Numerous actors aspire to stand on the illustrious stage and utter the iconic words, “I would like to thank The Academy,” as they receive the coveted Oscar. The Oscar is the pinnacle of achievement in the filmmaking industry, a dream for many. However, the reality is that not everyone can emerge victorious.
Many actors have come to understand that even multiple nominations don’t guarantee a win. The competition at the Academy Awards is fierce, and not everyone will have the honor of seeing their name engraved on the prestigious golden statue. We are now listing four deserving actors who finished their careers without ever winning an Oscar.
4 Actors Who Ended Their Careers Without An Oscar Win
As previously noted, securing an Oscar remains the pinnacle of acknowledgement for numerous actors, yet several top stars have not won the prestigious award. In fact, some actors concluded their careers without ever attaining an Academy Award.
Many actors have come to understand that even multiple nominations don’t guarantee a win. The competition at the Academy Awards is fierce, and not everyone will have the honor of seeing their name engraved on the prestigious golden statue. We are now listing four deserving actors who finished their careers without ever winning an Oscar.
4 Actors Who Ended Their Careers Without An Oscar Win
As previously noted, securing an Oscar remains the pinnacle of acknowledgement for numerous actors, yet several top stars have not won the prestigious award. In fact, some actors concluded their careers without ever attaining an Academy Award.
- 3/11/2024
- by Subhojeet Mookherjee
- FandomWire
Clockwise from top left: Notting Hill (Universal Pictures), Love & Basketball (New Line Cinema), Amelie (20th Century Fox),Say Anything (Ugc-Fox Distribution)Graphic: The A.V. Club
Running through the airport to stop a lover’s flight. Making a big speech in front of a crowd of strangers. Picking the perfect song for a serenade.
Running through the airport to stop a lover’s flight. Making a big speech in front of a crowd of strangers. Picking the perfect song for a serenade.
- 2/12/2024
- by Mary Kate Carr, Gabrielle Sanchez, and Saloni Gajjar
- avclub.com
For the second time in six years, the Best Actress category looked to be on track to feature nominees from films nominated for Best Picture. But just like six years ago, it came up short — and it once again involved Margot Robbie.
Annette Bening (“Nyad”), Lily Gladstone (“Killers of the Flower Moon”), Sandra Hüller (“Anatomy of a Fall”), Carey Mulligan (“Maestro”) and Emma Stone (“Poor Things”) made the Best Actress cut on Tuesday. Every film but “Nyad” is nominated for Best Picture. Gladstone, Hüller, Mulligan and Stone were all expected to get in, but Bening was in seventh place in the odds. Now a five-time nominee, she made it in over Robbie, who was in fifth place in the odds and headlines Best Picture nominee “Barbie” (Robbie is nominated as producer).
Six years ago, it was the reverse situation with Robbie. She earned her first career Oscar nomination for her...
Annette Bening (“Nyad”), Lily Gladstone (“Killers of the Flower Moon”), Sandra Hüller (“Anatomy of a Fall”), Carey Mulligan (“Maestro”) and Emma Stone (“Poor Things”) made the Best Actress cut on Tuesday. Every film but “Nyad” is nominated for Best Picture. Gladstone, Hüller, Mulligan and Stone were all expected to get in, but Bening was in seventh place in the odds. Now a five-time nominee, she made it in over Robbie, who was in fifth place in the odds and headlines Best Picture nominee “Barbie” (Robbie is nominated as producer).
Six years ago, it was the reverse situation with Robbie. She earned her first career Oscar nomination for her...
- 1/24/2024
- by Joyce Eng
- Gold Derby
Alice Walker published her acclaimed novel “The Color Purple” in 1982. It sold five million copies; Walker became the first Black woman to win the Pulitzer Prize and she also received the National Book Club Award. Three years later, Steven Spielberg directed the lauded film version which made stars out of Whoopi Goldberg, Oprah Winfrey and Danny Glover. It earned 11 Oscar nominations. The story revolves around a young woman who suffers abuse from her father and husband for four decades until she finds her own identity. Not exactly the stuff of a Broadway musical.
But the 2005 tuner version received strong reviews, ran 910 performances and earned ten Tony nominations, winning best actress for Lachanze. The 2015 production picked up two Tonys for best revival and actress for Cynthia Erivo. The movie musical version opened strong Christmas Day with $18 million and is a strong contender in several Oscar categories especially for Fantasia Barrino and Danielle Brooks.
But the 2005 tuner version received strong reviews, ran 910 performances and earned ten Tony nominations, winning best actress for Lachanze. The 2015 production picked up two Tonys for best revival and actress for Cynthia Erivo. The movie musical version opened strong Christmas Day with $18 million and is a strong contender in several Oscar categories especially for Fantasia Barrino and Danielle Brooks.
- 1/2/2024
- by Susan King
- Gold Derby
Nancy Meyers has written a love letter to Cary Grant by recommending his screwball comedies and classics like North by Northwest and The Philadelphia Story as part of the December 2023 Turner Classic Movies lineup in her own TCM Picks video.
“He’s a brilliant prototype for a leading man in a romantic comedy certainly. And I would be lying if I said I didn’t think of him sometimes as I’m writing. You can picture him doing it and it makes you better,” Meyers, whose rom-com canon includes box office performers like Something’s Gotta Give, The Holiday and What Women Want, tells The Hollywood Reporter.
Her TCM movie picks follow Meyers insisting she has viewed most Cary Grant movies dozens of times, not least to study the iconic star’s slapstick humor and verbal sparring with leading ladies to see beneath his debonair looks and onscreen charisma, to the...
“He’s a brilliant prototype for a leading man in a romantic comedy certainly. And I would be lying if I said I didn’t think of him sometimes as I’m writing. You can picture him doing it and it makes you better,” Meyers, whose rom-com canon includes box office performers like Something’s Gotta Give, The Holiday and What Women Want, tells The Hollywood Reporter.
Her TCM movie picks follow Meyers insisting she has viewed most Cary Grant movies dozens of times, not least to study the iconic star’s slapstick humor and verbal sparring with leading ladies to see beneath his debonair looks and onscreen charisma, to the...
- 12/1/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Joan Evans, an actress who was the goddaughter of Joan Crawford, died Oct. 21 in Henderson, Nevada, according to her son, John Weatherly. No cause was given.
During her career, she worked with the likes of Farley Granger, Audie Murphy, Irene Dunne, and Esther Williams, among many others.
Among her film roles were parts in On the Loose (1951), It Grows on Trees (1952); and Skirts Ahoy! (1952).
She signed her first film contract in 1948 at age 14 to work with producer Samuel Goldwyn.
While doing reshoots, she was accidentally shot in the arm by Farley Granger. His gun discharged and she need emergency surgery and hospitalilzation.
Evans later appeared in such films as The Outcast (1954), A Strange Adventure (1956), The Flying Fontaines (1959) and The Walking Target (1960), and on TV shows including Climax!, The Millionaire, Cheyenne, 77 Sunset Strip, Wagon Train, Zorro, Tales of Wells Fargo, The Tall Man and Laramie.
She stopped acting in the...
During her career, she worked with the likes of Farley Granger, Audie Murphy, Irene Dunne, and Esther Williams, among many others.
Among her film roles were parts in On the Loose (1951), It Grows on Trees (1952); and Skirts Ahoy! (1952).
She signed her first film contract in 1948 at age 14 to work with producer Samuel Goldwyn.
While doing reshoots, she was accidentally shot in the arm by Farley Granger. His gun discharged and she need emergency surgery and hospitalilzation.
Evans later appeared in such films as The Outcast (1954), A Strange Adventure (1956), The Flying Fontaines (1959) and The Walking Target (1960), and on TV shows including Climax!, The Millionaire, Cheyenne, 77 Sunset Strip, Wagon Train, Zorro, Tales of Wells Fargo, The Tall Man and Laramie.
She stopped acting in the...
- 10/28/2023
- by Bruce Haring
- Deadline Film + TV
Joan Evans, the daughter of screenwriters and goddaughter of Joan Crawford, who starred opposite Farley Granger in her first three films and with Audie Murphy in a pair of Westerns, has died. She was 89.
Evans died Oct. 21 in Henderson, Nevada, her son, John Weatherly, told The Hollywood Reporter.
She also toplined the Charles Lederer-directed On the Loose (1951), playing a suicidal teenager in the drama written by her parents, Dale Eunson and Katherine Albert; portrayed Irene Dunne’s daughter in the fantasy It Grows on Trees (1952); and enlisted in the U.S. Navy with Esther Williams in the musical comedy Skirts Ahoy! (1952).
Evans played the love interest of Granger’s character in the title role of Roseanna McCoy (1949), a drama loosely based on the family feud between the Hatfields and the McCoys. The two worked together again in the 1950 releases Our Very Own and Edge of Doom, a bleak film noir directed by Mark Robson.
Evans died Oct. 21 in Henderson, Nevada, her son, John Weatherly, told The Hollywood Reporter.
She also toplined the Charles Lederer-directed On the Loose (1951), playing a suicidal teenager in the drama written by her parents, Dale Eunson and Katherine Albert; portrayed Irene Dunne’s daughter in the fantasy It Grows on Trees (1952); and enlisted in the U.S. Navy with Esther Williams in the musical comedy Skirts Ahoy! (1952).
Evans played the love interest of Granger’s character in the title role of Roseanna McCoy (1949), a drama loosely based on the family feud between the Hatfields and the McCoys. The two worked together again in the 1950 releases Our Very Own and Edge of Doom, a bleak film noir directed by Mark Robson.
- 10/28/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Here’s the thing: you can argue for another Indiana Jones film as the archaeologist’s greatest adventure, but then Raiders comes along and outshines it with a light that reduces all who disrespect it to dust. Raiders is a perfect film: if it had flaws they’d be like the scar on Harrison Ford’s chin: a flourish to set off the perfection of the rest. If Raiders had a flaw (see Note 2), it would be like the deliberate mistake that master Persian carpet weavers introduce to their intricate patterns so that they don’t challenge God himself. And if this film teaches us anything, it’s that challenging God is not a good idea. The other are (mostly) astonishingly great because they’re a lot like Raiders. Raiders is astonishingly great because it is a perfect film.
First and foremost, that’s down to Steven Spielberg, which explains...
First and foremost, that’s down to Steven Spielberg, which explains...
- 6/21/2023
- by Helen O'Hara
- Empire - Movies
The 2023 Oscar nominees for Best Actress are Cate Blanchett (“Tar”), Ana de Armas (“Blonde”), Andrea Riseborough (“To Leslie”), Michelle Williams (“The Fabelmans”), and Michelle Yeoh (“Everything Everywhere All at Once”). Our current odds indicate that Yeoh (82/25) will take the prize, followed in order by Blanchett (18/5), Williams (9/2), Riseborough (9/2), and de Armas (9/2).
Blanchett, who triumphed here in 2014 for “Blue Jasmine,” is the only past Oscar winner in this lineup. She now belongs to a group of 20 women with at least five Best Actress nominations apiece, with her previous unsuccessful bids having come for “Elizabeth” (1999), “Elizabeth: The Golden Age” (2008), and “Carol” (2016). She also has a supporting victory to her name for “The Aviator” (2005) as well as two more notices in that category for “Notes on a Scandal” (2007) and “I’m Not There” (2008). Her overall nomination total of eight is the one of the highest for an actress, behind Meryl Streep (21), Katharine Hepburn (12), and Bette Davis...
Blanchett, who triumphed here in 2014 for “Blue Jasmine,” is the only past Oscar winner in this lineup. She now belongs to a group of 20 women with at least five Best Actress nominations apiece, with her previous unsuccessful bids having come for “Elizabeth” (1999), “Elizabeth: The Golden Age” (2008), and “Carol” (2016). She also has a supporting victory to her name for “The Aviator” (2005) as well as two more notices in that category for “Notes on a Scandal” (2007) and “I’m Not There” (2008). Her overall nomination total of eight is the one of the highest for an actress, behind Meryl Streep (21), Katharine Hepburn (12), and Bette Davis...
- 3/10/2023
- by Matthew Stewart
- Gold Derby
Upon earning her fifth Oscar nomination for “The Fabelmans” this year, Michelle Williams became one of the 33 most-recognized actresses in academy history. Since she has yet to win, a victory in the current lead female race would keep her from joining Irene Dunne, Deborah Kerr, Thelma Ritter, Glenn Close, and Amy Adams on the list of women with five or more unsuccessful acting bids. If screen time plays any factor in influencing voters, she may benefit from the fact that her performance stands out from the others in her lineup by being relatively short.
The three lead turns for which Williams has received Oscar nominations have a screen time average of 59 minutes and 55 seconds (or 51.43% of the respective films). She is now one of 44 women to receive multiple Best Actress notices for appearing on screen for less than one hour. When it comes to her pair of nominated supporting performances,...
The three lead turns for which Williams has received Oscar nominations have a screen time average of 59 minutes and 55 seconds (or 51.43% of the respective films). She is now one of 44 women to receive multiple Best Actress notices for appearing on screen for less than one hour. When it comes to her pair of nominated supporting performances,...
- 3/3/2023
- by Matthew Stewart
- Gold Derby
Upon earning her fifth Oscar nomination for “The Fabelmans” this year, Michelle Williams became one of the 33 most-recognized actresses in academy history. Since she has yet to win, a victory in the current lead female race would keep her from joining Irene Dunne, Deborah Kerr, Thelma Ritter, Glenn Close, and Amy Adams on the list of women with five or more unsuccessful acting bids. If screen time plays any factor in influencing voters, she may benefit from the fact that her performance stands out from the others in her lineup by being relatively short.
The three lead turns for which Williams has received Oscar nominations have a screen time average of 59 minutes and 55 seconds (or 51.43% of the respective films). She is now one of 44 women to receive multiple Best Actress notices for appearing on screen for less than one hour. When it comes to her pair of nominated supporting performances,...
The three lead turns for which Williams has received Oscar nominations have a screen time average of 59 minutes and 55 seconds (or 51.43% of the respective films). She is now one of 44 women to receive multiple Best Actress notices for appearing on screen for less than one hour. When it comes to her pair of nominated supporting performances,...
- 3/3/2023
- by Matthew Stewart
- Gold Derby
As we approach O-Day and the 95th Academy Awards on March 12, it’s always fun to go back and look at the Best Actress and Best Supporting Actress categories and revel in some of the trivia and shockers that have gone down on the awards season’s biggest stage. This is the rare year when Meryl Streep isn’t in the running, as her 21 overall nominations in the acting categories are nearly double the number of her closest female pursuer, Katherine Hepburn, who has 12. However, Hepburn still holds the all-time Oscar record with four acting wins. Streep has a mere three.
Here are some other actress category factoids to chew on:
Should Cate Blanchett win Best Actress this year for her role in “Tar,” she would tie Streep, Ingrid Bergman and Frances McDormand for second place behind Hepburn among actresses with three triumphs apiece. All four of Hepburn’s wins...
Here are some other actress category factoids to chew on:
Should Cate Blanchett win Best Actress this year for her role in “Tar,” she would tie Streep, Ingrid Bergman and Frances McDormand for second place behind Hepburn among actresses with three triumphs apiece. All four of Hepburn’s wins...
- 2/28/2023
- by Ray Richmond
- Gold Derby
The Best Picture win at the Oscars is the highest prize in the film industry. However, some films manage to take home the top award, yet they still don’t manage to stand the test of time. There are some Best Picture winners that no one talks about, even though they’ll always be a part of Academy Award history.
‘The Broadway Melody’ (1929) L-r: Charles King as Eddie Kearns, Bessie Love as Harriet ‘Hank’ Mahoney, Mary Doran as Flo, Anita Page as Queen Mahoney, and Nacio Herb Brown as Pianist | John Springer Collection/Corbis/Corbis via Getty Images
Harriet ‘Hank’ Mahoney (Bessie Love) and Queenie Mahoney (Anita Page) are vaudeville sister performers looking to break into the Broadway scene. However, romantic melodrama quickly overshadows their attempt to pursue fame as a duo.
The Broadway Melody is the second film to win the Best Picture Oscar, with only Wings coming before it.
‘The Broadway Melody’ (1929) L-r: Charles King as Eddie Kearns, Bessie Love as Harriet ‘Hank’ Mahoney, Mary Doran as Flo, Anita Page as Queen Mahoney, and Nacio Herb Brown as Pianist | John Springer Collection/Corbis/Corbis via Getty Images
Harriet ‘Hank’ Mahoney (Bessie Love) and Queenie Mahoney (Anita Page) are vaudeville sister performers looking to break into the Broadway scene. However, romantic melodrama quickly overshadows their attempt to pursue fame as a duo.
The Broadway Melody is the second film to win the Best Picture Oscar, with only Wings coming before it.
- 2/28/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
Soon after wrapping four seasons of Crazy Ex-Girlfriend, the cult CW musical that saw her segue from screenwriter to showrunner, Aline Brosh McKenna decided to revisit her past before turning her attention to the future. She rented the garden apartment in the same Larchmont-adjacent duplex she and her now-husband shared during the mid-’90s, not too far from the home where they now live. “We’d always look down at this unit and say, ‘Ugh, we wish we had that,’ ” she says of her shingle’s headquarters. “Now this is my office, which feels wonderfully full circle.”
The company, Lean Machine, is a vehicle for McKenna’s own scripts — the latest of which marks her feature directorial debut, the Netflix romantic comedy Your Place or Mine (out Feb. 10) — but the bulk of the 15 film and TV projects in various stages of development come from other voices. That’s the piece...
The company, Lean Machine, is a vehicle for McKenna’s own scripts — the latest of which marks her feature directorial debut, the Netflix romantic comedy Your Place or Mine (out Feb. 10) — but the bulk of the 15 film and TV projects in various stages of development come from other voices. That’s the piece...
- 2/10/2023
- by Mikey O'Connell
- The Hollywood Reporter - Movie News
Of all our craft Best of 2022 lists, film scores was the one where there was the widest list of nominees and least amount of consensus about a top 10. There was just such a wide variety of great work done that delineating what was best wasn’t always clear.
What was clear from our picks, however, was that a number of the best composers working today — from Michael Giacchino to Michael Abels — were on their game in 2022; it was also apparent that this was a year of innovative uses of film music that played a subtle and almost sound design-like role. And by no surprise, so much of that best work came from director-composer collaborations that started early and stretched over many months, sometimes over year, and evolved to find the best way for the music sit in the film.
Chris O’Falt, Steve Greene, David Ehrlich, and Erik Adams also contributed to this article.
What was clear from our picks, however, was that a number of the best composers working today — from Michael Giacchino to Michael Abels — were on their game in 2022; it was also apparent that this was a year of innovative uses of film music that played a subtle and almost sound design-like role. And by no surprise, so much of that best work came from director-composer collaborations that started early and stretched over many months, sometimes over year, and evolved to find the best way for the music sit in the film.
Chris O’Falt, Steve Greene, David Ehrlich, and Erik Adams also contributed to this article.
- 12/20/2022
- by Sarah Shachat, Jim Hemphill and Bill Desowitz
- Indiewire
Click here to read the full article.
Mickey Kuhn, the busy child actor of the 1930s and ’40s who played Beau Wilkes, the son of Olivia de Havilland and Leslie Howard’s characters, in Gone With the Wind, has died. He was 90.
Kuhn died Sunday in a hospice facility in Naples, Florida, his wife, Barbara, told The Hollywood Reporter. He was in excellent health until recently, she said.
Kuhn also portrayed the ward of a famous movie cop in Dick Tracy (1945) and younger versions of Kirk Douglas and Montgomery Clift in The Strange Love of Martha Ivers (1946) and John Wayne’s Red River (1948), respectively.
And in A Streetcar Named Desire (1951), Kuhn reunited with Gwtw actress Vivien Leigh to appear as a sailor who gives Blanche DuBois directions. (Was he Leigh’s good luck charm? She won her two best actress Oscars with him in the cast.)
Kuhn was 6 when...
Mickey Kuhn, the busy child actor of the 1930s and ’40s who played Beau Wilkes, the son of Olivia de Havilland and Leslie Howard’s characters, in Gone With the Wind, has died. He was 90.
Kuhn died Sunday in a hospice facility in Naples, Florida, his wife, Barbara, told The Hollywood Reporter. He was in excellent health until recently, she said.
Kuhn also portrayed the ward of a famous movie cop in Dick Tracy (1945) and younger versions of Kirk Douglas and Montgomery Clift in The Strange Love of Martha Ivers (1946) and John Wayne’s Red River (1948), respectively.
And in A Streetcar Named Desire (1951), Kuhn reunited with Gwtw actress Vivien Leigh to appear as a sailor who gives Blanche DuBois directions. (Was he Leigh’s good luck charm? She won her two best actress Oscars with him in the cast.)
Kuhn was 6 when...
- 11/21/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
Movie stars — remember them? Ticket to Paradise sure does, and it’s banking on the fact that you, the audience member, would actually be willing to leave the comfort of your couch and 7,200 streaming services to go see two of ’em! Together! In a romantic comedy! On a big screen, just like in the old days! By pairing George Clooney and Julia Roberts and casting them as a long-divorced couple who hate each other but must work together to sabotage their daughter’s wedding, the film requires you to answer the burning question: Wait,...
- 10/20/2022
- by David Fear
- Rollingstone.com
The story of the Sunday school teacher behind a bawdy best-seller, Theodora Goes Wild opened the door to more comedy roles for the usually reserved Irene Dunne. Written by newspaper reporter Mary McCarthy, the 1936 film was directed by Polish immigrant Richard Boleslawski, no stranger to melodrama himself (he juggled all three Barrymores in Rasputin and the Empress). Melvyn Douglas, an expert in high class satire, co-stars as the illustrator of Theodora’s risqué novel.
The post Theodora Goes Wild appeared first on Trailers From Hell.
The post Theodora Goes Wild appeared first on Trailers From Hell.
- 6/21/2022
- by Charlie Largent
- Trailers from Hell
Despite the increase in pop-culture amnesia, there are actually a lot of great rom-coms that predate the Reagan era
For many pop-culture websites, which we will not name here, the history of cinema apparently begins somewhere around the release of “Star Wars” (1977), with almost everything that preceded it to the big screen being sloughed off as quaint, forgettable and irrelevant.
It’s the sort of thing that people who love movies and movie history can often ignore with the roll of an eye, but when one site recently trumpeted its list of the 50 Best Rom-Coms of All Time — which featured exactly one movie made before 1980 and zero prior to 1970 — we could sit by no longer.
Here is an alphabetical list of 50 classic romantic comedies that merely scratches the surface of great movies made during ye olden times of 1979 and earlier:
“The Awful Truth” (1937): Cary Grant and Irene Dunne star...
For many pop-culture websites, which we will not name here, the history of cinema apparently begins somewhere around the release of “Star Wars” (1977), with almost everything that preceded it to the big screen being sloughed off as quaint, forgettable and irrelevant.
It’s the sort of thing that people who love movies and movie history can often ignore with the roll of an eye, but when one site recently trumpeted its list of the 50 Best Rom-Coms of All Time — which featured exactly one movie made before 1980 and zero prior to 1970 — we could sit by no longer.
Here is an alphabetical list of 50 classic romantic comedies that merely scratches the surface of great movies made during ye olden times of 1979 and earlier:
“The Awful Truth” (1937): Cary Grant and Irene Dunne star...
- 4/18/2022
- by Alonso Duralde
- The Wrap
I’ve always had a soft spot in my heart for Leo McCarey’s beloved 1939 romance “Love Affair” starring Irene Dunne and Charles Boyer as star-crossed lovers who meet cute on a luxury liner. Since they are both attached to others — Dunne is actually a “kept” woman — they agree to meet six months after they land in New York at the Empire State Building. For years, “Love Affair” was near impossible to see after the rights of the Rko production had been sold to 20th Century Fox for Carey’s scene-by-scene 1957 remake “An Affair to Remember” with Deborah Kerr and Cary Grant.
But in 1977, the Los Angeles County Museum of Art’s film department lead by the late great Ron Haver presented a months’ long Rko festival featuring every film from the studio that still existed including “Love Affair,” which had earned six Oscar nominations including Best Picture and Best...
But in 1977, the Los Angeles County Museum of Art’s film department lead by the late great Ron Haver presented a months’ long Rko festival featuring every film from the studio that still existed including “Love Affair,” which had earned six Oscar nominations including Best Picture and Best...
- 2/28/2022
- by Susan King
- Gold Derby
“This picture is perfect, end of review.” That may not be 100 true, but Leo McCarey’s unabashed leap into romantic Nirvana really hasn’t been bettered, although his color & ‘scope remake is very good. Never was smart adult dialogue this winning — Irene Dunne and Charles Boyer’s cinematic courtship is a highlight of the Big Studio years. And Maria Ouspenskaya’s performance will send you out to pamper the nearest grandmother. The restoration for this one is a revelation, as the show has looked terrible for sixty years- plus. Serge Bromberg and Farran Smith Nehme make the extras especially valuable.
Love Affair
Blu-ray
The Criterion Collection 1114
1939 / B&w / 1:37 Academy / 88 min. / available through The Criterion Collection / Street Date February 15, 2022 / 39.95
Starring: Irene Dunne, Charles Boyer, Maria Ouspenskaya, Lee Bowman, Astrid Allwyn, Maurice Moscovitch, Ferike Boros, Scotty Beckett, Bess Flowers, Harold Miller, Dell Henderson, Frank McGlynn, Sr., Joan Leslie.
Cinematography: Rudolph Maté
Art Director: Van Nest Polglase,...
Love Affair
Blu-ray
The Criterion Collection 1114
1939 / B&w / 1:37 Academy / 88 min. / available through The Criterion Collection / Street Date February 15, 2022 / 39.95
Starring: Irene Dunne, Charles Boyer, Maria Ouspenskaya, Lee Bowman, Astrid Allwyn, Maurice Moscovitch, Ferike Boros, Scotty Beckett, Bess Flowers, Harold Miller, Dell Henderson, Frank McGlynn, Sr., Joan Leslie.
Cinematography: Rudolph Maté
Art Director: Van Nest Polglase,...
- 2/26/2022
- by Glenn Erickson
- Trailers from Hell
The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.Twentieth CenturyA common misconception about 1930s Hollywood cinema is that escapism was the trend du jour. The ubiquity of genres like historical melodramas and musicals indicates that rationale may be true to an extent, but even the most fantastic films were grounded in some semblance of social realism. And how could they not be? With nearly one in four Americans out of work by 1933 and a slow-but-stable economic recovery stimulated by President Franklin Delano Roosevelt’s New Deal program, the bleakness of the Great Depression and the disparity between the haves and have-nots was an omnipresent thread throughout the decade’s popular culture. Like any major American industry, Hollywood was formative to the public’s perception of culture and politics, and the movies were a temperature gauge of the decade’s cultural climate.
- 1/3/2022
- MUBI
Gulp. Just two months left in 2021. Here's what you might have missed but shouldn't have from the past month
A dozen highlights
• Girl Interrupted Matt has a personal connection to Winona Ryder's star vehicle to wrap up our team tribute to Winona for her 50th birthday
• King Richard and Belfast Crowdpleasing Oscar threats
• No Time To Die Deborah, our resident Bond expert, considers Daniel Craig's farewell
• Coffee & Contenders Nathaniel's annual panel at the Middleburg Film Festival
• Almost There: To Die For Cláudio takes on one of Nicole Kidman's most beloved star turns
• Yes No Maybe So: Being the Ricardos Nathaniel looks at the trailer
• Irene Dunne Baby Clyde wonders why the versatile actress isn't as big of a name to modern audiences as some of her glamorous peers still are
• C'mon C'mon Jason falls hard for Joaquin Phoenix's latest
• Gotham Nods they went all in for...
A dozen highlights
• Girl Interrupted Matt has a personal connection to Winona Ryder's star vehicle to wrap up our team tribute to Winona for her 50th birthday
• King Richard and Belfast Crowdpleasing Oscar threats
• No Time To Die Deborah, our resident Bond expert, considers Daniel Craig's farewell
• Coffee & Contenders Nathaniel's annual panel at the Middleburg Film Festival
• Almost There: To Die For Cláudio takes on one of Nicole Kidman's most beloved star turns
• Yes No Maybe So: Being the Ricardos Nathaniel looks at the trailer
• Irene Dunne Baby Clyde wonders why the versatile actress isn't as big of a name to modern audiences as some of her glamorous peers still are
• C'mon C'mon Jason falls hard for Joaquin Phoenix's latest
• Gotham Nods they went all in for...
- 11/1/2021
- by NATHANIEL R
- FilmExperience
In 2001, Will Smith headlined “Ali,” which brought him his first Oscar nomination. He lost the Best Actor prize to Denzel Washington for “Training Day,” but now, 20 years later, Smith can avenge that loss with “King Richard” against Washington’s turn in “The Tragedy of Macbeth.” And if he doesn’t, he would be the latest performer who has lost to the same person twice.
There have been four people with an 0-2 record agains the same actor. They are:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938) over
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost...
There have been four people with an 0-2 record agains the same actor. They are:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938) over
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost...
- 10/29/2021
- by Joyce Eng
- Gold Derby
When Raiders of the Lost Ark was released in 1981, it was like a jolt of lightning from out of the past. As with George Lucas’ Star Wars before it, here was a throwback to many of the cinematic touchstones high and low that Baby Boomers grew up with: Saturday morning serials, prestige Oscar winners from yesteryear, and even boys’ pulp magazines were sifted through, borrowed from, and recontextualized into one of the most thrilling action-adventure movies anyone had ever seen. Somehow Lucas, who was a producer on the project, director Steven Spielberg, and the whole Indiana Jones team were able to craft a movie simultaneously retro and new.
Of course the younger generations who were swept up in Indy’s adventures may not have noticed any of this. They were here to see Indy outrun a boulder. And as the years have passed, Raiders of the Lost Ark and the...
Of course the younger generations who were swept up in Indy’s adventures may not have noticed any of this. They were here to see Indy outrun a boulder. And as the years have passed, Raiders of the Lost Ark and the...
- 9/6/2021
- by David Crow
- Den of Geek
Normal 0 false false false En-us X-none X-none
“The Original Money Pit”
By Raymond Benson
Remember the 1986 comedy The Money Pit, starring Tom Hanks and Shelley Long? The official credits of that film do not mention the excellent writing team of Frank Panama and Melvin Frank, who adapted Eric Hodgins’ 1946 biographical comic novel Mr. Blandings Builds His Dream House into the popular 1948 “disaster comedy” starring Cary Grant and Myrna Loy. The Money Pit is, in reality, an under-the-table remake of Blandings. It’s a pity that the original was not acknowledged, for, frankly, Blandings is much more realistic (and clever).
Mr. Blandings Builds His Dream House was indeed a popular film and yet during its initial run was deemed to have lost money—just like the hapless Mr. Blandings does while attempting to move out of New York City to Connecticut. The movie is funny enough, for sure, but perhaps in...
“The Original Money Pit”
By Raymond Benson
Remember the 1986 comedy The Money Pit, starring Tom Hanks and Shelley Long? The official credits of that film do not mention the excellent writing team of Frank Panama and Melvin Frank, who adapted Eric Hodgins’ 1946 biographical comic novel Mr. Blandings Builds His Dream House into the popular 1948 “disaster comedy” starring Cary Grant and Myrna Loy. The Money Pit is, in reality, an under-the-table remake of Blandings. It’s a pity that the original was not acknowledged, for, frankly, Blandings is much more realistic (and clever).
Mr. Blandings Builds His Dream House was indeed a popular film and yet during its initial run was deemed to have lost money—just like the hapless Mr. Blandings does while attempting to move out of New York City to Connecticut. The movie is funny enough, for sure, but perhaps in...
- 5/7/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Cary Grant in Mr. Blandings Builds His Dream House Available on Blu-ray May 18th From Warner Archive
“You’ve been taken to the cleaners, and you don’t even know your pants are off.”
Cary Grant in Mr. Blandings Builds His Dream House will be available on Blu-ray May 18th from Warner Archive
New York adman Jim Blandings is ready to say goodbye to his cramped city apartment and build, from the ground up, a Connecticut home with room enough for his growing family and dreams. All it will cost him is his time and money…and perhaps his job, marriage, happiness and what’s left of his sanity. Goodbye, Manhattan. Hello, comedy. As Jim, Cary Grant is a flustered poster boy for homeowner anxiety in this gleeful laughfest. Myrna Loy, her voice and line phrasing like musical chimes, plays Jim’s ever-patient wife. Louise Beavers is the sunny housemaid whose enthusiasm for Wham Ham saves Jim’s career bacon. And Melvyn Douglas is the perhaps-too-friendly family friend.
Cary Grant in Mr. Blandings Builds His Dream House will be available on Blu-ray May 18th from Warner Archive
New York adman Jim Blandings is ready to say goodbye to his cramped city apartment and build, from the ground up, a Connecticut home with room enough for his growing family and dreams. All it will cost him is his time and money…and perhaps his job, marriage, happiness and what’s left of his sanity. Goodbye, Manhattan. Hello, comedy. As Jim, Cary Grant is a flustered poster boy for homeowner anxiety in this gleeful laughfest. Myrna Loy, her voice and line phrasing like musical chimes, plays Jim’s ever-patient wife. Louise Beavers is the sunny housemaid whose enthusiasm for Wham Ham saves Jim’s career bacon. And Melvyn Douglas is the perhaps-too-friendly family friend.
- 4/22/2021
- by Tom Stockman
- WeAreMovieGeeks.com
By Tim McGlynn
“What does he care if the land ain’t free?”
The Warner Archive has done itself proud with their new release of MGM’s splendid 1951 production of Showboat. This Technicolor spectacular is actually the third film version of the Jerome Kern/Oscar Hammerstein classic, which is based on a novel by Edna Ferber. The Freed unit at MGM pulled out all the stops for this effort and cast Kathryn Grayson, Howard Keel, Ava Gardner, Joe E. Brown, Agnes Moorehead, Marge and Gower Champion and William Warfield in this turn- of -the last century story set in the deep South.
Cap’n Andy and his wife Parthy use their paddle Wheeler, the Cotton Blossom, to put on shows up and down the Mississippi River. Their daughter, Magnolia, dreams of playing a part but is discouraged by her strict mother. One day a charming, but down and out gambler...
“What does he care if the land ain’t free?”
The Warner Archive has done itself proud with their new release of MGM’s splendid 1951 production of Showboat. This Technicolor spectacular is actually the third film version of the Jerome Kern/Oscar Hammerstein classic, which is based on a novel by Edna Ferber. The Freed unit at MGM pulled out all the stops for this effort and cast Kathryn Grayson, Howard Keel, Ava Gardner, Joe E. Brown, Agnes Moorehead, Marge and Gower Champion and William Warfield in this turn- of -the last century story set in the deep South.
Cap’n Andy and his wife Parthy use their paddle Wheeler, the Cotton Blossom, to put on shows up and down the Mississippi River. Their daughter, Magnolia, dreams of playing a part but is discouraged by her strict mother. One day a charming, but down and out gambler...
- 3/9/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
By Tim McGlynn
“What does he care if the land ain’t free?”
The Warner Archive has done itself proud with their new release of MGM’s splendid 1951 production of Showboat. This Technicolor spectacular is actually the third film version of the Jerome Kern/Oscar Hammerstein classic, which is based on a novel by Edna Ferber. The Freed unit at MGM pulled out all the stops for this effort and cast Kathryn Grayson, Howard Keel, Ava Gardner, Joe E. Brown, Agnes Moorehead, Marge and Gower Champion and William Warfield in this turn- of -the last century story set in the deep South.
Cap’n Andy and his wife Parthy use their paddle Wheeler, the Cotton Blossom, to put on shows up and down the Mississippi River. Their daughter, Magnolia, dreams of playing a part but is discouraged by her strict mother. One day a charming, but down and out gambler...
“What does he care if the land ain’t free?”
The Warner Archive has done itself proud with their new release of MGM’s splendid 1951 production of Showboat. This Technicolor spectacular is actually the third film version of the Jerome Kern/Oscar Hammerstein classic, which is based on a novel by Edna Ferber. The Freed unit at MGM pulled out all the stops for this effort and cast Kathryn Grayson, Howard Keel, Ava Gardner, Joe E. Brown, Agnes Moorehead, Marge and Gower Champion and William Warfield in this turn- of -the last century story set in the deep South.
Cap’n Andy and his wife Parthy use their paddle Wheeler, the Cotton Blossom, to put on shows up and down the Mississippi River. Their daughter, Magnolia, dreams of playing a part but is discouraged by her strict mother. One day a charming, but down and out gambler...
- 3/9/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
MGM’s remake of the grand musical can’t be ignored — the restored transfer is stunning, demonstrating the studio’s technical skill at full tilt. There are good aspects to this version, even if it’s mostly a missed opportunity more notable for production backstories than for itself. It’s Kathryn Grayson’s high water mark at MGM, and Howard Keel does yeoman’s work on his side. MGM’s musical arrangements of the Hammerstein / Kern songbook is as good as ever. Most critics in 1951 thought it superior because it was in Technicolor; and it was one of the top $ money earners of the year.
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
- 3/2/2021
- by Glenn Erickson
- Trailers from Hell
MGM’s remake of the grand musical can’t be ignored — the restored transfer is stunning, demonstrating the studio’s technical skill at full tilt. There are good aspects to this version, even if it’s mostly a missed opportunity more notable for production backstories than for itself. It’s Kathryn Grayson’s high water mark at MGM, and Howard Keel does yeoman’s work on his side. MGM’s musical arrangements of the Hammerstein / Kern songbook is as good as ever. Most critics in 1951 thought it superior because it was in Technicolor; and it was one of the top $ money earners of the year.
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
- 3/2/2021
- by Glenn Erickson
- Trailers from Hell
What a difference two days makes. Before last Wednesday’s Golden Globe nominations, “Hillbilly Elegy’s” Glenn Close was in sixth place in Gold Derby’s Best Supporting Actress Oscar odds, but after she accrued a bid there and at the Screen Actors Guild Awards the next day, she has rocketed to fourth place. Another post-Globe and -SAG change is Olivia Colman (“The Father”) usurping the SAG-snubbed Amanda Seyfried (“Mank”) for the top spot. You know what that means: if both Close and Colman make the final five, Colman could beat Close again, which would make her the the fifth performer to defeat the same person twice.
The first four were:
1. Luise Rainer won Best Actress for “The Great Ziegfeld” (1936) and “The Good Earth” (1937) over Irene Dunne for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937)
2. Spencer Tracy won Best Actor for “Captains Courageous” (1937) and “Boys Town” (1938) over Charles Boyer...
The first four were:
1. Luise Rainer won Best Actress for “The Great Ziegfeld” (1936) and “The Good Earth” (1937) over Irene Dunne for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937)
2. Spencer Tracy won Best Actor for “Captains Courageous” (1937) and “Boys Town” (1938) over Charles Boyer...
- 2/9/2021
- by Joyce Eng
- Gold Derby
The first thing to know about Locked Down, director Doug Liman’s semi-surprise rom-com heist movie hitting HBO Max today, is that it’s a period piece. No sooner has the Warners logo slid across your screen to the sound of metropolitan life — bustling streets, honking horns, chattering voices — then we open on a people-less London intersection, all silence and emptiness. We’re in the initial weeks of the pandemic, when the city’s residents sheltered in place, the evenings were filled with the banging of pots and pans, and...
