RHYTHM ON THE RANGE (Paramount, 1936), directed by Norman Taurog, stars none other than Bing Crosby in a change of pace where he saddles up in western attire playing a singing cowboy, or by profession, a cattleman. In spite of his starring status, the scenario actually focuses more on Frances Farmer in her third feature film performance and rising to star prominence.
Those familiar with the Academy Award winning Frank Capra directorial 1934 comedy of IT HAPPENED ONE NIGHT, (runaway heiress meeting ordinary guy on a bus from Miami to New York), or others like it, will take notice in some similarities here (runaway heiress meeting ordinary guy on freight train from New York to Arizona), with of course, some revisions: Doris (Frances Farmer), a Park Avenue heiress, daughter to Robert Holloway (Samuel S. Hinds), the richest banker of New York, is making arrangements for her upcoming wedding to the wealthy Wall Street financial vice president and polo player named John Ashley Dolby III (a character never seen, except through a still photograph). Penelopie Ryland, "a true pioneer woman" (Lucille Webster-Gleason), her visiting aunt from Green Pastures, Arizona, realizes immediately that her niece is not marrying for love and tells her so. Later that night, Penelopie, who is sponsoring a rodeo contest at Madison Square Garden, makes an accusation to the crowd that embarrasses Doris enough to leave the stadium before things get underway. At the rodeo, Jeff Larrabee (Bing Crosby), assisted by his sidekick, Buck Eaton (Bob Burns), participates himself in every event in order to win the grand prize, the 2,000 pound champion bull named Cuddles. Following the event, Jeff arrives at his box car with Cuddles on time, while Buck and their boss, Penelopie, miss the train. As for Jeff, he find he's not traveling entirely alone when he notices Doris (under the guise of Lois Hall), which turns to a series of arguments between them. As for Buck, he encounters the daffy Emma Madison (Martha Raye), a Macy's shop girl taking a vacation to visit her brother.
On the musical program, songs include: "Empty Saddles" (by Billy Hill and J. Kiern Brennan); "Sundown" (by Walter Bullock and Richard Whiting); "I Can't Escape From You" (by Leo Robin and Richard Whiting/ all sung by Bing Crosby); "Mr. Pagagini" (by Sam Coslow/ sung by Martha Raye); "Drink It Down" (by Leo Robin and Ralph Rainger/ sung by Leonid Kinskey and cowboys); and "I'm an Old Cowhand From the Rio Grande" (by Johnny Mercer/ sung by The Sons of the Pioneers, Bing Crosby, Bob Burns, and cast). While "I'm an Old Cowhand" is the most memorable song in this production, "Empty Saddles" and "I Can't Escape From You" are also as good as it gets. On a slower tempo is "Sundown," which Crosby sings to the bull to calm down and go to sleep on the freight train. So soothing is his vocalizing that he even succeeds in giving Frances Farmer her lullaby of rest as she lays up in a pile of hay for the night.
Making her movie debut in RHYTHM ON THE RANGE is Martha Raye. Arriving a bit late into the story, her familiar mannerisms and screwball antics help give the movie some uplifting moments. In spite the fact that Raye's style of comedy may or may not influence the younger generation of it's interesting to point out that in her day, the lady with the wide Joe E. Brown-type mouth was hailed as one of the funnier of the slapstick comediennes. Aside from a drunken scene where she sings a portion of "Love in Bloom" (a little inside humor since this popular song was initially introduced by Bing Crosby in the college musical, SHE LOVES ME NOT, in 1934) to Samuel S. Hinds, Raye even sings her signature number of "Mr. Pagagini" while sober. Bob Burns, the slow-witted philosopher who enjoys himself by playing his own musical instrument called the "bazooka," makes good comic foil to Raye, and would work together again in other feature comedies. Others in the supporting cast include: Martha Sleeper, George E. Stone, James Burke, Warren Hymer and Clem Bevans.
As much as the runaway heiress theme has become common place in many 1930s comedies, RHYTHM ON THE RANGE comes across quite well with its predictability. Crosby is no stranger in encountering troublesome heiresses on screen. With Frances Farmer (1914-1970) being one of the most attractive of his co-stars, he did come across the spitfire of Carole Lombard in WE'RE NOT DRESSING (1934). Even some of the dialogue "I've never been so serious in all my life," used here is echoed from WE'RE NOT DRESSING. There is even some fine western scenery during its second half making one wish the film were produced in Technicolor. Overall, RHYTHM ON THE RANGE makes satisfying viewing during its 87 minutes of screen nonsense.
Out of circulation from the commercial late night television markets for since the early 1980s, RHYTHM ON THE RANGE will never cease to be out of view due to its current availability on either home video (distributed in 1995, preceded by a theatrical trailer) or DVD (double featured with Crosby's 1940 release of RHYTHM ON THE RIVER) or broadcast of Turner Classic Movies (TCM premiere: August 3, 2016) and the Encore Western Channel. In conclusion, Look fast for a young Roy Rogers, future star in Republic Studios "B" westerns of the 1940s and 50s, appearing briefly in the "I'm an Old Cowhand" festivity sequence. (***).
