This touching film bears up to repeated viewings for its subtlety and insight. I agree with all of the comments discussed by the two previous reviewers, Victoria and Les Halles.
By focussing on the "non-action" of daily life and daily conversation, Tavernier appears to present a nothing of a film, but in reality has captured something valuable and ephemeral -- the silent dialogue between a husband and wife after a long marriage and the discovery of love between a father and daughter, all of whom have to deal in their own way with his impending death.
The use as a coda of the haunting song "These foolish things remind me of you" as sung by Jane Birkin in her breathless voice has never been more apt. It should be noted from the credits that Tavernier dedicated this film to another cinema genius Michael Powell (of the team Powell & Pressberger). Like Powell, Dirk Bogarde, both in the film and in real life, was very English, but cosmopolitan in intellect and cultural tastes. These characteristics are brought out in Bogarde's portrayal and in Birkin's flashbacks of her early remembrances. The acting and inter-action of the three principals, Bogarde, Birkin and Laure, is so subtle as to not appear as such, again a tribute to their experience and rapport with the director.
For someone who has faced the recent death of a loved one, this film rings true, and the refrain from the song takes on a new dimension, not intended by the original lyricist.
*****Five stars for hitting its emotional target..
By focussing on the "non-action" of daily life and daily conversation, Tavernier appears to present a nothing of a film, but in reality has captured something valuable and ephemeral -- the silent dialogue between a husband and wife after a long marriage and the discovery of love between a father and daughter, all of whom have to deal in their own way with his impending death.
The use as a coda of the haunting song "These foolish things remind me of you" as sung by Jane Birkin in her breathless voice has never been more apt. It should be noted from the credits that Tavernier dedicated this film to another cinema genius Michael Powell (of the team Powell & Pressberger). Like Powell, Dirk Bogarde, both in the film and in real life, was very English, but cosmopolitan in intellect and cultural tastes. These characteristics are brought out in Bogarde's portrayal and in Birkin's flashbacks of her early remembrances. The acting and inter-action of the three principals, Bogarde, Birkin and Laure, is so subtle as to not appear as such, again a tribute to their experience and rapport with the director.
For someone who has faced the recent death of a loved one, this film rings true, and the refrain from the song takes on a new dimension, not intended by the original lyricist.
*****Five stars for hitting its emotional target..