- 1/14/2021
- by David Fear
- Rollingstone.com
The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.It was often said that women wanted to be with Cary Grant and men wanted to be Cary Grant, but perhaps no one was more consumed by the perception of Cary Grant—the handsome, unremittingly suave and stylish movie star—than Grant himself. “Even I want to be Cary Grant,” the actor once mused. Indeed, Grant’s public and on-screen persona was a carefully crafted, meticulously honed, and ultimately triumphant development, as much to suit the needs of his ascending celebrity as it was to shroud an unhappy childhood, a series of romantic passions and disappointments, and a latent dark side fostered by uncertainty and doubt. It was, however, and in any and all cases, resoundingly successful. Grant was the epitome of the movie star, a Hollywood icon and one of its most entertaining,...
- 10/22/2020
- MUBI
by Cláudio Alves
Despite being one of Old Hollywood's most electrifying actresses, Barbara Stanwyck feels somewhat forgotten (apart from cinephiles) when compared to her contemporaries like Bette Davis, Joan Crawford or Ingrid Bergman. The one role that arguable does keep her immortal with the mainstream is the devilish Phyllis Dietrichson in Billy Wilder's Double Indemnity, the noir to end all noirs starring the greatest femme fatale of them all. Still, to believe that Stanwick was essentially a noir vixen is unfair to her grand legacy. More than many actresses of her time, she rejoiced in hopping from genre to genre, unencumbered by exclusive contracts to studios that might want to pin her down to one type of role.
Because of that, she was able to experiment with the extremes of Pre-Code libertinism (Baby Doll), weepy melodrama (Stella Dallas), historical epics (Titanic), tragic romances (There's Always Tomorrow) and even camp...
Despite being one of Old Hollywood's most electrifying actresses, Barbara Stanwyck feels somewhat forgotten (apart from cinephiles) when compared to her contemporaries like Bette Davis, Joan Crawford or Ingrid Bergman. The one role that arguable does keep her immortal with the mainstream is the devilish Phyllis Dietrichson in Billy Wilder's Double Indemnity, the noir to end all noirs starring the greatest femme fatale of them all. Still, to believe that Stanwick was essentially a noir vixen is unfair to her grand legacy. More than many actresses of her time, she rejoiced in hopping from genre to genre, unencumbered by exclusive contracts to studios that might want to pin her down to one type of role.
Because of that, she was able to experiment with the extremes of Pre-Code libertinism (Baby Doll), weepy melodrama (Stella Dallas), historical epics (Titanic), tragic romances (There's Always Tomorrow) and even camp...
- 4/12/2020
- by Cláudio Alves
- FilmExperience
One of the best and most melodic of filmic transpositions from Broadway, James Whale’s beautifully directed movie showcases all-time great performances by Irene Dunne, Paul Robeson, Helen Morgan, Hattie McDaniel, and Charles Winninger. If you didn’t grow up with an awareness of this 1936 show, it’s because it was tossed in a vault and kept from view for more than forty years. Criterion’s new disc is a wonderful surprise that does the movie justice.
Show Boat
Blu-ray
The Criterion Collection 1021
1936 / B&w / 1:37 Academy / 113 min. / available through The Criterion Collection / Street Date March 31, 2020 / 39.95
Starring: Irene Dunne, Allan Jones, Charles Winninger, Paul Robeson, Helen Morgan, Helen Westley, Queenie Smith, Sammy White, Donald Cook, Hattie McDaniel, Arthur Hohl, Charles B. Middleton, J. Farrell MacDonald, Clarence Muse, Eddie “Rochester” Anderson.
Cinematography: John J. Mescall
Original Music: Jerome Kern and Lyrics Oscar Hammerstein II
Written by Oscar Hammerstein II from the...
Show Boat
Blu-ray
The Criterion Collection 1021
1936 / B&w / 1:37 Academy / 113 min. / available through The Criterion Collection / Street Date March 31, 2020 / 39.95
Starring: Irene Dunne, Allan Jones, Charles Winninger, Paul Robeson, Helen Morgan, Helen Westley, Queenie Smith, Sammy White, Donald Cook, Hattie McDaniel, Arthur Hohl, Charles B. Middleton, J. Farrell MacDonald, Clarence Muse, Eddie “Rochester” Anderson.
Cinematography: John J. Mescall
Original Music: Jerome Kern and Lyrics Oscar Hammerstein II
Written by Oscar Hammerstein II from the...
- 3/21/2020
- by Glenn Erickson
- Trailers from Hell
One of the best and most melodic of filmic transpositions from Broadway, James Whale’s beautifully directed movie showcases all-time great performances by Irene Dunne, Paul Robeson, Helen Morgan, Hattie McDaniel, and Charles Winninger. If you didn’t grow up with an awareness of this 1936 show, it’s because it was tossed in a vault and kept from view for more than forty years. Criterion’s new disc is a wonderful surprise that does the movie justice.
Show Boat
Blu-ray
The Criterion Collection 1021
1936 / B&w / 1:37 Academy / 113 min. / available through The Criterion Collection / Street Date March 31, 2020 / 39.95
Starring: Irene Dunne, Allan Jones, Charles Winninger, Paul Robeson, Helen Morgan, Helen Westley, Queenie Smith, Sammy White, Donald Cook, Hattie McDaniel, Arthur Hohl, Charles B. Middleton, J. Farrell MacDonald, Clarence Muse, Eddie “Rochester” Anderson.
Cinematography: John J. Mescall
Original Music: Jerome Kern and Lyrics Oscar Hammerstein II
Written by Oscar Hammerstein II from the...
Show Boat
Blu-ray
The Criterion Collection 1021
1936 / B&w / 1:37 Academy / 113 min. / available through The Criterion Collection / Street Date March 31, 2020 / 39.95
Starring: Irene Dunne, Allan Jones, Charles Winninger, Paul Robeson, Helen Morgan, Helen Westley, Queenie Smith, Sammy White, Donald Cook, Hattie McDaniel, Arthur Hohl, Charles B. Middleton, J. Farrell MacDonald, Clarence Muse, Eddie “Rochester” Anderson.
Cinematography: John J. Mescall
Original Music: Jerome Kern and Lyrics Oscar Hammerstein II
Written by Oscar Hammerstein II from the...
- 3/21/2020
- by Glenn Erickson
- Trailers from Hell
Cimarron (1960) starring Glenn Ford is available on Blu-ray From Warner Archives. Order info can be found Here
Edna Ferber’s epic Western, famously lensed in 1931 with Irene Dunne and Richard Dix, gets the widescreen full color treatment in this remake starring Glenn Ford, Maria Schell and Ann Baxter. As thousands of would-be settlers race across a barren desert to be the first to stake their claim to a plot of land during the Oklahoma Land Rush, Yancey Cravat (Ford) is outwitted by dance hall girl Dixie Lee (Baxter). Without the farm they had hoped to start, Yancey and his wife, Sabra (Schell), take over the local newspaper after the editor is assassinated. But as the newspaper helps bring order to a lawless land, Yancey feels the wanderlust to find new frontiers and new adventures, while Sabra stays to build a publishing empire. Western master Anthony Mann directs while the legendary...
Edna Ferber’s epic Western, famously lensed in 1931 with Irene Dunne and Richard Dix, gets the widescreen full color treatment in this remake starring Glenn Ford, Maria Schell and Ann Baxter. As thousands of would-be settlers race across a barren desert to be the first to stake their claim to a plot of land during the Oklahoma Land Rush, Yancey Cravat (Ford) is outwitted by dance hall girl Dixie Lee (Baxter). Without the farm they had hoped to start, Yancey and his wife, Sabra (Schell), take over the local newspaper after the editor is assassinated. But as the newspaper helps bring order to a lawless land, Yancey feels the wanderlust to find new frontiers and new adventures, while Sabra stays to build a publishing empire. Western master Anthony Mann directs while the legendary...
