8/10
a fresh reworking of a familiar theme
10 January 1999
Essentially a one act play about the pathos in the meeting of two lonely, damaged people who can't communicate their feelings and intentions, this character study reminds you of the most disturbed Woody Allen personas, and Brando's character in "Last Tango in Paris"- narcissistic, haunted by the past and continually oscillating between isolation and the desire that someone will rescue them from deep seated shame. Unpretentious, tense and compelling, "W.H.W" never lapses into sentimentality, and seems more focused than comparable more recent films such as "Heavy". It succeeds because of its sensitive treatment of a difficult subject.
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed