...This first effort ,made on a shoestring budget ,actually belongs to the old directors school and would not be out of place in ,say ,Duvivier's or Clouzot's brilliant filmographies.It even recalls Italian neorealism sometimes.Anyway,among all the directors of the otherwise a bit overrated new wave,Chabrol is the most accessible,the most palatable, particularly for those ,like me ,who do not give a damn about ,say,Rohmer or Godard.The depiction of the Bourgeoisie which will begin with the follow-up "les cousins"(with Brialy teaming with Blain again) and will become Chabrol's trademark is absent here .Laffont is the only pure new wave actress :Brialy used to work with the "old "guard as well,and Blain 's career really began with Julien Duvivier's unfairly overlooked and sensational "voici le temps des assassins"(1956).
The story is linear,with a lot of characters and a dash of melodrama thrown in -which is by no means new wavesque-.The rural milieu depiction will pave a reliable way for the highly superior "le boucher" (1969).There's also a tendency to dwell on the sordid side of life.Outside the good cast,two scenes in a graveyard are impressive.
The story is linear,with a lot of characters and a dash of melodrama thrown in -which is by no means new wavesque-.The rural milieu depiction will pave a reliable way for the highly superior "le boucher" (1969).There's also a tendency to dwell on the sordid side of life.Outside the good cast,two scenes in a graveyard are impressive.