A mixed bag of tones runs through this gangster picture, veering from comedy to violence and pathos and back again. The mix doesn't always work, but makes for some good scenes here and there. Palance is effective, even subdued more than he often was during the era, and he's backed up by some talent (the always underused Carol Lynley, Adam Roarke, etc.) Obviously not well remembered, but possibly worth a look.
Review of The Four Deuces
