I really want to drum a up a little more enthusiasm for this film than is evident here. Sometimes it seems like non-genre fans see things like this and miss out on the subtleties (so to speak.) I saw this with zero expectations, having purchased it as part of a very inexpensive collection of old horror 'gems' on DVD. It was my first experience with the work of cult auteur Paul Naschy, whom I'd read about in the book IMMORAL TALES, and I was more than pleasantly surprised. Fans of Jean Rollin, Coffin Joe, the Blind Dead series and Fulci's Gates of Hell will be glad they took the 90mins. to soak this one in.
One concept I've always loved is the premise that all the horrible events in a story are the work of black magic, or evil spirits-as this pretty much opens the door to anything, with a minimum of necessary exposition. Horror Rises From The Tomb has great location shots on misty swampland, majestic castles and beautiful long-haired women sleepwalking in see-through nightwear. These are a few of my favorite things. Yours too? I also love the way a red light precedes the every arrival of the evil du Margnac. There is even a brief, but eerily effective zombie sequence.
It's these little touches that a true horror fan will appreciate.
One concept I've always loved is the premise that all the horrible events in a story are the work of black magic, or evil spirits-as this pretty much opens the door to anything, with a minimum of necessary exposition. Horror Rises From The Tomb has great location shots on misty swampland, majestic castles and beautiful long-haired women sleepwalking in see-through nightwear. These are a few of my favorite things. Yours too? I also love the way a red light precedes the every arrival of the evil du Margnac. There is even a brief, but eerily effective zombie sequence.
It's these little touches that a true horror fan will appreciate.