Captivating American-esque noir, one of Kurosawa's first great films. What seems like a weak premise for a thriller at the start actually ends up providing a great central situation for this movie which drives it forward much better than, say, Donzoko. Music, also is great.
Toshiro Mifune, looking young and handsome, is quite marvellous as the central character, a detective whose gun is stolen on a bus. What starts out as a detective nervous about finding his gun and fixing a silly mistake, develops into a frantic and desparate man who feels somehow responsible for whatever crimes are committed with his gun. The suspense and detective-story plot are well developed in Stray Dog, but what really makes the story captivating is the revelation of the central character's feeling of guilt throughout, and his learning about crime, criminals, and that what is important is to make good come of your mistakes.
Toshiro Mifune, looking young and handsome, is quite marvellous as the central character, a detective whose gun is stolen on a bus. What starts out as a detective nervous about finding his gun and fixing a silly mistake, develops into a frantic and desparate man who feels somehow responsible for whatever crimes are committed with his gun. The suspense and detective-story plot are well developed in Stray Dog, but what really makes the story captivating is the revelation of the central character's feeling of guilt throughout, and his learning about crime, criminals, and that what is important is to make good come of your mistakes.