Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary: “The Creator” has the advantage, but honesty, any film can win.
“Godzilla Minus One” is in the discussion and could be a cool choice for the Academy to make, similar to “Ex Machina.” However, don’t count out the power...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary: “The Creator” has the advantage, but honesty, any film can win.
“Godzilla Minus One” is in the discussion and could be a cool choice for the Academy to make, similar to “Ex Machina.” However, don’t count out the power...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
The Creator won big at the 22nd annual Visual Effects Society Awards Wednesday night.
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
- 2/22/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Gareth Edwards’ “The Creator” was the big winner at the 22nd Visual Effects Society Awards (held February 21 at the Beverly Hilton Hotel). The AI-themed, sci-fi actioner earned five awards, including the top photoreal feature VFX prize. The other awards were for modeling (Nomad), created environment (Floating Village), effects simulations, and compositing & lighting (Bar).
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
- 2/22/2024
- by Bill Desowitz
- Indiewire
As had been generally expected, Gareth Edwards’ futuristic sci-fi film “The Creator” proved to be the favorite among visual effects practitioners. The film topped the feature competition at the 22nd Visual Effects Society Awards, claiming five wins including one in the leading category for outstanding VFX in a photoreal feature.
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
- 2/22/2024
- by Carolyn Giardina and Diego Ramos Bechara
- Variety Film + TV
“Oppenheimer,” “Spider-Man: Across the Spider-Verse” and “The Last of Us” are among the nominees for the Visual Effects Society (Ves) Awards.
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
- 1/16/2024
- by Diego Ramos Bechara
- Variety Film + TV
The Visual Effects Society has composited the nominees for its 22nd annual Ves Awards, which will be handed out next month. Disney’s The Creator and Sony’s Spider-Man: Across the Spider-Verse lead the field with seven noms apiece, and HBO’s The Last of Us tops TV with six. See the full list below.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
- 1/16/2024
- by Erik Pedersen
- Deadline Film + TV
The Spider-Society has webbed in a few honors. The Visual Effects Society has announced their nominations for the 22nd annual Ves Awards, with “Spider-Man: Across the Spider-Verse” leading the pack.
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
- 1/16/2024
- by Wilson Chapman
- Indiewire
Mexico’s foremost animation forum, Pixelatl, kicks off Sept. 5 in Guadalajara with an array of activities that includes screenings, conferences, panels, works-in-progress sessions, master classes and pitches amid a myriad of sections.
Now on its twelfth year, the event has grown from just 100 attendees during its early years to some 3,500 on average, attracting big guns from major networks, studios and platforms worldwide.
Execs are expected from Cartoon Network, Nickelodeon, Pixar, BBC, Netflix, Disney TV, Sony Pictures Television, YouTube, Fox – Bentobox and Paka Paka, among others, says Pixelatl founder-CEO Jose Iñesta, who works with a barebones team of seven people – with only three full-timers among them – to run the five-day event.
Pixelatl also organized Mexico’s extraordinarily large presence at the world’s preeminent animation festival, Annecy, where the June event paid tribute to Mexican animation. The nine Mexico in Annecy programs, comprising 88 short films, will also be presented at Pixelatl.
Now on its twelfth year, the event has grown from just 100 attendees during its early years to some 3,500 on average, attracting big guns from major networks, studios and platforms worldwide.
Execs are expected from Cartoon Network, Nickelodeon, Pixar, BBC, Netflix, Disney TV, Sony Pictures Television, YouTube, Fox – Bentobox and Paka Paka, among others, says Pixelatl founder-CEO Jose Iñesta, who works with a barebones team of seven people – with only three full-timers among them – to run the five-day event.
Pixelatl also organized Mexico’s extraordinarily large presence at the world’s preeminent animation festival, Annecy, where the June event paid tribute to Mexican animation. The nine Mexico in Annecy programs, comprising 88 short films, will also be presented at Pixelatl.
- 9/1/2023
- by Anna Marie de la Fuente
- Variety Film + TV
If you think Paula Abdul’s “Opposites Attract” is a bop, wait until you see what Disney and Pixar do with the concept when Elemental comes to Digital and physical platforms in the coming weeks! That’s right, folks! Get ready to enter Element City, where the fiery Ember Lumen and the go-with-the-flow Wade Ripple are about to discover what happens when fire meets water in Pixar Animation Studios‘ dazzling and imaginative Elemental, which debuts on all major digital platforms August 15 and on 4K Ultra HD, Blu-ray, and DVD September 26.
