Being a fan of Jeff Goldblum was the only reason to even pick this one off the "Favorites" shelf at Blockbuster.
I was, as always, impressed with Goldblum's savvy expressionism. His adroit tendency to make any other character in the film a hero or dolt as he chooses.
Where the hell was this film set anyway? American cars, Euro tags, accents from almost everywhere...
I'm quite sure that the best of this movie ended up in the director's pants and on the editing room floor. What exactly was the point, anyway? Was he really the devil? Did it really matter?
Another commenter stated it correctly that the best of the movie was in the opening scenes. We could have stayed on that tact, but no.
If you have other things to do, skip this one.
I was, as always, impressed with Goldblum's savvy expressionism. His adroit tendency to make any other character in the film a hero or dolt as he chooses.
Where the hell was this film set anyway? American cars, Euro tags, accents from almost everywhere...
I'm quite sure that the best of this movie ended up in the director's pants and on the editing room floor. What exactly was the point, anyway? Was he really the devil? Did it really matter?
Another commenter stated it correctly that the best of the movie was in the opening scenes. We could have stayed on that tact, but no.
If you have other things to do, skip this one.