8/10
Godard always had the best taste.
27 October 1999
Typical Minnelli masterpiece, as melodramatic, emotional and stylised as his more famous musicals. Lumpen James Jones novel stripped to the bone, its macho posturings shifted to anatomy of a society. Slow, repetitive narrative mirrors stagnation of such a society. Impotence, disease and writer's block all part of a wider malaise. The psychological visuals are unsurpassed, gaudy, intense floods of light, colour and composition disrupt superficial politeness. Climax one of the greatest in American cinema; the three male leads do the most difficult work of their careers. Shirley MacLaine gets hard deal, though.
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