Dull vampire pix were once as ubiquitous as zombie pix are now, but when a good one came along we’d certainly take notice. The predatory Fran and Miriam are a wholly new twist on the ‘Wicked Lady’ highwayman theme — the picture transcends the softcore horror genre with class and style. Fringe director José Ramón Larraz found himself filming in England, and his output outclassed what were passing for Eurotrash horror epics across the channel. How did he do it? The answers become clear in Arrow’s special edition. Although only available in a boxed set, it’s reviewed here separately.
Vampyres
Blu-ray
Arrow Video USA
1974 / Color / 1:85 widescreen / 88 min. / Street Date March 26, 2019 / Available in the collection Blood Hunger: The Films of José Larraz, from Arrow Video / $72.89
Starring: Marianne Morris, Anulka (Dziubinska), Murray Brown, Brian Deacon, Sally Faulkner, Michael Byrne, Karl Lanchbury, Bessie Love.
Cinematography: Harry Waxman
Film Editor: Geoff R. Brown...
Vampyres
Blu-ray
Arrow Video USA
1974 / Color / 1:85 widescreen / 88 min. / Street Date March 26, 2019 / Available in the collection Blood Hunger: The Films of José Larraz, from Arrow Video / $72.89
Starring: Marianne Morris, Anulka (Dziubinska), Murray Brown, Brian Deacon, Sally Faulkner, Michael Byrne, Karl Lanchbury, Bessie Love.
Cinematography: Harry Waxman
Film Editor: Geoff R. Brown...
- 4/2/2019
- by Glenn Erickson
- Trailers from Hell
In this roundup from the Encore and Mumbrella Annual, we look back at the year in film.
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With George Miller’s Happy Feet Two opening on Boxing Day, Mumbles the penguin and his friends are still doing a roaring trade at the box office throughout January, taking $11.08m in total.
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Hollywood director James Cameron opens an Australian office of his company Cameron Pace Group in mid-January to be run by managing director Andrew Wight, producer of Sanctum. Wight sadly dies in a helicopter crash in early February with ocean cinematographer Mike deGruy.
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The Australian Film Institute launches the new-look Australian Academy of Cinema and Television Arts Awards with Red Dog winning best film. Justin Kurzel picks up a gong for best direction for Snowtown. Legendary cinematographer Don McAlpine receives the Raymond Longford award for lifetime achievement.
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Director Alex Proyas’s Paradise Lost, due to shoot at Fox Studios, is scrapped due to a budgetary dispute.
——————————————————————————————————–
With George Miller’s Happy Feet Two opening on Boxing Day, Mumbles the penguin and his friends are still doing a roaring trade at the box office throughout January, taking $11.08m in total.
————————————————–
Hollywood director James Cameron opens an Australian office of his company Cameron Pace Group in mid-January to be run by managing director Andrew Wight, producer of Sanctum. Wight sadly dies in a helicopter crash in early February with ocean cinematographer Mike deGruy.
——————————————————————————————————–
The Australian Film Institute launches the new-look Australian Academy of Cinema and Television Arts Awards with Red Dog winning best film. Justin Kurzel picks up a gong for best direction for Snowtown. Legendary cinematographer Don McAlpine receives the Raymond Longford award for lifetime achievement.
——————————————————————————————————–
Director Alex Proyas’s Paradise Lost, due to shoot at Fox Studios, is scrapped due to a budgetary dispute.
- 12/24/2012
- by Luke
- Encore Magazine
For the second consecutive year, Encore has chosen a select group of screen professionals who have achieved new heights in 2010/2011, whose decisions influence and shape Australia’s audiovisual industry, and whose work has stood out from the crowd. These are our Power 50.
1. Emile Sherman – Producer
Last February, Sherman became the first Australian producer to receive an Academy Award for Best Picture, alongside his See-Saw Films partner Iain Canning, and Bedlam Productions’ Gareth Unwin. It also won at the BAFTAs and the Producers Guild of America, in addition to the many other honours for its cast and crew.
While technically a UK production, the Australianness of the film is undeniable – and so is its success; with a modest U$15m budget, The King’s Speech has grossed more than $405m worldwide – one of the most successful independent films of all time. Read Emile Sherman interview
2. Baz Luhrmann – Director, writer, producer
There...
1. Emile Sherman – Producer
Last February, Sherman became the first Australian producer to receive an Academy Award for Best Picture, alongside his See-Saw Films partner Iain Canning, and Bedlam Productions’ Gareth Unwin. It also won at the BAFTAs and the Producers Guild of America, in addition to the many other honours for its cast and crew.
While technically a UK production, the Australianness of the film is undeniable – and so is its success; with a modest U$15m budget, The King’s Speech has grossed more than $405m worldwide – one of the most successful independent films of all time. Read Emile Sherman interview
2. Baz Luhrmann – Director, writer, producer
There...
- 6/9/2011
- by Colin Delaney
- Encore Magazine
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