Review of Danzón

Danzón (1991)
10/10
A brilliant feminist film saturated with the heat of Veracruz and the beauties of Mexican music and dance.
26 March 2001
What would a film for women look like? Well, one possibility is Maria Novaro's wonderful reversal of all of the expectations of male-oriented films. Playing with a number of genres and turning them on their heads, Novaro gives us the story of Julia, an ordinary late thirty-something woman, who, used to playing a traditionally passive, "feminine" role, takes on the active role of searching for her missing danzon partner in a journey that takes her from gloomy Mexico City to sun-drenched Veracruz. In the process she changes from object of the male gaze to bearer of the gaze. The film boasts a super performance from Maria Rojo as Julia and fine supporting performances by Carmen Salinas, Tito Vasconcelos, and Victor Carpenteiro. It is saturated with fantastic Mexican music, especially songs written by Veracruz' native son, Agustin Lara. And then there is the dancing. The danzon, where a single glance may give the game away, becomes a perfect metaphor for Julia's journey of self-discovery.
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