Here’s the official synopsis for Elemental:
Elemental is an original feature film set in Element City, where residents of Fire, Water, Earth, and Air live together. The story introduces Ember, a tough, quick-witted, and fiery young woman whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in. Directed by...
Here’s the official synopsis for Elemental:
Elemental is an original feature film set in Element City, where residents of Fire, Water, Earth, and Air live together. The story introduces Ember, a tough, quick-witted, and fiery young woman whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in. Directed by...
- 8/3/2023
- by Steve Seigh
- JoBlo.com
One of the feel-good stories of the summer has been Disney and Pixar's "Elemental." Despite the fact that the animated movie from the storied studio had an absolutely disastrous opening weekend, it has had a complete reversal of fortune ever since, becoming a surprise at the box office in recent weeks. But for those who still haven't had the chance to see it, fear not! Disney has announced that director Peter Sohn's latest will be coming home soon, and we've got the details for you.
"Elemental" will first arrive exclusively via Digital on Tuesday, August 15, 2023. At that time, viewers will be able to rent or purchase the film from retailers such as Amazon Prime Video, Google Play, Vudu, or Apple TV, among others. Typically, when a new movie first hits VOD, it goes for a "premium" $19.99 rental price, or a $24.99 purchase price. That price tends to come down...
"Elemental" will first arrive exclusively via Digital on Tuesday, August 15, 2023. At that time, viewers will be able to rent or purchase the film from retailers such as Amazon Prime Video, Google Play, Vudu, or Apple TV, among others. Typically, when a new movie first hits VOD, it goes for a "premium" $19.99 rental price, or a $24.99 purchase price. That price tends to come down...
- 8/3/2023
- by Ryan Scott
- Slash Film
[Editor’s note: The following interview contains spoilers.]
One of the most difficult tech challenges in Pixar’s “Elemental” was conveying what happens when fire and water — the intense Ember (Leah Lewis) and sensitive Wade (Mamoudou Athie) — finally touch after falling in love. After all, fire and water don’t mix and Ember resists the temptation throughout the studio’s first rom-com because of the danger. But she can’t resist any longer after spending a sublime moment together in an underwater garden. The result is a new chemical reaction that grows stronger and induces them to dance and eventually kiss.
“There was so much tension of what this contact was, the fear that they could be killing each other,” director Peter Sohn told IndieWire. “What is this chemistry? Is it magnetic, electrical? This boiling, this roiling?”
“Pete told me he was in Hawaii on vacation, and his kids were at the pool, and he boarded it,” VFX supervisor Sanjay Bakshi told IndieWire.
One of the most difficult tech challenges in Pixar’s “Elemental” was conveying what happens when fire and water — the intense Ember (Leah Lewis) and sensitive Wade (Mamoudou Athie) — finally touch after falling in love. After all, fire and water don’t mix and Ember resists the temptation throughout the studio’s first rom-com because of the danger. But she can’t resist any longer after spending a sublime moment together in an underwater garden. The result is a new chemical reaction that grows stronger and induces them to dance and eventually kiss.
“There was so much tension of what this contact was, the fear that they could be killing each other,” director Peter Sohn told IndieWire. “What is this chemistry? Is it magnetic, electrical? This boiling, this roiling?”
“Pete told me he was in Hawaii on vacation, and his kids were at the pool, and he boarded it,” VFX supervisor Sanjay Bakshi told IndieWire.
- 6/22/2023
- by Bill Desowitz
- Indiewire
While debates about the use of A.I. take center stage across the entertainment industry, the technology has been quietly assisting animation and visual effects crews for years. It had made some of the most astonishing visual images possible when artisans have been asked to do what was previously thought impossible.
When helmer Peter Sohn wanted characters based on the elements of fire, water, air and earth for his new film “Elemental,” VFX supervisor Sanjay Bakshi and his team at Pixar looked to A.I. to make the process smoother. The look of the characters depended on adjustments that would align them with Sohn’s vision.
“We used A.I. for a very specific kind of problem, and we used a machine learning algorithm called neural style transfer,” says Bakshi. “Our animation is so highly scrutinized. We go through so many review cycles for every shot and the animators are...
When helmer Peter Sohn wanted characters based on the elements of fire, water, air and earth for his new film “Elemental,” VFX supervisor Sanjay Bakshi and his team at Pixar looked to A.I. to make the process smoother. The look of the characters depended on adjustments that would align them with Sohn’s vision.
“We used A.I. for a very specific kind of problem, and we used a machine learning algorithm called neural style transfer,” says Bakshi. “Our animation is so highly scrutinized. We go through so many review cycles for every shot and the animators are...
