Sean Young gets a double Razzie nod for sleepwalking through her dual role in this journeyman thriller which sticks Matt Dillon out front as an upwardly mobile man who prefers to murder his way to the top of the corporate ladder. Full of contrivances and asking many questions while providing few answers, this mediocre rehash of a 1956 thriller makes for little more than a nominal couch potato no-brainer. Okay to zone to. (C+)
Review of A Kiss Before Dying
