- 2 nominations.
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Photos and Videos
Cast
Devid Striesow | ... |
Philipp Schneider
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Nicolette Krebitz | ... |
Kerstin Schneider
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Lars Eidinger | ... |
Daniel Baumann
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Anna Schudt | ... |
Anne Winkler
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Harald Schrott | ... |
Lorenz Kern
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Christiane Lemm | ... |
Heidi Petersen
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Markus Boysen | ... |
Jakob Petersen
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Moritz Klaus | ... |
Emil Schneider
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Junis Marlon | ... |
Jim Schneider
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Andreas Windhuis | ... |
Marc Holm
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Alexander Merbeth | ... |
Oliver Muller
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Katja Liebing | ... |
Anika Ott
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Stefan Preiss | ... |
Kai Kottmann
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Elmira Rafizadeh | ... |
Sonia Chasim
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Rainer Ewerrien | ... |
Peer Sautter
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Directed by
Stefan Kornatz |
Written by
Stefan Kornatz | ... | (screenplay) |
Produced by
Lili Kobbe | ... | executive producer |
Music by
Bertram Denzel | ||
Hannes Gill |
Cinematography by
Armin Alker |
Editing by
Ulrike Hano |
Editorial Department
Annette Duwe | ... | assistant editor |
Casting By
Ingrid Böhm |
Production Design by
Betina Schepp |
Art Direction by
Betina Schepp |
Set Decoration by
Astrid El-Hagge |
Costume Design by
Francesca Merz |
Makeup Department
Monika Mahlberg | ... | makeup artist |
Sandra Schäfer | ... | makeup artist |
Production Management
Daniela Krause | ... | assistant production manager |
Arno Maass | ... | production manager |
Second Unit Director or Assistant Director
Olaf Kell | ... | first assistant director |
Barbara Rybol | ... | second assistant director |
Art Department
Lucas Behm | ... | set dresser |
Andreas Bekier | ... | graphic artist |
Astrid El-Hagge | ... | indoor props |
Marika Grafe | ... | assistant art director |
Reiner Lehnert | ... | set dresser |
Christian Micken | ... | set dresser |
Stefan Preuß | ... | property master (as Stefan Preuss) |
Stefan Röder | ... | set dresser |
Tanja Schneider | ... | painter |
Marc Willwohl | ... | props |
Thomas Würzberg | ... | set dresser |
Walter zur Heiden | ... | set dresser |
Sound Department
Michael Alles | ... | sound designer / sound mixer |
Andreas Bayer | ... | sound designer |
Klaus Eul-Musial | ... | sound |
Bernd Funtsch | ... | boom operator |
Ralph Ganswindt | ... | boom operator |
Andreas Schneider | ... | foley artist |
Lisa Strauß | ... | adr editor (as Lisa Taeter) |
Special Effects by
Michael Braun | ... | special effects crew |
Rainer Hildebrand | ... | special effects crew |
Visual Effects by
Andreas Bekier | ... | graphic artist |
Stunts
Jürgen Klein | ... | stunt coordinator |
Camera and Electrical Department
René Biernat | ... | grip |
Mareike Guth | ... | second assistant camera |
Jonas Heil | ... | video operator |
Frank Kern | ... | electrician |
Ben Knabe | ... | still photographer |
Nadine Lang | ... | first assistant camera |
Jens Lupek | ... | lighting technician |
Dieter Müller-Lenz | ... | gaffer |
Iris Rosendorn | ... | video technician |
Markus Schäfer | ... | lighting technician |
Casting Department
Ingrid Böhm | ... | casting associate |
Karoline Holzmann | ... | extras casting |
Costume and Wardrobe Department
Sanda Bonrad | ... | wardrobe |
Julia Geisert | ... | wardrobe |
Location Management
Ralf Schreiner | ... | location manager |
Transportation Department
Daniel Bengner | ... | driver: props |
Siegfried Pfeiffer | ... | driver |
Roland Schnitter | ... | driver |
Additional Crew
Gudrun Bahrmann | ... | child coach |
Ingrid Carstensen | ... | script continuity |
Dirk Eberling | ... | set manager |
Tobias Hofmann | ... | assistant set manager |
Lili Kobbe | ... | production accountant |
Christine Köppel | ... | production assistant |
Marco Longobucco | ... | intern |
Sarah Lux | ... | intern |
Stefanie Molitor | ... | intern |
Myriam Morr | ... | production trainee |
Edgar Naporra | ... | caterer |
Production Companies
Distributors
- Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland (ARD) (2010) (World-wide)
Special Effects
Other Companies
- Filmservice Thomas Vogt (make-up van)
Storyline
Plot Summary |
Philipp Schneider, happily married to Kerstin and father of Emil and Jim, is about to go bankrupt with his urban planning office. Powerless against the stalling tactics of his clients, he is heavily in debt. Philipp braces himself against the loss of the office with all his might - even his own house is now mortgaged. With his selfish nature he drives Kerstin into someone else's arms. When he has lost everything and has become an onlooker in his own life, Philipp reflects on what is really important to him: he begins to win back his family. Written by ARD |
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Additional Details
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