Pickpocket (1959)
6/10
Moral preaching but not art
24 January 2013
Some reviewers say that "this film is not for regular film-goers but for people with a better appreciation for art", but there is only one criterion for a true work of art; an original expression appealing to the heart. Criterion, in its introduction to one of his films says: "...Robert Bresson began to implement his stylistic philosophy as a filmmaker, stripping away all inessential elements from his compositions, the dialog and the music, exacting a purity of image and sound.". He also refrained from using professional actors. We'd better watch documentaries. This film, with its "wooden" acting, lifeless dialogs, monotonous tempo, unnecessary narrating voice, stolen but frozen version of "supermensch" argument of Nietzsche (religiously criticized in Dostoevsky's Crime and Punishment with PASSION -lacking 100% in this film) leaves nothing to enjoy. All to one side; an "art" film avoiding everything popular tries to display the "subtleties of pickpocketing", orchestration of gang members in operation (without success due to non-fluid editing done) "a la Hollywood"in order to add some life to this otherwise worthless drama. I have watched a few films by Bresson: "Les dames de.." lacks emotion. "Diary of a Country Priest" is advisable only to priests. "A ManEscaped" is much better since it does not preach and has a nice change of tempo at the end.
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