This warning against anti-semitism is well-meant and may have had its purpose at the time, but it is made without the slightest notion of how to make a film. The director has no idea about mise-en-scene; the cast varies from bad till even worse.
The great Austrian comic Hans Moser is wasted. In his part he ends in an asylum for the crazy, that is designed as a set from Das Kabinett des Dr. Caligari; one wonders whether the makers had all their mental capabilities.
The restored copy I saw (Dutch Filmmuseum) gives the impression that some scenes were not put into the right place, but may be the original editing was bad as well.
The great Austrian comic Hans Moser is wasted. In his part he ends in an asylum for the crazy, that is designed as a set from Das Kabinett des Dr. Caligari; one wonders whether the makers had all their mental capabilities.
The restored copy I saw (Dutch Filmmuseum) gives the impression that some scenes were not put into the right place, but may be the original editing was bad as well.