Those familiar with the Academy Award winning Frank Capra directorial 1934 comedy of IT HAPPENED ONE NIGHT, (runaway heiress meeting ordinary guy on a bus from Miami to New York), or others like it, will take notice in some similarities here (runaway heiress meeting ordinary guy on freight train from New York to Arizona), with of course, some revisions: Doris (Frances Farmer), a Park Avenue heiress, daughter to Robert Holloway (Samuel S. Hinds), the richest banker of New York, is making arrangements for her upcoming wedding to the wealthy Wall Street financial vice president and polo player named John Ashley Dolby III (a character never seen, except through a still photograph). Penelopie Ryland, "a true pioneer woman" (Lucille Webster-Gleason), her visiting aunt from Green Pastures, Arizona, realizes immediately that her niece is not marrying for love and tells her so. Later that night, Penelopie, who is sponsoring a rodeo contest at Madison Square Garden, makes an accusation to the crowd that embarrasses Doris enough to leave the stadium before things get underway. At the rodeo, Jeff Larrabee (Bing Crosby), assisted by his sidekick, Buck Eaton (Bob Burns), participates himself in every event in order to win the grand prize, the 2,000 pound champion bull named Cuddles. Following the event, Jeff arrives at his box car with Cuddles on time, while Buck and their boss, Penelopie, miss the train. As for Jeff, he find he's not traveling entirely alone when he notices Doris (under the guise of Lois Hall), which turns to a series of arguments between them. As for Buck, he encounters the daffy Emma Madison (Martha Raye), a Macy's shop girl taking a vacation to visit her brother.
On the musical program, songs include: "Empty Saddles" (by Billy Hill and J. Kiern Brennan); "Sundown" (by Walter Bullock and Richard Whiting); "I Can't Escape From You" (by Leo Robin and Richard Whiting/ all sung by Bing Crosby); "Mr. Pagagini" (by Sam Coslow/ sung by Martha Raye); "Drink It Down" (by Leo Robin and Ralph Rainger/ sung by Leonid Kinskey and cowboys); and "I'm an Old Cowhand From the Rio Grande" (by Johnny Mercer/ sung by The Sons of the Pioneers, Bing Crosby, Bob Burns, and cast). While "I'm an Old Cowhand" is the most memorable song in this production, "Empty Saddles" and "I Can't Escape From You" are also as good as it gets. On a slower tempo is "Sundown," which Crosby sings to the bull to calm down and go to sleep on the freight train. So soothing is his vocalizing that he even succeeds in giving Frances Farmer her lullaby of rest as she lays up in a pile of hay for the night.
Making her movie debut in RHYTHM ON THE RANGE is Martha Raye. Arriving a bit late into the story, her familiar mannerisms and screwball antics help give the movie some uplifting moments. In spite the fact that Raye's style of comedy may or may not influence the younger generation of it's interesting to point out that in her day, the lady with the wide Joe E. Brown-type mouth was hailed as one of the funnier of the slapstick comediennes. Aside from a drunken scene where she sings a portion of "Love in Bloom" (a little inside humor since this popular song was initially introduced by Bing Crosby in the college musical, SHE LOVES ME NOT, in 1934) to Samuel S. Hinds, Raye even sings her signature number of "Mr. Pagagini" while sober. Bob Burns, the slow-witted philosopher who enjoys himself by playing his own musical instrument called the "bazooka," makes good comic foil to Raye, and would work together again in other feature comedies. Others in the supporting cast include: Martha Sleeper, George E. Stone, James Burke, Warren Hymer and Clem Bevans.
As much as the runaway heiress theme has become common place in many 1930s comedies, RHYTHM ON THE RANGE comes across quite well with its predictability. Crosby is no stranger in encountering troublesome heiresses on screen. With Frances Farmer (1914-1970) being one of the most attractive of his co-stars, he did come across the spitfire of Carole Lombard in WE'RE NOT DRESSING (1934). Even some of the dialogue "I've never been so serious in all my life," used here is echoed from WE'RE NOT DRESSING. There is even some fine western scenery during its second half making one wish the film were produced in Technicolor. Overall, RHYTHM ON THE RANGE makes satisfying viewing during its 87 minutes of screen nonsense.
Out of circulation from the commercial late night television markets for since the early 1980s, RHYTHM ON THE RANGE will never cease to be out of view due to its current availability on either home video (distributed in 1995, preceded by a theatrical trailer) or DVD (double featured with Crosby's 1940 release of RHYTHM ON THE RIVER) or broadcast of Turner Classic Movies (TCM premiere: August 3, 2016) and the Encore Western Channel. In conclusion, Look fast for a young Roy Rogers, future star in Republic Studios "B" westerns of the 1940s and 50s, appearing briefly in the "I'm an Old Cowhand" festivity sequence. (***).