I taped this movie when it was shown on TCM recently and I've rewatched it several times since, enjoying it more with each viewing. It's a hilarious and energetic movie, and the editing, framing, and compositions of characters are always fresh, funny, and cliché-free. I especially like how the film echoes Burleigh's "ducking" abilities by cleverly using "ducking" techniques, or ellipses, in various ways: in telling the story, by leaving out certain scenes and revealing them later; and even in framing (in one scene Adolph Menjou plays a scene hidden behind a tree branch, "ducking out" of the frame). This film is as good as The Awful Truth and to me has the same strange beauty of that wonderful film.