A modernist morality tale with several different dark, sardonic stories. It creates a strange mood with its post WWII sensibility superimposed on pre-Nazi German culture. It's like The Love Boat as told by Ambrose Bierce. The best story revolves around Oskar Werner as he takes care of Simone Signoret. He sits at her bedside and listens with his head at a ridiculous angle to show his complete understanding - their situations are parallel, but their compositions are worlds apart. His slow slide into oblivion is fascinating to watch.
But the best performance belongs to Vivien Leigh in her final film role. She is absolutely stunning as "the 46-year old coquette" (as Werner Klemperer puts it). It's a terrible tragedy that she was not able to make very many movies in her career.
However, I have never cared for George Segal or Elizabeth Ashley and they weaken the film - particularly Segal who seems overmatched by the other members of the cast. But I did enjoy the rest of the movie and it's well worth getting through their story to see it.
But the best performance belongs to Vivien Leigh in her final film role. She is absolutely stunning as "the 46-year old coquette" (as Werner Klemperer puts it). It's a terrible tragedy that she was not able to make very many movies in her career.
However, I have never cared for George Segal or Elizabeth Ashley and they weaken the film - particularly Segal who seems overmatched by the other members of the cast. But I did enjoy the rest of the movie and it's well worth getting through their story to see it.