I remember the release of this movie way back in 1989, mainly as it saw the return of Mark Hamill to the big screen after an absence of 6 years (Jedi being his last movie). I also remember the poster proudly highlighting that it was produced by Gary Kurtz, producer of Star Wars episodes 4 and 5. Unfortunately, no one seemed to care about these "selling" points and mediocre reviews ensured that the film was ignored and was not even given a US release. It took almost 10 years before it got its British TV premiere (tucked well into the late night schedule) , but I didn't hesitate to give the film a look. Surprisingly, I actually enjoyed this movie and it's far from being one of the worst films ever, as some of the previous comments have made out.
The main players in the film put in some good performances, especially the late great Bob Peck for whose character I did manage to feel sympathy for and care about thanks to his acting skills. A bearded, peroxide blonde Mark Hamill gives a terrifically sinister bad guy performance as the unrelenting cop, albeit a little OTT. You could sense Hamill clearly loved being on the "dark side" for once. Bill Paxton gets most of the action and does a reasonable job. Cameos, from Ben Kingsley and F.Murray Abraham add some class to the credits. Also look out for Robbie 'Cracker' Coltrane.
Story wise (essentially a chase movie) it is highly unoriginal, borrowing heavily from Blade Runner and Midnight Run, all done in a futuristic Mad Max style. It does tend to meander in places, leaving the viewer a little disorientated. However, my interest was sustained mainly due to the strange character played by Peck. Unfortunately, his character wasn't explored adequately, and I was left wanting to know more about him and his past. Indeed, the story is underdeveloped and incomplete. The movie doesn't hide the fact that it is trying to convey some sort of message about humanity and the future with religious undertones.
Special effects and action scenes left a lot to be desired; the shoot out in the forest was very shoddily done (one of the worst I've seen). The aircraft looked like large Air Fix models and the flying shots looked unrealistic and rushed. I suspect full use of special effects available at the time were not utilised due to budget constraints. It almost feels like a T.V movie despite the cast and experienced crew. However, a mention must go to the kite scene, which is very well done and is quite exciting. It's probably the highlight of the film. The final action scene is good too, rounded off with an optimistic feel good ending and a rousing Elmer Bernstein score as the credits roll. The locations are used effectively and go some way to make up for the poor special effects.
Slipstream, is an all but virtually forgotten British Sci-Fi movie and it appears it will stay that way. Pity really, as it's a decent effort, with an interesting, if unoriginal story and good acting. Refreshingly, the makers have avoided any wanton violence and gore. If you are in the least bit interested in Sci-Fi try and watch this film if you come across this in the video store, or if comes on T.V, if only to see Hamill ham it up and play a bad guy. You could do a lot worse than this.
6 out of 10.
The main players in the film put in some good performances, especially the late great Bob Peck for whose character I did manage to feel sympathy for and care about thanks to his acting skills. A bearded, peroxide blonde Mark Hamill gives a terrifically sinister bad guy performance as the unrelenting cop, albeit a little OTT. You could sense Hamill clearly loved being on the "dark side" for once. Bill Paxton gets most of the action and does a reasonable job. Cameos, from Ben Kingsley and F.Murray Abraham add some class to the credits. Also look out for Robbie 'Cracker' Coltrane.
Story wise (essentially a chase movie) it is highly unoriginal, borrowing heavily from Blade Runner and Midnight Run, all done in a futuristic Mad Max style. It does tend to meander in places, leaving the viewer a little disorientated. However, my interest was sustained mainly due to the strange character played by Peck. Unfortunately, his character wasn't explored adequately, and I was left wanting to know more about him and his past. Indeed, the story is underdeveloped and incomplete. The movie doesn't hide the fact that it is trying to convey some sort of message about humanity and the future with religious undertones.
Special effects and action scenes left a lot to be desired; the shoot out in the forest was very shoddily done (one of the worst I've seen). The aircraft looked like large Air Fix models and the flying shots looked unrealistic and rushed. I suspect full use of special effects available at the time were not utilised due to budget constraints. It almost feels like a T.V movie despite the cast and experienced crew. However, a mention must go to the kite scene, which is very well done and is quite exciting. It's probably the highlight of the film. The final action scene is good too, rounded off with an optimistic feel good ending and a rousing Elmer Bernstein score as the credits roll. The locations are used effectively and go some way to make up for the poor special effects.
Slipstream, is an all but virtually forgotten British Sci-Fi movie and it appears it will stay that way. Pity really, as it's a decent effort, with an interesting, if unoriginal story and good acting. Refreshingly, the makers have avoided any wanton violence and gore. If you are in the least bit interested in Sci-Fi try and watch this film if you come across this in the video store, or if comes on T.V, if only to see Hamill ham it up and play a bad guy. You could do a lot worse than this.
6 out of 10.