In the corners of the mind there are memories....bitter, sweet, scary, embarrassing, wonderful....and they topple out unexpectedly and for little reason at any moment.
Such is Fellini's treatment of this film. With no real story line, we are offered a series of events....a collection drawn from his own experiences and I would suspect from his vivid imagination.
While all the characters are interesting in their earthy approach to life and its problems, some of the episodes related are scarcely worth mentioning while others are quite outstanding in their appeal. I like particularly the Greek lesson in which a little girl is taught correct pronunciation, the excitement of a celebratory bonfire with little boys playfully exploding crackers among unsuspecting villagers, a priest rather too interested in details during the confessional, Uncle Teo's eccentric behaviour and the rifle fire bringing down the bells from the belfry.
There are magic moments too. The builder afloat with friends on a calm sea looks up at the night sky filled with stars. Turning philosopher he muses at the miracle. "What keeps all that stuff up there?" he asks. and thoughtfully adds "There are no foundations!"
Another beautiful moment is the announcement of Spring after the long cold icy Winter when Nature sets free all the fluffy seeds drifting about in the wind.
In retrospect there is something in this film for everybody. I am surprised how many of the little episodes bring to mind incidents in my own life which I have long forgotten.
Such is Fellini's treatment of this film. With no real story line, we are offered a series of events....a collection drawn from his own experiences and I would suspect from his vivid imagination.
While all the characters are interesting in their earthy approach to life and its problems, some of the episodes related are scarcely worth mentioning while others are quite outstanding in their appeal. I like particularly the Greek lesson in which a little girl is taught correct pronunciation, the excitement of a celebratory bonfire with little boys playfully exploding crackers among unsuspecting villagers, a priest rather too interested in details during the confessional, Uncle Teo's eccentric behaviour and the rifle fire bringing down the bells from the belfry.
There are magic moments too. The builder afloat with friends on a calm sea looks up at the night sky filled with stars. Turning philosopher he muses at the miracle. "What keeps all that stuff up there?" he asks. and thoughtfully adds "There are no foundations!"
Another beautiful moment is the announcement of Spring after the long cold icy Winter when Nature sets free all the fluffy seeds drifting about in the wind.
In retrospect there is something in this film for everybody. I am surprised how many of the little episodes bring to mind incidents in my own life which I have long forgotten.