Though their “’80s Horror” lineup would constitute enough of a Halloween push, the Criterion Channel enter October all guns blazing. The month’s lineup also includes a 19-movie vampire series running from 1931’s Dracula (English and Spanish both) to 2014’s A Girl Walks Home Alone at Night, the collection in-between including Herzog’s Nosferatu, Near Dark, and Let the Right One In. Last year’s “Universal Horror” collection returns, a 17-title Ishirō Honda retrospective has been set, and a few genre titles stand alone: Hush…Hush, Sweet Charlotte, The House of the Devil, and Island of Lost Souls.
Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...
Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...
- 9/26/2022
- by Nick Newman
- The Film Stage
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
This week’s question: “Wonder Woman” and “Black Panther” have helped to reinvigorate the superhero genre as a social and creative force, and the success of those films can be at least partially attributed to their directors. With that in mind, which filmmaker would you most like to see direct a blockbuster superhero movie next, and why?
Max Weiss (@maxthegirl), Baltimore Magazine
I’m firmly in the camp of not wanting my favorite actors or directors to either star in or helm superhero films. (I audibly groaned yesterday when the news surfaced that Joaquin Phoenix was going to be playing The Joker.) Yes, Waititi, Coogler, Jenkins, et al managed...
This week’s question: “Wonder Woman” and “Black Panther” have helped to reinvigorate the superhero genre as a social and creative force, and the success of those films can be at least partially attributed to their directors. With that in mind, which filmmaker would you most like to see direct a blockbuster superhero movie next, and why?
Max Weiss (@maxthegirl), Baltimore Magazine
I’m firmly in the camp of not wanting my favorite actors or directors to either star in or helm superhero films. (I audibly groaned yesterday when the news surfaced that Joaquin Phoenix was going to be playing The Joker.) Yes, Waititi, Coogler, Jenkins, et al managed...
- 2/12/2018
- by David Ehrlich
- Indiewire
Even the Slamdance slate is getting preemptive deals. FilmRise acquired worldwide rights to Supergirl before its Slamdance debut tomorrow. The Jessie Auritt-directed pic explores the extraordinary life of Naomi Kutin, an Orthodox Jewish pre-teen, who at the age of nine broke world records in powerlifting and became an international phenomenon. The coming-of-age docu tracks the youth as she fights to hold on to her title, along with the distraction of adolescence…...
- 1/20/2017
- Deadline
FilmRise has acquired the worldwide rights to Supergirl, which centers on Naomi Kutin, an Orthodox Jewish preteen and a record-breaking powerlifting phenom.
Supergirl shows Kutin as she navigates religious obligations, cyberbullying and the pressure to keep her titles.
Jessie Auritt directed the documentary, which will screen at Slamdance 2017, having made its world premiere at the Hamptons International Film Festival.
Supergirl will make its broadcast debut on the upcoming season of PBS’ Independent Lens.
...
Supergirl shows Kutin as she navigates religious obligations, cyberbullying and the pressure to keep her titles.
Jessie Auritt directed the documentary, which will screen at Slamdance 2017, having made its world premiere at the Hamptons International Film Festival.
Supergirl will make its broadcast debut on the upcoming season of PBS’ Independent Lens.
...
- 1/20/2017
- by Mia Galuppo
- The Hollywood Reporter - Movie News
FilmRisehas acquired worldwide rights to director Jessie Auritt’s feature documentary “Supergirl,” the film and TV distributor announced Friday. The film, which screens Saturday at Slamdance Film Festival, follows an Orthodox Jewish pre-teen named Naomi Kutin, who at age nine broke world records in powerlifting and became an international phenomenon. As she fights to hold onto her title, Kutin navigates the perils of adolescence — from religious obligations to cyber-bullying and health issues, which could jeopardize her future in powerlifting. Also Read: So How Did Kristen Stewart's Directorial Debut Hold Up at Sundance? “Supergirl” will make its broadcast debut on...
- 1/20/2017
- by Thom Geier
- The Wrap
Now well into its second decade, the Slamdance Film Festival is gearing up for its 2017 edition. Mostly taking place at the Treasure Mountain Inn at top of Park City, Utah’s busting Main Street, Slamdance is dedicated to presenting a festival and a community designed “for filmmakers by filmmakers.”
In previous years, projects from directors like Christopher Nolan, Marc Forster, Jared Hess, Oren Peli, Benh Zeitlin, Seth Gordon, Lynn Shelton and Lena Dunham have bowed at the festival, and it’s become a fertile — if offbeat — proving ground for fresh talents. This year looks to be yet another banner one for the fest, and as such, we’ve gone on a little trip through the Slamdance slate to dig up some prime possibilities for must-see films (shorts and features!).
