7/10
Adolescent angst and affluence: a ‘50s tale
16 October 2002
What often threatens to turn into a soppy and soft-headed drama about misunderstood middle-class youth ends up a surprisingly shaded and subdued movie by John Frankenheimer (his first, though he had started in television, directing among other things an earlier version of this script).

We are still in those semi-mythic ‘50s when teenagers drove jalopies and jeans were still dungarees. James MacArthur (adoptive son of playwright Charles and actress Helen Hayes, and later to enter pop culture as Hawaii 5-0's Danno) gets involved in a minor incident in a movie theater which escalates to his throwing a punch at the manager (Whit Bissell) and being booked down at the police station. His dad (James Daly), a big-shot movie producer gets the call, doesn't listen to his son's version of the story, and pulls strings to get him off.

But MacArthur keeps carrying a chip on his shoulder, which even his sympathetic mom (Kim Hunter) can't knock off. Things worsen in the Coldwater Canyon homestead until MacArthur, trying to vindicate himself, stages a reprise of the original incident....

The movie doesn't quite avoid the attitudes – and cliches – of its time, but presents them with considerable nuance: Every character gets an honorable hearing; every point of view has its merits (and reactions to the movie will depend on what viewers bring to it). There are flaws (the word `crummy,' a standard rebellious euphemism of the era, is used about 30 times too often) but they're outweighed by strengths. The movie benefits from a strong cast (most notable among them the excellent character actor James Gregory, as a police detective) and a resolutely non-exploitative way of telling its story. From a vantage point in the new millennium, the hot water MacArthur finds himself in may seem a little tepid, but The Young Stranger remains honest and honorable.
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