A good Hollywood Movie *gasp*
24 April 2000
While the trendy thing to say is about the Silence of the Lambs is that Manhunter is a better film, as is often the case I believe that this trend is dead wrong. Manhunter is a very good film, and I personally recommend it to anyone who is a fan of Harris, crime movies, or movies in general. But it has strayed from the novel in many points in favor of telling a more traditional crime story, leaving out much of the personal anguish and spiritual torture which was the soul of the book. However there is this pervasive ideas that large budget, famous, "Hollywood" movies cannot possibly be great cinema, an idea which is both narrow-minded and hopelessly ignorant of the filmmaking process. Surely there is someone out there who can make a good film with a seemingly unlimited budget, the best available talent, and still render something an audience would like. (Of course, since part of the audience is American, I guess they would say an ignorent audience) The Silence of the Lambs is proof positive that this marvel of a feat can be accomplished. As all of the positives of the film have previously been accounted, I will take this opportunity to refute some of the criticisms of the antagonist.

My personal favorites are the criticisms of the character of Hannibal Lector and his portrayer, Anthony Hopkins. The oft voiced gripes about his "overacting" are silly, as are the criticisms of the unreality of the character, at least to those who have read the novels. Hannibal Lector is presented within as a modern Mephistopheles, an incarnation of pure evil. He is smarter than you, stronger than you, more cultured than you, wiser than you. Worst of all, the character knows you better than you could ever conceive, your lies, your weaknesses, and your failings. He is just as interested in destroying your soul as well as your life. That is what Hopkins conveys in his Lector, an all knowing, all seeing being (NOT person, as noted in Red Dragon) who doesn't give a damn about anyone or anything but himself. The only flaw that the character possesses (again, as noted in Red Dragon and Manhunter) is that he is insane, just like the Devil in Western folklore. Keep this in mind when you see Hopkins in Hannibal.

Incidentally, I loved the critic who pointed out that they had never heard violins chime in during a dramatic scene in their life. Not only is that the most asinine argument I have ever heard for deriding a film (have you ever heard of suspension of disbelief?), but it is an argument which calls into question the validity the very foundations of all art. (What do you mean that's a woman? It's just paint on a canvas!) Good stuff.
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