Review of Elmer Gantry

Elmer Gantry (1960)
10/10
"Love is the morning and the evening star!"
1 October 1999
"Elmer Gantry" can be considered the quintessential exploration into the omnipresent duality existing between a person's religious faith and simultaneous character defects. Burt Lancaster is bold and provocative as the title character who is preaching to you one moment and drunk and surly the other. The acting and directing is superb to the point that it becomes difficult to remember that it is only a movie. Jean Simmons is lovely and convincing as as Sister Sharon Falconer, the charismatic female evangelist who wins Gantry's heart (and lust)as they team up to jump-start America's dwindling religious beliefs. Of course, turmoil closes in on them as their inherent instincts of love overpower their adherence to the Christian principles they attempt to profess.

This is a searing message, indeed, that should be heeded by the Jimmy Swaggarts and Oral Roberts' of the world. Evangelism can be a dangerous platform when it allows a single person to rise to power while removing him (or her) from the fact that he is still a human and, thus, still vulnerable to the instincts and flaws he vehemently opposes on stage. It is thrilling to see how the Bible-Belt public shift their view so quickly when they first support and believe in the sincerity of Gantry and Sister Falconer but then witness their humanity and become violent. The scene where the heckling crowd throws garbage at the ostracized couple while a man plays a jazzed up rendition of "Onward Christian Soldiers" on the trumpet after Gantry is caught with a prostitute (played to the hilt by Shirley Jones) is both amusing and sad. If you enjoyed the book, you will not be disappointed with the movie in the least.
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