Ahead, check out 13 titles we’re...
In previous years, projects from directors like Christopher Nolan, Marc Forster, Jared Hess, Oren Peli, Benh Zeitlin, Seth Gordon, Lynn Shelton and Lena Dunham have bowed at the festival, and it’s become a fertile — if offbeat — proving ground for fresh talents. This year looks to be yet another banner one for the fest, and as such, we’ve gone on a little trip through the Slamdance slate to dig up some prime possibilities for must-see films (shorts and features!).
Ahead, check out 13 titles we’re...
- 1/17/2017
- by Chris O'Falt, David Ehrlich, Graham Winfrey, Jude Dry, Kate Erbland and Steve Greene
- Indiewire
Slamdance has announced the 11 narratives and eight documentaries that will comprise its 2017 lineup. The festival was established in 1995 and takes place in Park City, Utah in January — the same time and place, of course, as Sundance. 12 of the films will be world premieres, and all competition entries are directorial debuts with budgets of less than $1 million that have yet to receive stateside distribution. Next year’s edition of the festival will run from January 20–26. Full lineup below:
Read More: Watch Slamdance Selections ‘Coming To’ and ‘Courtesan,’ Thanks to Digital Bolex and Seed&Spark (Exclusive)
Narrative Features
“Aerotropolis” (Jheng-Neng Li)
“Beat Beat Heart” (Luise Brinkmann)
“Cortez” (Cheryl Nichols)
“Dave Made a Maze” (Bill Watterson)
“Dim the Fluorescents” (Daniel Warth)
“The Family” (Shumin Liu)
“Kate Can’t Swim” (Josh Helman)
“Kuro” (Joji Koyama, Tujiko Noriko)
“Weather House” (Frauke Havermann)
“Wexford Plaza” (Joyce Wong)
“Withdrawn” (Adrian Murray)
Read More: Watch the Trailer for...
Read More: Watch Slamdance Selections ‘Coming To’ and ‘Courtesan,’ Thanks to Digital Bolex and Seed&Spark (Exclusive)
Narrative Features
“Aerotropolis” (Jheng-Neng Li)
“Beat Beat Heart” (Luise Brinkmann)
“Cortez” (Cheryl Nichols)
“Dave Made a Maze” (Bill Watterson)
“Dim the Fluorescents” (Daniel Warth)
“The Family” (Shumin Liu)
“Kate Can’t Swim” (Josh Helman)
“Kuro” (Joji Koyama, Tujiko Noriko)
“Weather House” (Frauke Havermann)
“Wexford Plaza” (Joyce Wong)
“Withdrawn” (Adrian Murray)
Read More: Watch the Trailer for...
- 11/28/2016
- by Michael Nordine
- Indiewire
Programmers at the Park City jamboree’s upcoming 23rd edition announced on Monday the 11 narrative and eight documentary selections that will play in January.
The 2017 showcase will also feature Dig (Digital, Interactive & Gaming), a platform of eight works by emerging artists working in cutting-edge digital media, while Polytechnic is a series of free workshops exploring disruptive perspectives on filmmaking from industry insiders.
“As filmmakers themselves, the Slamdance programmers and staff share the same creative spirit as the festival artists,” said Slamdance co-founder and president, Peter Baxter. “Our stories are different but our divergent attitude is the same.
“Together, we give a voice to Diy filmmaking. Empowering emerging artists is what we do, and you are about to see a great group at Slamdance 2017.”
The feature competition roster includes 16 premieres – 12 world, 3 North American and one Us. All competition films are feature directorial debuts with budgets of under $1m and without Us distribution.
Jury awards...
The 2017 showcase will also feature Dig (Digital, Interactive & Gaming), a platform of eight works by emerging artists working in cutting-edge digital media, while Polytechnic is a series of free workshops exploring disruptive perspectives on filmmaking from industry insiders.
“As filmmakers themselves, the Slamdance programmers and staff share the same creative spirit as the festival artists,” said Slamdance co-founder and president, Peter Baxter. “Our stories are different but our divergent attitude is the same.
“Together, we give a voice to Diy filmmaking. Empowering emerging artists is what we do, and you are about to see a great group at Slamdance 2017.”
The feature competition roster includes 16 premieres – 12 world, 3 North American and one Us. All competition films are feature directorial debuts with budgets of under $1m and without Us distribution.
Jury awards...
- 11/28/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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