- 1/29/2020
- by Tom Stockman
- WeAreMovieGeeks.com
“The Irishman” co-stars Al Pacino and Joe Pesci are up for Best Supporting Actor at the Oscars, but this is not the first time the duo has gone head to head. They last clashed 29 years ago in the same category, and one came out on top.
Pesci prevailed for his iconic role as Tommy DeVito in “Goodfellas” (1990), defeating Pacino (“Dick Tracy”), Bruce Davison (“Longtime Companion”), Andy Garcia (“The Godfather Part III”) and Graham Greene (“Dances with Wolves”). And who can forget his equally iconic speech (watch above): “It was my privilege. Thank you.” Brevity is the soul of wit and acceptance speeches (see also: Merritt Wever‘s 2013 Emmy speech).
This was Pesci’s second and most recent nomination until now. Pacino was on his sixth bid and seeking his first win, which would come two years later in the lead category for 1922’s “Scent of a Woman” (he was...
Pesci prevailed for his iconic role as Tommy DeVito in “Goodfellas” (1990), defeating Pacino (“Dick Tracy”), Bruce Davison (“Longtime Companion”), Andy Garcia (“The Godfather Part III”) and Graham Greene (“Dances with Wolves”). And who can forget his equally iconic speech (watch above): “It was my privilege. Thank you.” Brevity is the soul of wit and acceptance speeches (see also: Merritt Wever‘s 2013 Emmy speech).
This was Pesci’s second and most recent nomination until now. Pacino was on his sixth bid and seeking his first win, which would come two years later in the lead category for 1922’s “Scent of a Woman” (he was...
- 1/26/2020
- by Joyce Eng
- Gold Derby
By now we all know that the film the Academy selects as the “Best Picture” of any given year is rarely the actual Best Picture, but some years it’s hard to explain why they picked what they picked. Never mind “Shakespeare in Love” beating “Saving Private Ryan,” because at least “Shakespeare in Love” is a handsome production with a witty script. Never mind “Dances with Wolves” beating “Goodfellas,” because at least “Dances with Wolves” is a respectable western. We’re taking a look at the films that we can’t watch, even in a vacuum, without cringing nowadays. And when you compare them with the nominees that didn’t earn the Oscar, it’s just plain hard to justify why the Academy voted the way it did.
“The Broadway Melody” (1929)
The second Best Picture winner, and the first synch sound movie to win the top prize, was innovative for the time.
“The Broadway Melody” (1929)
The second Best Picture winner, and the first synch sound movie to win the top prize, was innovative for the time.
- 1/7/2020
- by William Bibbiani
- The Wrap
One of the greatest newspaper pictures ever (can there be many more in our future?), Howard Hawks’ gender-bending remake of The Front Page stands as a comedy classic. Its improvisational-sounding overlapping dialog still impresses as modernistic. Such stars as Ginger Rogers, Jean Arthur, Irene Dunne, Carole Lombard and Claudette Colbert turned down Rosalind Russell’s revamped Hildy Parks role. Cary Grant’s surprised reaction to one of Russell’s unexpected ad-libs was directed directly to Hawks: “Is she going to do that?”. And it’s in the movie. Unfortunately all we could find was a textless trailer on this one.
The post His Girl Friday appeared first on Trailers From Hell.
The post His Girl Friday appeared first on Trailers From Hell.
- 1/3/2020
- by TFH Team
- Trailers from Hell
One of the great actresses nominated for the Academy Award multiple times (five) without a win and one of the best screwball comediennes of the Golden Age of Hollywood, Irene Dunne is considered one of the foremost performers of that era, known for her versatility, style and sophistication.
Dunne was born December 20, 1898, in Louisville, Kentucky. The daughter of a music teacher, she was raised around music and had a natural talent for it. She won a scholarship to the Chicago Musical College, and hoped to become an opera singer, but did not pass her audition with the Metropolitan Opera Company. However, she found success in musical theater, eventually appearing in several Broadway productions. While playing the lead in a road company of “Show Boat,” Dunne was discovered by Hollywood and was soon on her way to a varied and prosperous acting career.
SEECary Grant movies: 15 greatest films ranked from worst...
Dunne was born December 20, 1898, in Louisville, Kentucky. The daughter of a music teacher, she was raised around music and had a natural talent for it. She won a scholarship to the Chicago Musical College, and hoped to become an opera singer, but did not pass her audition with the Metropolitan Opera Company. However, she found success in musical theater, eventually appearing in several Broadway productions. While playing the lead in a road company of “Show Boat,” Dunne was discovered by Hollywood and was soon on her way to a varied and prosperous acting career.
SEECary Grant movies: 15 greatest films ranked from worst...
- 12/20/2019
- by Susan Pennington and Chris Beachum
- Gold Derby
One of the great actresses nominated for the Academy Award multiple times (five) without a win and one of the best screwball comediennes of the Golden Age of Hollywood, Irene Dunne is considered one of the foremost performers of that era, known for her versatility, style and sophistication.
Dunne was born December 20, 1898, in Louisville, Kentucky. The daughter of a music teacher, she was raised around music and had a natural talent for it. She won a scholarship to the Chicago Musical College, and hoped to become an opera singer, but did not pass her audition with the Metropolitan Opera Company. However, she found success in musical theater, eventually appearing in several Broadway productions. While playing the lead in a road company of “Show Boat,” Dunne was discovered by Hollywood and was soon on her way to a varied and prosperous acting career.
Dunne displayed her impressive acting abilities almost immediately,...
Dunne was born December 20, 1898, in Louisville, Kentucky. The daughter of a music teacher, she was raised around music and had a natural talent for it. She won a scholarship to the Chicago Musical College, and hoped to become an opera singer, but did not pass her audition with the Metropolitan Opera Company. However, she found success in musical theater, eventually appearing in several Broadway productions. While playing the lead in a road company of “Show Boat,” Dunne was discovered by Hollywood and was soon on her way to a varied and prosperous acting career.
Dunne displayed her impressive acting abilities almost immediately,...
- 12/20/2019
- by Susan Pennington, Misty Holland and Chris Beachum
- Gold Derby
One of the strangest ‘uplifting moral tales’ of the 1950s was a huge hit, and launched Rock Hudson as a major star. Criterion’s deluxe presentation puts it on a par with world cinema, mawkish Kitsch-o-Rama and all. Comes with a restored copy of the slightly less head-spinning 1935 version, too. Co-stars Jane Wyman, Barbara Rush, Agnes Moorehead, and Otto Kruger, whose moral guidance has something to do with ‘contacting one’s power source.’ Oh, it’s about recharging my iPhone!
Magnificent Obsession
Blu-ray
The Criterion Collection 457
1954 / Color / 2.00:1 anamorphic widescreen / 108 min. / available through The Criterion Collection / Street Date August 20, 2019 / 39.95
Starring: Jane Wyman, Rock Hudson, Barbara Rush, Agnes Moorehead, Otto Kruger.
Cinematography: Russell Metty
Film Editor: Milton Carruth
Original Music: Frank Skinner
Written by Robert Blees from an original screenplay by Victor Heerman, Sarah Y. Mason, George O’Neil from the novel by Lloyd C. Douglas
Produced by Ross Hunter
Directed...
Magnificent Obsession
Blu-ray
The Criterion Collection 457
1954 / Color / 2.00:1 anamorphic widescreen / 108 min. / available through The Criterion Collection / Street Date August 20, 2019 / 39.95
Starring: Jane Wyman, Rock Hudson, Barbara Rush, Agnes Moorehead, Otto Kruger.
Cinematography: Russell Metty
Film Editor: Milton Carruth
Original Music: Frank Skinner
Written by Robert Blees from an original screenplay by Victor Heerman, Sarah Y. Mason, George O’Neil from the novel by Lloyd C. Douglas
Produced by Ross Hunter
Directed...
