Napoleon Solo and Illya Kuriyakin hire notorious safe cracker Luther Sebastian (Bradford Dillman) who helps them recover a Thermal Prism from a crazed scientist in Iran. However, Sebastian is the leader of a mystic cult called "The Third Way" who believe that they will inherit the Earth when their elderly leader (John Carradine) speaks for the first time in twenty years. Sebastian steals the weapon for himself along with a United States government rocket so that he can launch the prism into orbit and demand that the "Third Way" have control of the world. Solo and Kuriyakin race against time to prevent the megalomaniac Sebastian for fulfilling his evil designs.
THE HELICOPTER SPIES is the seventh big-screen spin off from the popular MAN FROM UNCLE spy series. It was compiled from a season four two-part episode called THE PRINCE OF DARKNESS AFFAIR. However, in the countries where it was released theatrically, the TV version wasn't transmitted thus making it a completely new story for the overseas market.
After the clumsy slapstick antics of THE KARATE KILLERS (see my review), THE HELICOPTER SPIES marked a welcome return to form with director Boris Sagal bringing a hard hitting approach to the nonsensical material. The pace is fast and entertaining and there are some fine action scenes including the theft of a rocket from a train involving some neat work with helicopters. Bradford Dillman makes a great villain while Robert Vaughn and David McCallam are their usual impressive selves as Napoleon Solo and Illya Kuriyakin. The only downside is that the low budget occasionally shows.
THE HELICOPTER SPIES is the seventh big-screen spin off from the popular MAN FROM UNCLE spy series. It was compiled from a season four two-part episode called THE PRINCE OF DARKNESS AFFAIR. However, in the countries where it was released theatrically, the TV version wasn't transmitted thus making it a completely new story for the overseas market.
After the clumsy slapstick antics of THE KARATE KILLERS (see my review), THE HELICOPTER SPIES marked a welcome return to form with director Boris Sagal bringing a hard hitting approach to the nonsensical material. The pace is fast and entertaining and there are some fine action scenes including the theft of a rocket from a train involving some neat work with helicopters. Bradford Dillman makes a great villain while Robert Vaughn and David McCallam are their usual impressive selves as Napoleon Solo and Illya Kuriyakin. The only downside is that the low budget occasionally shows.