Okay movie starring Carl Parker, that swarthy-looking guy from Radley Metzger's SCORE, which was better than this. It's well-made, like all of Metzger's movies, but it's hard to like unless you're into this kind of subject matter. There are some pretty funny moments, though. I particularly liked the intentionally obvious Freudian imagery that keeps cropping up. Actually, the whole movie is about as cheerfully un-P.C. as they get. Only in the '70s...