- 9/3/2019
- by Glenn Erickson
- Trailers from Hell
Italy-based The Open Reel has taken all international rights to Ricardo Calil’s “Cinema Morocco,” a documentary competition entry at the Guadalajara Int’l Film Festival (Ficg), which March 8 -15.
“Cinema Morocco” world premiered at the Dok Leipzig documentary and animation festival winning the Golden Dove Next Masters Award. The feature screened at Guadalajara on Sunday 10.
The Open Reel has scored its first sale on “Cinema Morocco” to Qatar-based broadcaster Al Jazeera for its Al Jazeera English global channel.
Calil’s third documentary portrays the now abandoned Sao Paolo’s Cine Marrocos, once among the most glamorous picture palaces in Latin America, hosting the International Film Festival of Brazil in 1954, attended by Irene Dunne, Erich von Stroheim and Abel Gance.
For the past six years, the Cine Marrocos has become a home for the Sem-Teto help-the-homeless movement.
In the feature, Latin American immigrants, African refugees and Brazilian homeless attend a...
“Cinema Morocco” world premiered at the Dok Leipzig documentary and animation festival winning the Golden Dove Next Masters Award. The feature screened at Guadalajara on Sunday 10.
The Open Reel has scored its first sale on “Cinema Morocco” to Qatar-based broadcaster Al Jazeera for its Al Jazeera English global channel.
Calil’s third documentary portrays the now abandoned Sao Paolo’s Cine Marrocos, once among the most glamorous picture palaces in Latin America, hosting the International Film Festival of Brazil in 1954, attended by Irene Dunne, Erich von Stroheim and Abel Gance.
For the past six years, the Cine Marrocos has become a home for the Sem-Teto help-the-homeless movement.
In the feature, Latin American immigrants, African refugees and Brazilian homeless attend a...
- 3/11/2019
- by Emilio Mayorga
- Variety Film + TV
History repeats itself, and it could happen again in the Best Supporting Actress race. Thirteen years ago, Rachel Weisz (“The Constant Gardener”) won the category over Amy Adams (“Junebug”), and the two are currently in a rematch for “The Favourite” and “Vice,” respectively. If Weisz prevails again, Adams would have the dubious honor of being the fifth actor to lose to the same person twice.
The first four people were:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938)
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost Best Actress for “American Beauty” (1999) and “Being Julia” (2004) to Hilary Swank...
The first four people were:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938)
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost Best Actress for “American Beauty” (1999) and “Being Julia” (2004) to Hilary Swank...
- 2/24/2019
- by Joyce Eng
- Gold Derby
“I’ve wondered for 26 years what this would feel like. Thank you for ending the suspense.” Shirley MacLaine made that declaration 35 years ago upon finally winning her well-deserved Academy Award for 1983’s “Terms of Endearment” (watch the video above with Rock Hudson and Liza Minnelli presenting). She finished up with a saucy admission of, “I deserve this!” And now, all these years later, not one but two actresses can relate to the anticipation captured in that acceptance speech.
There is much ado about Glenn Close’s seventh acting nomination this month, but Amy Adams is also attempting a victory on her sixth bid, placing her only one notch behind Close. Will this finally be the triumphant year for either close as Best Actress for “The Wife” or Adams in Best Supporting Actress for “Vice”? Why does it sometimes take Oscar voters so long to recognize some of its most talented members?...
There is much ado about Glenn Close’s seventh acting nomination this month, but Amy Adams is also attempting a victory on her sixth bid, placing her only one notch behind Close. Will this finally be the triumphant year for either close as Best Actress for “The Wife” or Adams in Best Supporting Actress for “Vice”? Why does it sometimes take Oscar voters so long to recognize some of its most talented members?...
- 2/12/2019
- by Susan Pennington
- Gold Derby
In 1975 Pauline Kael wrote an essay about Cary Grant for the New Yorker called “The Man from Dream City.” (The piece is still available to read in full on the magazine’s website.) In the year of Jaws, One Flew Over the Cuckoo’s Nest, Nashville and Alice Doesn’t Live Here Anymore, an actor like Grant must have cut a musty figure, his name a reminder of a different time. The New Hollywood films that Kael championed at the magazine, from Bonnie and Clyde (1967) onwards, took a mean pleasure in defiling the sort of genteel, meticulously fine-tuned comedies with which Grant is synonymous—and yet, no-one can have seized better than Kael the quiddity of Grant, the essence of his stardom. In essence, “The Man from Dream City” reclaims Grant as a singular figure in cinema, proposing him as a revolutionary leading man. As we’ll see, Kael gets...
- 12/18/2018
- MUBI
Thirteen years ago, Amy Adams received her first Oscar nomination, in Best Supporting Actress, for her breakthrough turn in “Junebug.” She lost the award to Rachel Weisz (“The Constant Gardener”), but Adams can exact her revenge this season in a rematch in the same exact category.
Both actresses are back in contention in supporting for their performances as, coincidentally, historical political figures. Adams plays former Second Lady Lynne Cheney in “Vice” opposite her “American Hustle” (2013) and “The Fighter” (2010) co-star Christian Bale as Dick Cheney. Weisz — whose surname, of course, is pronounced like “vice” — plays Sarah Churchill, Duchess of Marlborough in “The Favourite,” the right-hand woman of Queen Anne (Olivia Colman) who deftly wielded her influence over the monarch’s decision-making.
Adams is currently in second place in our combined odds to win Best Supporting Actress, behind Regina King (“If Beale Street Could Talk”), while Weisz is in fifth, also trailing...
Both actresses are back in contention in supporting for their performances as, coincidentally, historical political figures. Adams plays former Second Lady Lynne Cheney in “Vice” opposite her “American Hustle” (2013) and “The Fighter” (2010) co-star Christian Bale as Dick Cheney. Weisz — whose surname, of course, is pronounced like “vice” — plays Sarah Churchill, Duchess of Marlborough in “The Favourite,” the right-hand woman of Queen Anne (Olivia Colman) who deftly wielded her influence over the monarch’s decision-making.
Adams is currently in second place in our combined odds to win Best Supporting Actress, behind Regina King (“If Beale Street Could Talk”), while Weisz is in fifth, also trailing...
- 10/29/2018
- by Joyce Eng
- Gold Derby
The Saint John’s Health Center Foundation and Irene Dunne Guild’s annual Saint John’s Health Center Gala, themed “The Power of Partnership” this year, honored the people of Saint John’s who make the difference – physicians, researchers, staff, trustees, volunteers and grateful patients – all working together to save lives.
David Foster at Saint John's Health Center Gala
Net proceeds will benefit vital programs, services and greatest needs within distinguished areas of excellence at Saint John’s Health Center including cancer, cardiac care, maternal and child health, men’s health, neuroscience, nursing, orthopedics, thoracic surgery and urology. The event was designed by Jjla.
Event Host Kym Douglas, Performers David Foster and Ray Parker Jr., Irene Dunne Guild Gala Chair Christina Arechaederra and Dinner Chairs Kathy and John Danhakl, Lynda Oschin and Jerry B. Epstein, Mary and Jay Flaherty, Stella Hall and Jim Fordyce, Martha and David Ho, Robert and Elizabeth Lowe,...
David Foster at Saint John's Health Center Gala
Net proceeds will benefit vital programs, services and greatest needs within distinguished areas of excellence at Saint John’s Health Center including cancer, cardiac care, maternal and child health, men’s health, neuroscience, nursing, orthopedics, thoracic surgery and urology. The event was designed by Jjla.
Event Host Kym Douglas, Performers David Foster and Ray Parker Jr., Irene Dunne Guild Gala Chair Christina Arechaederra and Dinner Chairs Kathy and John Danhakl, Lynda Oschin and Jerry B. Epstein, Mary and Jay Flaherty, Stella Hall and Jim Fordyce, Martha and David Ho, Robert and Elizabeth Lowe,...
- 10/23/2018
- Look to the Stars
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