- 6/11/2023
- by Karen Idelson
- Variety Film + TV
For Elemental, Pixar’s creative team quickly realized that they needed a new approach to streamline their animation process. While each department generally worked alone, an early collaboration was needed to animate characters that were comprised of so many visual effects.
“It was all about collaborating, not just with the people making the characters and building the environments, but with what the render would look like and how we could change that to help support the characters and the way they looked,” says production designer Don Shank.
Elemental
Elemental, directed by Peter Sohn, takes place in Element City, a sprawling metropolis filled with residents made of fire, water, earth and air. The story follows Ember (Leah Lewis), a fire resident working in her parents’ market, whose fiery temper leads her to a chance meeting with Wade (Mamoudou Athie), a sappy water resident working as a city inspector. While fire and water do not mix well,...
“It was all about collaborating, not just with the people making the characters and building the environments, but with what the render would look like and how we could change that to help support the characters and the way they looked,” says production designer Don Shank.
Elemental
Elemental, directed by Peter Sohn, takes place in Element City, a sprawling metropolis filled with residents made of fire, water, earth and air. The story follows Ember (Leah Lewis), a fire resident working in her parents’ market, whose fiery temper leads her to a chance meeting with Wade (Mamoudou Athie), a sappy water resident working as a city inspector. While fire and water do not mix well,...
- 5/16/2023
- by Ryan Fleming
- Deadline Film + TV
While Pixar has delivered innovative characters in recent years, including the ethereal Joe from “Soul” and the illuminating Joy from “Inside Out,” they aren’t nearly as complex as the fiery Ember and watery Wade in the upcoming “Elemental.” These two stars of Peter Sohn’s rom-com and immigrant story (which closes the Cannes Film Festival on May 27 prior to its June 16 theatrical opening) represent the studio’s most fully simulated characters, which required creating new tools for rigging and performance along with establishing a new VFX-driven workflow.
Set in Element City, where there’s tension between fire, water, air, and earth, the antagonistic first encounter between the intense Ember (Leah Lewis) and the go-with-the-flow Wade (Mamoudou Athie) eventually leads to romantic sparks. But because the character design and world-building are inextricably linked, “Elemental” cleverly strips everything down to its core essentials.
Production designer Don Shank said it was “a delicate balance between physics,...
Set in Element City, where there’s tension between fire, water, air, and earth, the antagonistic first encounter between the intense Ember (Leah Lewis) and the go-with-the-flow Wade (Mamoudou Athie) eventually leads to romantic sparks. But because the character design and world-building are inextricably linked, “Elemental” cleverly strips everything down to its core essentials.
Production designer Don Shank said it was “a delicate balance between physics,...
- 5/16/2023
- by Bill Desowitz
- Indiewire
When director Peter Sohn and producer Denise Ream began working on Elemental, they started with the idea of elements coming to life. This led to the creation of Element City, a sprawling metropolis filled with residents made of fire, water, earth and air. The story follows Ember (Leah Lewis), a fire resident working in her parents market, whose fiery temper leads her to a chance meeting with Wade (Mamoudou Athie), a sappy water resident working as a city inspector. While fire and water do not mix well, Ember and Wade find themselves forming an unlikely friendship. As Sohn and Ream were working on the project, they soon discovered how difficult it was to animate fire and water to give them emotional performances, without turning them into humans. Elemental premieres in theaters on June 16, 2023 with new animated short Carl’s Date.
Elemental Concept Art
Deadline: Where did you get the idea...
Elemental Concept Art
Deadline: Where did you get the idea...
- 4/5/2023
- by Ryan Fleming
- Deadline Film + TV
It’s truly a measure of the pandemic that the 19th annual Ves Awards (to be held virtually on April 6) was dominated by Disney+’s “The Mandalorian” with 13 nominations (topped by photoreal episode). Like the Oscar shortlist, there was an absence of big budget, VFX-intensive studio films. But, truth be told, Season 2 of Jon Favreau’s engaging “Star Wars” bounty hunter series offered the industry’s most innovative tech (wrapped around Industrial Light & Magic’s improved StageCraft virtual production system).
Pixar’s “Soul” was the top animation contender with five nominations, while the feature competition was split between “Project Power,” the Netflix superhero film, Robert Zemeckis’ “The Witches” (which streamed on HBO Max), and Disney’s live-action “Mulan” (which streamed on Disney+), each garnering three nominations.
Joining “Project Power” and “The Witches” in the top photoreal feature category were Netflix’s “Jingle Jangle: A Christmas Journey” and “The Midnight Sky...
