In the mid-70's, Fred Williamson began his own productions away from the big and mini-major studios that had been home to his best (and worst) films. After the Jesse Crowder duo and the really bad Mean Johnny Barrows, this one had a nice feel, good music, lots of smart and tough lines, and good action. Can it be stilted and rough-around-the-edges at times? Of course, but overall it's one of the better Hammers from his company and maybe the best of his directorial stuff.
