | ... | technical director: special photographic effects (as Dr. Ken Jones) |
Rob Maine | ... | additional photography: special photographic effects (as Robert Maine) |
Austin McKinney | ... | additional director of photography: special photographic effects |
René Meunier | ... | optical lineup |
Josh Morton | ... | additional director of photography: special photographic effects (as Joshua Morton) |
John Muto | ... | rotoscope/animation/graphic effects |
Eric Peterson | ... | additional photography: special photographic effects |
Tony Randel | ... | editor: special photographic effects (as Anthony Randel) |
Jack Reed | ... | effects lighting and props |
Peter Regla | ... | optical consultant |
David Riley | ... | additional photography: special photographic effects |
Maury Schallock | ... | supervisor: model design and construction |
Dennis Skotak | ... | director of photography: special photographic effects / miniature design and construction |
Robert Skotak | ... | miniature design and construction / special designs/effects creations |
Dan Slater | ... | optical consultant |
Dan Smith | ... | camera operator: special photographic effects |
Carolyn Strauss | ... | additional photography: special photographic effects |
Pat Sweeney | ... | additional photography: special photographic effects |
Jonas Thaler | ... | optical editorial (as Jon Thaler) |
Pat Thompson | ... | miniature design and construction |
Melissa Tripp | ... | assistant editor: special photographic effects |
Paul Turner | ... | effects lighting supervisor |
Nina Vlahos | ... | editor: special photographic effects |
Gary Wagner | ... | additional photography: special photographic effects |
Susan Welsh | ... | assistant editor: special photographic effects |
Barry Zetlin | ... | rotoscope/animation/graphic effects |
Rob Maine | ... | miniature process projection (uncredited) |
Mike Warren | ... | optical effects (uncredited) |
Stunts
Kenny Bates | ... | stunts (uncredited) |
Tim Gallin | ... | stunts (uncredited) |
James Rekart | ... | utility stunts (uncredited) |
Gene Witham | ... | utility stunts (uncredited) |
Camera and Electrical Department
John K. Adams | ... | electrician |
Ben Batzdorff | ... | key grip (as Ben Batzdorf) |
Michael Bolner | ... | best boy |
Greg Callahan | ... | electrical supervisor |
Paul Elliott | ... | camera operator (as Paul Elliot) |
Steven Finestone | ... | first assistant camera (as Steve Finestone) |
Grant Fratt | ... | grip |
James J. Gilson | ... | rigging gaffer (as Jim Gilson) |
Brenda Haverstock | ... | electrician |
Paul Hodara | ... | "Dial-A-Date" projections (as Paul Sterling Hodara) / still photographer (as Paul Sterling Hodara) |
Arthur Holtz | ... | gaffer |
Robert Hutchinson | ... | electrician |
Larry Markart | ... | second assistant camera |
Tom McGrath | ... | grip |
Terry Moore | ... | electrical supervisor |
David W. Nims | ... | grip (as David Nims) |
David O'Connell | ... | electrician |
Craig Storper | ... | grip |
Costume and Wardrobe Department
Jan Ferris | ... | jewelry designer |
Timaree McCormick | ... | assistant costume designer |
Sara Nelson | ... | wardrobe assistant |
Daniel Orlandi | ... | wardrobe assistant |
Editorial Department
John K. Adams | ... | assistant editor |
Debra Chiate | ... | assistant editor (as Debbie Chiate) |
Jeff Shank | ... | assistant editor |
Music Department
Greg Fulginiti | ... | music engineer (uncredited) |
David Newman | ... | conductor (uncredited) |
Script and Continuity Department
Sharon Kirkpatrick | ... | script supervisor |
Additional Crew
Todd Allan | ... | production assistant |
Jane Covner | ... | unit publicist |
Mike Fairman | ... | production assistant (as Mike Farman) |
Clark Henderson | ... | craft service |
Amy Kenney | ... | production assistant |
Betsy Magruder | ... | production coordinator |
Wade Mayer | ... | production assistant |
Eric Morris | ... | dialogue director |
Gregory Orr | ... | production assistant |
Tom Plant | ... | auditor |
Charles Skouras III | ... | production coordinator |
Rob Snyder | ... | production assistant |
Carolyn Strauss | ... | titles |
Petro Vlahos | ... | technical advisor |
Mark Witzer | ... | production assistant |
Thanks
Peter Anderson | ... | special thanks |
Eli Cyngiser | ... | special thanks |
Walt Dodge | ... | special thanks |
Edi Murway | ... | special thanks |
Ease Owyeung | ... | special thanks |
Jack Rabin | ... | special thanks |