Pixar’s “Soul” was the top animation contender with five nominations, while the feature competition was split between “Project Power,” the Netflix superhero film, Robert Zemeckis’ “The Witches” (which streamed on HBO Max), and Disney’s live-action “Mulan” (which streamed on Disney+), each garnering three nominations.
Joining “Project Power” and “The Witches” in the top photoreal feature category were Netflix’s “Jingle Jangle: A Christmas Journey” and “The Midnight Sky...
- 3/2/2021
- by Bill Desowitz
- Indiewire
The nominations for the 19th Annual Visual Effects Society Awards have been announced with “The Mandalorian” and “Soul” leading.
“The Mandalorian” leads with 13 nominations including outstanding visual effects in a photoreal episode. “Soul” was next with five nominations, followed by “The Witches” and “Project Power.”
The Ves awards will be handed out in a virtual ceremony and will stream worldwide on April 6.
“Traditions find a way to persist,” said Lisa Cooke, Ves Board Chair. “With vision and a lot of hard work, we are proud to host our annual celebration of the artistry, ingenuity and passion of visual effects practitioners around the world – virtually. We are seeing best in class work that elevates the art of storytelling and engages the audience in new and innovative ways. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of all our nominees!
“The Mandalorian” leads with 13 nominations including outstanding visual effects in a photoreal episode. “Soul” was next with five nominations, followed by “The Witches” and “Project Power.”
The Ves awards will be handed out in a virtual ceremony and will stream worldwide on April 6.
“Traditions find a way to persist,” said Lisa Cooke, Ves Board Chair. “With vision and a lot of hard work, we are proud to host our annual celebration of the artistry, ingenuity and passion of visual effects practitioners around the world – virtually. We are seeing best in class work that elevates the art of storytelling and engages the audience in new and innovative ways. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of all our nominees!
- 3/2/2021
- by Jazz Tangcay
- Variety Film + TV
The Visual Effects Society today announced the nominees for its 19th annual Ves Awards, which recognize VFX artistry in 25 categories spanning film, TV, animation, commercials and video games. Winners will be announced during a virtual ceremony on Tuesday, April 6.
Disney+’s The Mandalorian leads all TV shows and films with 13 noms, and Disney/Pixar’s animated Soul tops the film side with five. Project Power and The Witches tied for second among movies with three noms apiece in a decidedly strange year for VFX-heavy projects.
Vying for the Visual Effects in a Photoreal Feature prize are Jingle Jangle: A Christmas Journey, The Midnight Sky, Project Power, Tenet and The Witches. The films up for
Supporting Visual Effects in a Photoreal Feature are Da 5 Bloods, Extraction, Mank, News of the World and Welcome to Chechnya.
Soul will battle it out for the Visual Effects in an Animated Feature trophy against fellow Pixar pic Onward,...
Disney+’s The Mandalorian leads all TV shows and films with 13 noms, and Disney/Pixar’s animated Soul tops the film side with five. Project Power and The Witches tied for second among movies with three noms apiece in a decidedly strange year for VFX-heavy projects.
Vying for the Visual Effects in a Photoreal Feature prize are Jingle Jangle: A Christmas Journey, The Midnight Sky, Project Power, Tenet and The Witches. The films up for
Supporting Visual Effects in a Photoreal Feature are Da 5 Bloods, Extraction, Mank, News of the World and Welcome to Chechnya.
Soul will battle it out for the Visual Effects in an Animated Feature trophy against fellow Pixar pic Onward,...
- 3/2/2021
- by Erik Pedersen
- Deadline Film + TV
The Good Dinosaur rules the earth on February 23!
Disney/Pixar's smash hit The Good Dinosaur is coming home on Blu-ray™ Combo Pack, Digital HD and Disney Movies Anywhere on February 23, with extensive bonus features, including the Academy Award© nominated theatrical short “Sanjay’s Super Team,” Making-of Featurettes, and deleted scenes.
The Good Dinosaur asks the question: What if the asteroid that forever changed life on Earth missed the planet completely, and giant dinosaurs never became extinct? In this epic journey into the world of dinosaurs, an apatosaurus named Arlo makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.
The cast includes Raymond Ochoa as Arlo, Jeffrey Wright as Arlo’s wise Poppa, Frances McDormand as Arlo’s strong Momma, Marcus Scribner as Arlo’s brother Buck, Jack Bright as Spot,...
Disney/Pixar's smash hit The Good Dinosaur is coming home on Blu-ray™ Combo Pack, Digital HD and Disney Movies Anywhere on February 23, with extensive bonus features, including the Academy Award© nominated theatrical short “Sanjay’s Super Team,” Making-of Featurettes, and deleted scenes.
The Good Dinosaur asks the question: What if the asteroid that forever changed life on Earth missed the planet completely, and giant dinosaurs never became extinct? In this epic journey into the world of dinosaurs, an apatosaurus named Arlo makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.
The cast includes Raymond Ochoa as Arlo, Jeffrey Wright as Arlo’s wise Poppa, Frances McDormand as Arlo’s strong Momma, Marcus Scribner as Arlo’s brother Buck, Jack Bright as Spot,...
- 1/22/2016
- by feeds@cinelinx.com (Victor Medina)
- Cinelinx
Today was a busy day for some of the smaller guilds with the Visual Effects Society, the Cinema Audio Society, and the Makeup and Hairstylists Guilds all announcing their nominations for 2013.
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
- 1/15/2014
- by Jeff Beck
- We Got This Covered
The Visual Effects Society (Ves) delivered no surprises on January 14 as it announced the nominations for the 12th Annual Ves Awards.
As previously announced, the Visionary Award will be presented to Alfonso Cuarón, and The Lifetime Achievement Award to effects pioneer John Dykstra.
The 12th Annual Ves Awards Ceremony will take place on February 12 in Los Angeles.
The feature film nominees are as follows:
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
Gravity – Tim Webber, Nikki Penny, Chris Lawrence, Richard Mcbride
Iron Man 3 – Christopher Townsend, Mark Soper, Guy Williams, Bryan Grill
Pacific Rim – John Knoll, Susan Greenhow, Chris Raimo, Hal Hickel
Star Trek: Into Darkness – Roger Guyett, Luke O’Byrne, Ron Ames, Ben Grossman
The Hobbit: The Desolation Of Smaug – Joe Letteri, Eric Saindon, Kevin Sherwood, David Clayton
Outstanding Supporting Visual Effects in a Feature Motion Picture
Rush – Jody Johnson, Moriah Etherington-Sparks, Mark Hodgkins, Antoine Moulineau
The Great Gatsby – Chris Godfrey, Prue Fletcher, [link...
As previously announced, the Visionary Award will be presented to Alfonso Cuarón, and The Lifetime Achievement Award to effects pioneer John Dykstra.
The 12th Annual Ves Awards Ceremony will take place on February 12 in Los Angeles.
The feature film nominees are as follows:
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
Gravity – Tim Webber, Nikki Penny, Chris Lawrence, Richard Mcbride
Iron Man 3 – Christopher Townsend, Mark Soper, Guy Williams, Bryan Grill
Pacific Rim – John Knoll, Susan Greenhow, Chris Raimo, Hal Hickel
Star Trek: Into Darkness – Roger Guyett, Luke O’Byrne, Ron Ames, Ben Grossman
The Hobbit: The Desolation Of Smaug – Joe Letteri, Eric Saindon, Kevin Sherwood, David Clayton
Outstanding Supporting Visual Effects in a Feature Motion Picture
Rush – Jody Johnson, Moriah Etherington-Sparks, Mark Hodgkins, Antoine Moulineau
The Great Gatsby – Chris Godfrey, Prue Fletcher, [link...
- 1/14/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
A love of computers and programming – rather than a specific interest in rat hair and dinosaur skin – helped Sanjay Bakshi get his role at Pixar
Sanjay Bakshi has spent a lot of time with monsters. He knows precisely how their hair moves as they terrorise humans, how their eyeballs swivel when they sight their prey, and how their fangs gnash when they eat.
As technical director for Disney's Monsters University he led a team responsible for visualising a population of suitably monstrous students, and then animating them. "The directors gave us some loose drawings to go by, and we had to build them into characters," he says. "There were hundreds so, to distinguish them, we had to give them each a name – so we used the names of the crew. Each crew member therefore has their own monster."
Once, special effects work involved substituting chocolate syrup for blood and experimenting...
Sanjay Bakshi has spent a lot of time with monsters. He knows precisely how their hair moves as they terrorise humans, how their eyeballs swivel when they sight their prey, and how their fangs gnash when they eat.
As technical director for Disney's Monsters University he led a team responsible for visualising a population of suitably monstrous students, and then animating them. "The directors gave us some loose drawings to go by, and we had to build them into characters," he says. "There were hundreds so, to distinguish them, we had to give them each a name – so we used the names of the crew. Each crew member therefore has their own monster."
Once, special effects work involved substituting chocolate syrup for blood and experimenting...
- 12/26/2013
- by Anna Tims
- The Guardian - Film News
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